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Author : Dudley Andrew
Publisher : Harvard University Press
Page : 472 pages
File Size : 33,26 MB
Release : 2005
Category : History
ISBN : 9780674027169
The authors highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film - technologies that converged with efforts among writers, artists, and other intellectuals to respond to the crises of the decade.
Author : Tim Bergfelder
Publisher : Amsterdam University Press
Page : 316 pages
File Size : 37,30 MB
Release : 2007
Category : Performing Arts
ISBN : 9789053569849
Summary: "Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers ʼ drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns."--Publisher description.
Author : Tim Bergfelder
Publisher : Amsterdam University Press
Page : 320 pages
File Size : 41,29 MB
Release : 2007
Category : Performing Arts
ISBN : 9053569804
Summary: "Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers ʼ drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns."--Publisher description.
Author : Nick Underwood
Publisher : Indiana University Press
Page : 238 pages
File Size : 33,32 MB
Release : 2022-03-01
Category : History
ISBN : 0253059801
Yiddish Paris explores how Yiddish-speaking emigrants from Eastern Europe in Paris in the 1920s and 1930s created a Yiddish diaspora nation in Western Europe and how they presented that nation to themselves and to others in France. In this meticulously researched and first full-length study of interwar Yiddish culture in France, author Nicholas Underwood argues that the emergence of a Yiddish Paris was depended on "culture makers," mostly left-wing Jews from Socialist and Communist backgrounds who created cultural and scholarly organizations and institutions, including the French branch of YIVO (a research institution focused on East European Jews), theater troupes, choruses, and a pavilion at the Paris World's Fair of 1937. Yiddish Paris examines how these left-wing Yiddish-speaking Jews insisted that even in France, a country known for demanding the assimilation of immigrant and minority groups, they could remain a distinct group, part of a transnational Yiddish-speaking Jewish nation. Yet, in the process, they in fact created a French-inflected version of Jewish diaspora nationalism, finding allies among French intellectuals, largely on the left.
Author : Therese Lichtenstein
Publisher : University of California Press
Page : 224 pages
File Size : 13,92 MB
Release : 2011-07-21
Category : Photography
ISBN : 0520271270
Through an examination of surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the beautifully illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the photographs of Paris by Brassai, Andre Kertesz, Ilse Bing, Germaine Krull, and Man Ray, among others, all reflect the tumultuous social and cultural transformations occurring in Paris in the 1920s and 30s. Juxtaposing the strange with the familiar, they seek to break down repressive hierarchies. At the same time, they represent a desire to change the world through experimental activities. Introduced by Therese Lichtenstein, with essays by Therese Lichtenstein, Julia Kelly, Colin Jones, and Whitney Chadwick, this absorbing volume considers the social, aesthetic, and political stances of the Surrealists as they probed hidden aspects of the commonplace and blurred the boundaries between dreams and reality, subjectivity and objectivity. Copub: Frist Center for the Visual Arts
Author : David A. Pettersen
Publisher : University of Wales Press
Page : 337 pages
File Size : 12,20 MB
Release : 2016-05-20
Category : History
ISBN : 178316851X
Gangsters, aviators, hard-boiled detectives, gunslingers, jazz and images of the American metropolis were all an inextricable part of the cultural landscape of interwar France. While the French 1930s have long been understood as profoundly anti-American, this book shows how a young, up-and-coming generation of 1930s French writers and filmmakers approached American culture with admiration as well as criticism. For some, the imaginary America that circulated through Hollywood films, newspaper reports, radio programming and translated fiction represented the society of the future, while for others it embodied a dire threat to French identity. This book brings an innovative transatlantic perspective to 1930s French culture, focusing on several of the most famous figures from the 1930s – including Marcel Carné, Louis-Ferdinand Céline, Pierre Drieu la Rochelle, Julien Duvivier, André Malraux, Jean Renoir and Jean-Paul Sartre – to track the ways in which they sought to reinterpret the political and social dimensions of modernism for mass audiences via an imaginary America.
Author : Jessica Wardhaugh
Publisher : Cambridge Scholars Publishing
Page : 260 pages
File Size : 12,2 MB
Release : 2021-04-16
Category : Political Science
ISBN : 152756844X
Certain images of Paris have become icons for the left, but the Paris of the right has received far less attention. This groundbreaking collection of essays examines the relationship between Paris and the right in the twentieth century, exploring how political leaders and parties have depicted and controlled the streets, people and history of Paris, and how the city has been both context and inspiration for journalists and novelists of the right. The first part focuses on the relationship between the right, the street and the people, and describes some of the most contentious political movements in recent French history, from the anti-parliamentary leagues of the Belle Époque to the contemporary Front National. The second part examines the importance of Paris for de Gaulle and his successors in their exercise of authority and control, whether in the media, the streets, or municipal politics. Lastly, the book explores the Paris imagined and experienced by right-wing novelists from Charles Maurras to the post-war “Hussards”, mapping out an intellectual topography and emphasising the tensions between a real and imaginary city. A Franco-British collaboration spanning history, literary studies and political science, this volume offers an original contribution to the political geography, culture and symbolism of the French capital.
Author : Tom Brown
Publisher : Routledge
Page : 292 pages
File Size : 26,13 MB
Release : 2015-08-11
Category : History
ISBN : 1317527054
Spectacle is not often considered to be a significant part of the style of ‘classical’ cinema. Indeed, some of the most influential accounts of cinematic classicism define it virtually by the supposed absence of spectacle. Spectacle in ‘Classical’ Cinemas: Musicality and Historicity in the 1930s brings a fresh perspective on the role of the spectacular in classical sound cinema by focusing on one decade of cinema (the 1930s), in two ‘modes’ of filmmaking (musical and historical films), and in two national cinemas (the US and France). This not only brings to light the special rhetorical and affective possibilities offered by spectacular images but refines our understanding of what ‘classical’ cinema is and was.
Author : J. Wardhaugh
Publisher : Springer
Page : 314 pages
File Size : 28,64 MB
Release : 2008-11-12
Category : History
ISBN : 0230594751
The first comparative study of how the French Popular Front and its right-wing opponents transformed the masses into the people, whether in demonstrations and festivals, or theatre and film. Seven chapters examine the representation of the crowd, workers, electorate, nation and symbolic community, exploring parallels between left and right.
Author : Richard D. Sonn
Publisher : Bloomsbury Publishing
Page : 393 pages
File Size : 39,95 MB
Release : 2022-02-10
Category : Art
ISBN : 1350185329
In the years before, during, and after the First World War, hundreds of young Jews flocked to Paris, artistic capital of the world and center of modernist experimentation. Some arrived with prior training from art academies in Kraków, Vilna, and Vitebsk; others came armed only with hope and a few memorized phrases in French. They had little Jewish tradition in painting and sculpture to draw on, yet despite these obstacles, these young Jews produced the greatest efflorescence of art in the long history of the Jewish people. The paintings of Marc Chagall, Amedeo Modigliani, Chaim Soutine, Sonia Delaunay-Terk, and Emmanuel Mané-Katz, the sculptures of Jacques Lipchitz, Ossip Zadkine, Chana Orloff, and works by many other artists now grace the world's museums. As the École de Paris was the most cosmopolitan artistic movement the world had seen, the left-bank neighborhood of Montparnasse became a meeting place for diverse cultures. How did the tolerant, bohemian atmosphere of Montparnasse encourage an international style of art in an era of bellicose nationalism, not to mention racism and antisemitism? How did immigrants not only absorb but profoundly influence a culture? This book examines how the clash of cultures produced genius.