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Excerpt from Posterity: Its Verdicts and Its Methods or Democracy A. D. 2100 In the year of our Lord, 1897, I had some reason to be tired of my life. Fortune had been very unkind to me through a series of disastrous years, and I suffered from a depression of mind which made existence an intolerable burden. But the longer I reflected upon it the more puzzled I became as to the means by which I could most decently, and with a due regard for appearances, make my exit from a stage on which I had become superfluous, and upon which circumstances beyond my control effectually prevented my appearing with the dignity which to most men is a first necessity of life. In this predicament I determined to consult my old friend, Kelvin Grove, whose arguments in favour of euthanasia had greatly interested me in former days. I called upon him, and expressed my surprise at finding him at liberty so early in the day. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Dystopia: A Natural History is the first monograph devoted to the concept of dystopia. Taking the term to encompass both a literary tradition of satirical works, mostly on totalitarianism, as well as real despotisms and societies in a state of disastrous collapse, this volume redefines thecentral concepts and the chronology of the genre and offers a paradigm-shifting understanding of the subject.Part One assesses the theory and prehistory of "dystopia". By contrast to utopia, conceived as promoting an ideal of friendship defined as "enhanced sociability", dystopia is defined by estrangement, fear, and the proliferation of "enemy" categories. A "natural history" of dystopia thus concentratesupon the centrality of the passion or emotion of fear and hatred in modern despotisms. The work of Le Bon, Freud, and others is used to show how dystopian groups use such emotions. Utopia and dystopia are portrayed not as opposites, but as extremes on a spectrum of sociability, defined by aheightened form of group identity. The prehistory of the process whereby 'enemies' are demonised is explored from early conceptions of monstrosity through Christian conceptions of the devil and witchcraft, and the persecution of heresy.Part Two surveys the major dystopian moments in twentieth century despotisms, focussing in particular upon Nazi Germany, Stalinism, the Chinese Cultural Revolution, and Cambodia under Pol Pot. The concentration here is upon the political religion hypothesis as a key explanation for the chiefexcesses of communism in particular.Part Three examines literary dystopias. It commences well before the usual starting-point in the secondary literature, in anti-Jacobin writings of the 1790s. Two chapters address the main twentieth-century texts usually studied as representative of the genre, Aldous Huxley's Brave New World andGeorge Orwell's Nineteen Eighty-Four. The remainder of the section examines the evolution of the genre in the second half of the twentieth century down to the present.