[PDF] Portrait Of The King eBook

An oversize biography covers each period of Elvis Presley's life while providing full-color, rare photographs and a final examination of the Elvis phenomenon that continues years after his death. Original.

Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson's "The likeness of the king" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as "the first modern portraits". Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways.

An “unputdownable” biography of the future king of England with “intriguing new details” about Kate and Diana by a #1 New York Times–bestselling author (Daily Beast). His face is recognized the world over, his story is well known. But what is Prince William really like? As Diana’s eldest son, he was her confidant. While the tabloids eagerly lapped up the lurid details of his parents’ divorce, William lived painfully through it, suffering the embarrassment, the humiliation, and divided loyalties. He watched his father denounced on prime time television; he met the lovers. And when he was just fifteen, his beautiful, loving mother was suddenly, shocking snatched from his life forever. The nation lost its princess and its grief threatened the very future of the monarchy. What was almost forgotten in the clamor was that two small boys had lost their mother. His childhood was a recipe for disaster, yet as he approaches his thirtieth birthday, William is as well-balanced and sane a man as you could ever hope to meet. He has an utter determination to do the right thing and to serve his country as his grandmother has so successfully done for the last sixty years. Who stopped him from going off the rails, turning his back on his duty and wanting nothing to do with the press—the people he blamed for his mother’s death? Where did the qualities that have so entranced the world, and his new bride, Catherine, come from? In the last thirty years, Penny Junor has written extensively about his parents and the extended family into which he was born. With the trust built up over that time, she has been able to get closer to the answers than ever before.

Joseph examines the narrative techniques used in the Deuteronomistic History to portray Israels kings. While David is constructed as a model of adherence to the covenant, Jeroboam is constructed as the ideal opposite; other kings are characterized along one or the other of these two models. The narrative functions didactically, instructing kings and the people of Judah regarding the consequences of disobedience. Joseph identifies differences between pre-exilic and exilic redactions in the Deuteronomistic History, offering a deepened understanding of the worldview and theology of this important biblical work.

Anglophiles and students of portraiture will find that The Royal Portrait fills a surprising void in the literature, as Scott (Royal Collection) presents for the first time a survey of British portraits housed in the various venues of the Royal Collection. The broad scope ranges from Richard II (the first British king portrayed) to Queen Elizabeth II; the latter monarch, along with Queen Victoria, is the subject of an independent chapter, while other chapters focus on images of royals from a particular dynastic house, such as the Stuart and the Hanoverian. Through an interesting selection of diverse media and formats employed in different periods, Scott explores the central question of "what constitutes a royal portrait?" The answers are multifaceted and contingent on such factors as patronage, function, royal control, and artistic intention; nevertheless symbolic visual conventions can still be traced in the representations of British monarchs over the centuries. This is a clearly written, well-illustrated survey; for more in-depth analyses of particular works one will need to turn to specialized sources, e.g., D. Howarth's Images of Rule (1997). Summing Up: Highly recommended. Lower-division undergraduates through researchers/faculty; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty. Reviewed by J. K. Dabbs.

A fascinating and lavishly-illustrated detective story about the allegorical painting Edward VI and the Pope.

Without light, there is no photograph. As almost every photographer knows, the word “photograph” has its roots in two Greek words that, together, mean “drawing with light.” But what is less commonly acknowledged and understood is the role that shadow plays in creating striking, expressive imagery, especially in portraiture. It is through deft, nuanced use of both light and shadow that you can move beyond shooting simply ordinary, competent headshots into the realm of creating dramatic portraiture that can so powerfully convey a subject’s inner essence, communicate a personal narrative, and express your photographic vision.

In The Dramatic Portrait: The Art of Crafting Light and Shadow, Chris Knight addresses portraiture with a unique approach to both light and shadow that allows you to improve and elevate your own portraiture. He begins with the history of portraiture, from the early work of Egyptians and Greeks to the sublime treatment of light and subject by artists such as Caravaggio, Rembrandt, and Vermeer. Chris then dives into a deep, hands-on exploration of light, shadow, and portraiture, offering numerous lessons and takeaways. He covers:

• The qualities of light: hard, soft, and the spectrum in between

• The relationships between light, subject, and background, and how to control them

• Lighting patterns such as Paramount, Rembrandt, loop, and split

• Lighting ratios and how they affect contrast in your image

• Equipment: from big and small modifiers to grids, snoots, barn doors, flags, and gels

• Multiple setups for portrait shoots, including those that utilize one, two, and three lights

• How color contributes to drama and mood, eliciting an emotional response from the viewer

• How to approach styling your portrait, from wardrobe to background

• The post-processing workflow, including developing the RAW file, maximizing contrast, color grading, retouching, and dodging and burning for heightened drama and effect

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• How all of these elements culminate to help you define your personal style and create your own narrative

The cousin of Elvis chronicles the King's poor beginnings in Mississippi; his relationship with his abusive, alcoholic mother; his fame; his service in the army; courtship with Priscilla; days in Vegas; and his tragic death.