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While the state of the environment is a very current issue, passion and concern for the world around us is nearly as old as the world itself. Poetry for the Earth brings together a cross-section of some of the most beautiful and haunting poetry ever written in tribute to--or in mourning for--our magnificent landscapes.
In forty brief and lucid chapters, Felstiner presents those voices that have most strongly spoken to and for the natural world. Poets- from the Romantics through Whitman and Dickinson to Elizabeth Bishop and Gary Snyder- have helped us envision such details as ocean winds eroding and rebuilding dunes in the same breath, wild deer freezing in our presence, and a person carving initials on a still-living stranded whale.
This landmark work explores how our attitudes toward nature are mirrored in and influenced by poetry. Showing us a resurgent vision of harmony between nature and humanity in the work of some of our most widely read poets, Imagining the Earth reveals the power of poetry to identify, interpret, and celebrate a wide range of issues related to nature and our place in it.
Poems that personally engage with the materiality and danger of earth. A kind of translation of the thousand-year-old poem "Earth Took of Earth," this book is an attempt to restate in personal, emotional terms a sense of both the danger of and the consolation given by earth itself. Many of these poems arose during a collaboration with the ecologist-ceramicist Mia Mulvey: her work with earth, clay often extruded through digitally guided machinery, echoes Ramke's attempts to understand damages done to and celebrate the facts of earth--for instance, that geosmin, the scent of wet soil, is so powerfully recognizable even in trace amounts. The title of this book is also a play on the phrase "heaven on earth," turning this idea around and encouraging us to instead turn our hopes toward earth on earth.
This book of nature poetry and practices shows us just how easy and enjoyable it can be to tap into the power of nature to calm frazzled minds and lift weary spirits, even in the midst of a city. Author Kai Siedenburg points to two basic keys: finding small but satisfying ways to connect with the Earth in daily life, and making the most of our precious time in wild places. Her insightful and delightful book, Poems of Earth and Spirit: 70 Poems and 40 Practices to Deepen Your Connection with Nature, helps us do both. Through intimate original poems, we experience loving encounters with trees, the gratitude of thirsty plants quenched by rain, and cross-cultural communication with chickadees. We feel what it is like to walk on padded paws, to take wing, to root ourselves in the earth. And through carefully crafted practices, we learn how to cultivate a direct and nourishing connection with nature that will support and sustain us wherever we go. In this high-stress, high-tech world in which so many of us hunger for more authentic connection, Poems of Earth and Spirit illuminates a direct and scenic path to greater joy, meaning, and belonging. This is a book that keeps on giving-and not just to its readers. A portion of the sales raises funds in aid of TreeSisters, a grassroots network that plants over a million trees a year in the tropics. Advance praise for Poems of Earth and Spirit "Beautiful, heart-felt poems for connecting with the Earth." -Joseph Bharat Cornell, author of Sharing Nature and Deep Nature Play "Brimming with insight and imagination... To spend time with this collection is like sitting by a pure mountain stream; we are filled with peace, wonder, and delight. These inspiring poems and simple practices will help you deepen your connection with nature wherever you are." -Mary Reynolds Thompson, author of Embrace Your Inner Wild and Reclaiming the Wild Soul. "What I want from poetry is what Kai gives me, to see anew and to feel deeply, to be reminded of who I am." -Patrice Vecchione, author of Step into Nature: Nurturing Imagination & Spirit in Everyday Life. More info: PoemsofEarthandSpirit.com
This provocative collection of poems ranges from such lofty subjects as an astronaut’s view of Earth to the burrows of worms and little creatures within the earth, “where I try to tread softly: a quiet giant leaving only footprints on the roof.” Marilyn Singer’s lilting free verse offers visual images that give us fresh new insights and respect for the mighty power of volcanoes, fens, islands, deserts, dunes, and natural disasters. Singer’s easily accessible poems also include some of the lighter moments of childhood, such as sliding on ice and playing in mud. Meilo So’s distinctive india ink drawings on rice paper provide an especially handsome showcase for these buoyant nature poems. From the Hardcover edition.
In this timely and moving collection of poems, Sarah P. Strong explores what it means to live in a world undergoing an irrevocable transformation, the magnitude of which we barely comprehend. A broad range of perspectives shows us different times and places on Earth while unfolding the cyclical nature of human denial and response. A series of linked persona poems about the Dust Bowl recounts the destruction of the Great Plains and how human dreams of plenty destroyed the ancient fertility and stability of the land, how heartbreak and denial contended with bureaucratic insolence. In an imagined view of our planet as it might appear millennia from now, the Earth is "a worry stone / in the pocket of space, or a mood ring / on the finger of a newly minted / god." The Mouth of Earth serves as both a survival guide for those seeking connection with our planet and one another as well as a compassionate tribute to what we have lost or are losing—the human consequences of such destruction in a time of climate crisis and lost connectivity. Strong’s powerful poems offer us, if not consolation, at least a way toward comprehension in an age of loss, revealing both our ongoing denial of our planet’s fragility and the compelling urgency of our hunger for connection with all life.
In her new collection, Earth, Mercy, Mary Rose O'Reilley sifts through the debris of human habitation -- pink thong sandals, curlers, broken televisions -- looking for a kind of junkyard grace: "Holiness enters again / turquoise fins, and the Cessna's carapace / lifts on its wind." The first poem, "Genesis," locates the reader in Edenic time, "in that humid and green / arrival," while the last, "Watching the End of the World from Hovland, Minnesota," gives nature a final word: "Morels on goat prairie gloat / in their blue light. Spruce / speaking of green on green." Between these points, any poem offers a threshold over which something unexpected may pass -- a ghost, an angel, or the yap of an insouciant dog alerting us to apocalypse. Against all that threatens our survival, Earth, Mercy asserts the beauty of our poignantly sensual life.