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Author : Michael Herzfeld Publisher : University of Chicago Press Page : 348 pages File Size : 33,44 MB Release : 1997 Category : Art ISBN : 9780226329109
Anthropologist Michael Herzfeld first met Greek novelist Andreas Nenedakis in the courtyard of a public library. Their enduring friendship prompted Herzfeld to reconsider both the contours of fiction and the nature of anthropology. Part biography and part ethnography, PORTRAIT OF A GREEK IMAGINATION is Herzfeld's contextualization of Nenedakis's life, as it was both lived and fictionalized. 10 photos.
In Portrait of a Greek Imagination, Michael Hetzfeld succeeds in telling the life history of Andreas Nenedakis in a way that beautifully connects autobiographic and ethnographic levels of understanding. One learns a great deal about Nenedakis as a writer and a person while acquiring new knowledge and insight into the spirals of history that have drawn together Cretan, Greek, and European society during the twentieth century. It is an important contribution to the current discussions about the intersection of anthropology and literature.
The Greeks have long been regarded as innovators across a wide range of fields in literature, culture, philosophy, politics and science. However, little attention has been paid to how they thought and felt about novelty and innovation itself, and to relating this to the forces of traditionalism and conservatism which were also present across all the various societies within ancient Greece. What inspired the Greeks to embark on their unique and enduring innovations? How did they think and feel about the new? This book represents the first serious attempt to address these issues, and deals with the phenomenon across all periods and areas of classical Greek history and thought. Each chapter concentrates on a different area of culture or thought, while the book as a whole argues that much of the impulse towards innovation came from the life of the polis which provided its setting.
The sea is omnipresent in Greek life. Visible from nearly everywhere, the sea represents the life and livelihood of many who dwell on the islands and coastal areas of the Mediterranean, and it has been so since long ago—the sea loomed large in the Homeric epics and throughout Greek mythology. The Greeks of antiquity turned to the sea for food and for transport; for war, commerce, and scientific advancement; and for religious purification and other rites. Yet, the sea was simultaneously the center of Greek life and its limit. For, while the sea was a giver of much, it also embodied danger and uncertainty. It was in turns barren and fertile, and pictured as both a roadway and a terrifying void. The image of the sea in Greek myth is as conflicting as it is common, with sea crossings taking on seemingly incompatible meanings in different circumstances. In The Sea in the Greek Imagination, Marie-Claire Beaulieu unifies the multifarious representations of the sea and sea crossings in Greek myth and imagery by positing the sea as a cosmological boundary between the mortal world, the underworld, and the realms of the immortal. Through six in-depth case studies, she shows how, more than a simple physical boundary, the sea represented the buffer zone between the imaginary and the real, the transitional space between the worlds of the living, the dead, and the gods. From dolphin riders to Dionysus, maidens to mermen, Beaulieu investigates the role of the sea in Greek myth in a broad-ranging and innovative study.
Excerpt from Greek Gods and Heroes: As Represented in the Classical Collections of the Museum This handbook is intended for high-school students of literature who have occasion to become familiar with the Greek gods and heroes. To the student of Virgil or of Milton these gods may remain merely names, or they may be associated with illustrations in books; fortunately Boston possesses original works of Greek art which represent them as they were conceived by the Greeks themselves, and the present book directs attention to the original Greek representation of each god or hero which may be seen there. It will entirely fail of its purpose unless it brings the student face to face with the objects in the Museum illustrated in it. In so far as this purpose is fulfilled, the student may come to realize the personality of these beings of Greek imagination through the arts of sculpture and painting as well as through the art of literature. In a word, the student may see the imaginative being about whom he is reading, as the Greeks themselves saw it. To this purpose the brief descriptions of the gods and heroes are subordinated. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Drawing a portrait of the islands off the coast of Greece, Corfu resident Jim Potts narrates the cultural legacies of this unique place from Homer to modern times.
The task of the anthropologist is to take ideas, concepts and beliefs from one culture and translate them into first another language, and then into the language of anthropology. This process is both fascinating and complex. Not only does it raise questions about the limitations of language, but it also challenges the ability of the anthropologist to communicate culture accurately. In recent years, postmodern theories have tended to call into question the legitimacy of translation altogether. This book acknowledges the problems involved, but shows definitively that ‘translating cultures' can successfully be achieved. The way we talk, write, read and interpret are all part of a translation process. Many of us are not aware of translation in our everyday lives, but for those living outside their native culture, surrounded by cultural difference, the ability to translate experiences and thoughts becomes a major issue. Drawing on case studies and theories from a wide range of disciplines -including anthropology, philosophy, linguistics, art history, folk theory, and religious studies - this book systematically interrogates the meaning, complexities and importance of translation in anthropology and answers a wide range of provocative questions, such as: - Can we unravel the true meaning of the Christian doctrine of trinity when there have been so many translations? - What impact do colonial and postcolonial power structures have on our understanding of other cultures? - How can we use art as a means of transgressing the limitations of linguistic translation? Translating Cultures: Perspectives on Translation and Anthropology is the first book fully to address translation in anthropology. It combines textual and ethnographic analysis to produce a benchmark publication that will be of great importance to anthropologists, philosophers, linguists, historians, and cultural theorists alike.
Traces the story of how ancient cultures envisioned artificial life, automata, self-moving devices and human enhancements, sharing insights into how the mythologies of the past related to and shaped ancient machine innovations.