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A large format version of the popular Dorling Kindersley Travel Guide series features meticulously detailed three-dimensional and cutaway illustrations of popular landmarks and sites throughout Ireland, along with fascinating travel information, full-color photography, and detailed captions.
Beginning in the early 17th century and continuing to the present day, the city of Dublin has built up a portrait collection that is unique on the island of Ireland in terms of range and diversity, and is brilliantly expressive of the political aspirations and realities that have informed its creation. The collection contains 66 works in oil-on-canvas and 8 statues in bronze and marble. This book contains a catalogue of the entire collection with an introduction placing it within the broader context of civic imagery and regalia, giving due regard to ceremony, heraldry, dress and accoutrements of office.
"This perceptive and highly readable book is primarily about the Republic and how it has changed profoundly over the past forty years, as a traditional rural-based society has adapted to a wider modern world. Once so enclosed, the Irish are now committed Europeans and have gained much from Europe. They have banished their old poverty, modernized their economy and lifestyles - but are they losing the old 'Irish' values? On this the nation is split, as a powerful Catholic Church sees its authority contested and social change leads to moral confusion." "Ardagh has talked with President Mary Robinson, Gay Byrne, the king of Irish TV, Eamonn Casey, the disgraced ex-Bishop of Galway, and countless others. His book ranges widely, from the Dublin slums to the fate of the small Mayo farms; it takes in the changing role of women, the young novelists, the music revival, the fight for the Irish language, the new-style emigrants, the creaking political system." "The long chapter on the North gives an upbeat picture of the patient grass-roots efforts at reconciliation, and of how a resilient people continue normal life in the shadow of the ongoing conflict. The logic of history may well lead to a united Ireland - but not by any means yet."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Doug DuBois was first introduced to a group of teenagers from the Russell Heights housing estate while he was an artist-in-residence at the Sirius Arts Centre in Cobh, on the southwest coast of Ireland. He was fascinated by the insular neighborhood, in which "everyone seems to be someone's cousin, former girlfriend, or spouse." Little can happen there that isn't seen, discussed, distorted beyond all reason, and fiercely defended against any disapprobation from the outside. DuBois gained entry when Kevin and Eirn (two participants of a workshop he taught) took him to a local hangout spot, opening his eyes to a world of not-quite-adults struggling -- publicly and privately -- through the last days of their childhood. Over the course of five years, DuBois returned to Russell Heights. People came and left, relationships formed and dissolved, and babies were born. Combining portraits, spontaneous encounters, and collaborative performances, the images in My Last Day at Seventeen exist in a delicate balance between documentary and fiction. A powerful follow-up to DuBois' acclaimed first book, All the Days and Nights, this volume provides an incisive examination ofthe uncertainties of growing up in Ireland today, while highlighting the unique relationship sustained between artist and subject. Exhibition: Sirius Arts Centre, Cobh, Ireland (10.2015).
'A moving and uplifting record of our nation's lockdown' Sunday Independent The essential book for 2020, capturing the heart-breaking and uplifting stories that made it a year we will never forget In March 2020, the arrival of Coronavirus in Ireland saw our world change overnight. We watched in shock as it spread throughout the world with devastating consequences. We stopped travelling, we worked from home, we celebrated birthdays, anniversaries and new arrivals via our screens. Many also had to grieve from a distance, isolated and alone. But the pandemic also became a time of coming together, of community spirit, of small kindnesses and boundless creativity. We saw frontline workers make extraordinary sacrifices, musicians perform from their front rooms, neighbourhood bingo and open-air film screenings. In Twilight Together Ruth Medjber has captured all of this and more. Visually stunning and deeply moving, she has photographed people all over Ireland at their front window at dusk, each with their own story to tell. Twilight Together is an extraordinary portrait of a pandemic by one of Ireland's most talented photographers and it is an important document for our times.
A New Day Dawning describes the political and cultural ferment that gripped Ireland the last time a century turned. Based on contemporary books and newspaper sources, and copiously illustrated with photographs from the period, this book offers insights into the conditions that prevailed in the Ireland of 1900. There is an account of the crimes that captured public attention at a time when urban and rural poverty were rife, the emigrant ship remained a common experience, and the workhouse often provided a last refuge for the poor and for the old. Individual chapters look at how people lived in 1900. Irish nationalism, how important Irish unionism was to the people, the dawn of Irish literature in the new century, and a look at Ireland as part of the fin de siecle world. A final chapter asseses Ireland's advancement over the last century.
James Joyce’s deeply personal and “most memorable novel” (H. G. Wells) detailing the spiritual and artistic awakening of Stephen Dedalus, now freshly repackaged for the Union Square & Co. Signature Classics line. James Joyce’s semi-autobiographical first novel explores the author’s own love-hate relationship with Ireland through Stephen Dedalus, Joyce’s literary alter ego. Dedalus yearns to be an artist, but must first overcome the aspects of Irish society, like school and the church, that he feels restrains his creativity and stifles his soul. Joyce’s use of experimental literary techniques, including stream of consciousness, is on full display in his first novel, which he further develops in his later works, Ulysses and Finnegan’s Wake.