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The ethical claims discussed mobilize new relations between ourselves and others as well as new cultural practices, including new forms and genres In a historical moment when the more-than-century-old shock of the modern has given way to global and trans-national shifts and cultural displacements, what new ethical demands are created? Writing across the disciplines of anthropology, literature, museology, film, and sociology, contributors to this groundbreaking volume confront a world fraught with new crises and instabilities. The ethical claims they discuss mobilize new relations between ourselves and others as well as new cultural practices, including new forms and genres. Postmodernism and the Ethical Subject points us to new ways of thinking that raise the ethical stakes of our historical moment.
Writing across the disciplines of sociology, literature, film, anthropology, and museology, the contributors examine the way in which radical postmodern shifts around knowledge and value have mobilized new relations between ourselves and others and transformed a range of cultural practices. This volume includes philosophical reflections and essays on museums and memory, visual culture, and relations with the other. Postmodernism and the Ethical Subject examines the altered frameworks that simultaneously help us to meet the contemporary challenge and raise the ethical stakes of our historical moment.
Timothy Findley (1930-2002) is one of the most important contemporary Canadian writers. His novels have been classified as postmodern, exhibiting characteristic features such as parody, historiographic metafiction, and hybrid genres. This classification of Findley as a postmodern writer, however, largely neglects the fact that Findley is deeply committed to the exploration of certain ethical and political themes. Recurring topics in his work are, for instance, fascism, environmental concerns, and the problem of responsibility. Sparked off by the fascinating question of how postmodernism and ethics can be reconciled at all, and inspired by the so-called ethical turn in the literary theory of the 1990s, this study supplies a closer look at Findley's ethics with regard to its postmodern potential. A detailed analysis of five of his novels (The Wars, Famous Last Words, Not Wanted on the Voyage, The Telling of Lies and Headhunter) explores the ethical dimension of Findleys work and its consequences for his categorization as a postmodern writer.
A primer in ethics focusing on the social psychological and psychoanalytic elements surrounding group conformity and individual culpability, ethical statements, traditional philosophical study of ethics, postmodern ethics, ethics in a fragile world, and penance.
"In this exciting and important work, Wyschogrod attempts to read contemporary ethical theory against the vast unwieldy tapestry that is postmodernism. . . . [A] provocative and timely study."—Michael Gareffa, Theological Studies "A 'must' for readers interested in the borderlands between philosophy, hagiography, and ethics."—Mark I. Wallace, Religious Studies Review
This book is of interest for any reader wishing to explore the interface between literature, and critical and cultural theory. It investigates the notions of alterity which underlie the work of Lawrence Durrell and postmodernist theory. Grass (Irmgard Elsner Hunt).
Author : Frederick Ferre Publisher : State University of New York Press Page : 388 pages File Size : 47,64 MB Release : 2001-05-31 Category : Philosophy ISBN : 079149019X
Providing a worthy conclusion to Ferré's trilogy on preserving value in a postmodern world, Living and Value places ethics into the wider context of religion, God, and evil, and offers postmodern suggestions for environmental, technological, and political reforms.