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Policing Egyptian Women delineates the intricate manner in which the modern state in Egypt monitored, controlled, and "policed" the bodies of subaltern women. Some of these women were runaway slaves, others were deflowered outside of marriage, and still others were prostitutes. Kozma traces the effects of nineteenth-century developments such as the expansion of cities, the abolition of the slave trade, the formation of a new legal system, and the development of a new forensic medical expertise on these women who lived at the margins of society.
Emotional Cities offers an innovative account of the history of cities in the second half of the nineteenth century. Analyzing debates about emotions and urban change, it questions the assumed dissimilarity of the history of European and Middle Eastern cities during this period. The author shows that between 1860 and 1910, contemporaries in both Berlin and Cairo began to negotiate the transformation of the urban realm in terms of emotions. Looking at the ways in which a variety of urban dwellers, from psychologists to bar maids, framed recent changes in terms of their effect on love, honor, or disgust, the book reveals striking parallels between the histories of the two cities. By combining urban history and the history of emotions, Prestel proposes a new perspective on the emergence of different, yet comparable cities at the end of the nineteenth century.
The essays in this Oxford Handbook rethink the modern history of one of the most important and influential countries in the Middle East--Egypt. For a country and region so often understood in terms of religion and violence, this work explores environmental, medical, legal, cultural, and political histories. It gives readers an excellent view of the current debates in Egyptian history.
The women’s movement in Egypt has been heralded as improving the lives of women in Egypt and paving the way for women throughout the Arab world. As seen through the eyes of the university educated elite and middle class, this is no doubt true, yet such a narrow view fails to account for the diversity of women’s experience. In Changing Perspectives, Cathlyn Mariscotti provides a critical re-examination of the women’s movement, framing it within the broader economic and political movements occurring in Egypt and abroad. Her nuanced account unveils a rich, differentiated, and complex history of Egyptian women. Drawing upon published journal reports and newspaper articles, Mariscotti explores the tensions between upper class harem women and lower class women. Rather than a unified movement, the author describes the way in which elite feminism created a concept of womanhood that fed into the nationalist cultural ideal, one that was not necessarily progressive for all Egyptian women. Demonstrating active resistance, the non-elite women constructed a model of feminism in line with their own class position and political interests. Mariscotti’s reveals the tension in the movement through the profiles of From this class struggle, a unique, synthesized form of feminism emerged, infused with the politics and culture of Egypt at that time. Humanizing her analysis, the author profiles two outspoken and prominent women who symbolize the conflict: the university educated and wealthy Huda Sha’rawi and Munira Thabit who represented the working class women. The first book to emphasize the class conflict among women, this book makes an invaluable contribution to the fields of women’s studies and Middle East studies.
Policing Prostitution examines the complex world of commercial sex in the late Russian Empire. From the 1840s until 1917, prostitution was legally tolerated across the Russian Empire under a system known as regulation. Medical police were in charge of compiling information about registered prostitutes and ensuring that they followed the strict rules prescribed by the imperial state governing their visibility and behaviour. The vast majority of women who sold sex hailed from the lower classes, as did their managers and clients. This study examines how regulation was implemented, experienced, and resisted amid rapid urbanization, industrialization, and modernization around the turn of the twentieth century. Each chapter examines the lives and challenges of different groups who engaged with the world of prostitution, including women who sold sex, the men who paid for it, mediators, the police, and wider urban communities. Drawing on archival material from Russia, Ukraine, Belarus, Latvia, Lithuania, and Estonia, Policing Prostitution illustrates how prostitution was an acknowledged, contested, and ever-present component of lower-class urban society in the late imperial period. In principle, the tsarist state regulated prostitution in the name of public order and public health; in practice, that regulation was both modulated by provincial police forces who had different local priorities, resources, and strategies, and contested by registered prostitutes, brothel madams, and others who interacted with the world of commercial sex.
This book discusses Egyptian Muslim women’s dress as the social, political and ideological signifier of the changing attitudes towards Western modernity. It employs women’s clothing styles as a feminist act that provides rich insights into the power and limits of legal regulations and hegemonic discourses in constructing gendered and cultural borders in the modern Egyptian public sphere. Furthermore, through highlighting marginalized but significant models and historical moments of cultural exchange between Muslim and Western cultures through female dress, the book tells a third story beyond the binary model of an assumed modest oppressed traditional Muslim woman vis-à-vis consumer emancipated modern Western woman in mainstream Western discourse and literary representation.
Author : Carmen M. K. Gitre Publisher : University of Texas Press Page : 192 pages File Size : 24,36 MB Release : 2019-12-02 Category : Performing Arts ISBN : 1477319182
At the turn of the twentieth century—during the “protectorate” period of British occupation in Egypt—theaters and other performance sites were vital for imagining, mirroring, debating, and shaping competing conceptions of modern Egyptian identity. A central figure in this diverse spectrum was the effendi, an emerging class of urban, male, anti-colonial professionals whose role would ultimately become dominant. Acting Egyptian argues that performance themes, spaces, actors, and audiences allowed pluralism to take center stage while simultaneously consolidating effendi voices. From the world premiere of Verdi’s Aida at Cairo’s Khedivial Opera House in 1869 to the theatrical rhetoric surrounding the revolution of 1919, which gave women an opportunity to link their visibility to the well-being of the nation, Acting Egyptian examines the ways in which elites and effendis, men and women, used newly built performance spaces to debate morality, politics, and the implications of modernity. Through scripts, playbills, ads, and numerous other sources, the book brings to life provocative debates and dissent that fostered a new image of national culture and echoed urban life in the struggle for independence.