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In this collection of twelve essays, the editors attempt to define the poet as prophet in Western literature and to select the general attributes of prophetic writing. The essays focus, in the main, on the prophetic tradition in the English-speaking world, as well as on a sufficient number of writers outside that tradition, to prove that all prophetic writing shares common features.
This 1952 book is an inquiry into the relations in origin between literature and inspiration, based on a study of the practices of seers in modern communities where oral literature sill survives, and of the records of primitive poetry in the West and North. Mrs Chadwick discusses the universal reverence accorded to poets, musicians, seers, or prophets, the training they underwent, the methods of ecstasy, and the remarkable similarities of their messages in remote and different parts of the world.
"This study of radical prophecy in seventeenth-century England explores the significance of gender in the thinking and behaviour of hundreds of religious visionaries between 1650 and 1700. The centrepiece of the work is a study of the Society of Friends, or Quakers, by far the largest and most successful of teh radical sectarian groups active during the period of the English civil war and the inter-regnum."--Jacket.
This study examines women’s prophetic writings in seventeenth-century Britain as the literary outcome of a discourse of social transformation that integrates religious conscience, political participation, and gender identity. The following pages approach prophecy as a culture, a language, and a catalyst for collective change as the individual prophet conceptualized it. While the corpus of prophetic writing continues to grow as the result of archival research, this monograph complements our particular knowledge of women’s prophecy in the seventeenth century with a global assessment of what makes speech prophetic in the first place, and what are the differences and similarities between texts that fall into the prophetic mode. These disparities and commonalities stand out in the radical language of prophecy as well as in the way it creates an authorial centre. Examining how authorship is represented in several configurations of prophetic delivery, such as essays on prophecy, poetic prophecy, spiritual autobiography, and election narratives, the different chapters consider why prophecy peaked in the years of the civil wars and how it evolved towards the eighteenth century. The analyses extrapolate the peculiarities of each case study as being representative of a form of textually-based activism that enabled women to gain a deeper understanding of themselves as creators of independent meaning that empowered them as individuals, citizens, and believers.
While poets have traditionally inhabited cultural margins, prophets have brought poetic language to the center of cultural debate, not foretelling the future so much as diagnosing the present. This exciting collection of nine essays examines the range of social and political implications that inflects poetic discourse, from the Old English and Latin texts of the Anglo-Saxon world to the Scotland and England of the Renaissance. Whether saints' lives, Germanic heroic epics, chronicles, or satiric poems, the works discussed in this book retain their verbal power, if not their political influence, into our own time.
As a traditional site of historicist practice, medieval studies is particularly well-placed to benefit from the recent reemergence of historicism in literary studies. But this new "critical historicism" is different in both method and interests from past forms of historicist work. The differences are well illustrated by this collection. The concern with politics, the reliance on the materials of economic and social history, the conception of writing as a form of social practice, the focus upon the forces of change in medieval culture, the unwillingness to observe the usual distinction between literary and historical texts, and the historicization of their own practice--these characteristics make the publication of these essays a significant event for medieval studies.
This book contributes to the study of a major trend in Modern Hebrew literature, the prophetic mode and the image of the poet as a prophet-hero and artist, following the Romantic and the Symbolist movements in Europe and unique Jewish history in ancient and modern times.
This highly original study of the 'manic style' in enthusiastic writing of the seventeenth and eighteenth centuries identifies a literary tradition and line of influence running from the radical visionary and prophetic writing of the Ranters and their fellow enthusiasts to the work of Jonathan Swift and Christopher Smart. Clement Hawes offers a counterweight to recent work which has addressed the subject of literature and madness from the viewpoint of contemporary psychological medicine, putting forward instead a stylistic and rhetorical analysis. He argues that the writings of dissident 'enthusiastic' groups are based in social antagonisms; and his account of the dominant culture's ridicule of enthusiastic writing (an attitude which persists in twentieth-century literary history and criticism) provides a powerful and daring critique of pervasive assumptions about madness and sanity in literature.
Originally published in 1991, Piers Plowman: An Approach to the C-Text studies what might be called the "mindscape" of Piers Plowman. The book argues that the C-text poem is inspired by the writings of the biblical prophets. The book outlines the fourteenth-century background and discusses the idea of prophecy and how the biblical prophets were read, as well as the role of literary models such as Wyclif and Joachim of Fiore. By examining the specific aspects of the poem, the book shows imaginative connections between the poem and the prophets, offering a unique perspective that Langland’s prophetic stance is complementary to other approaches to the poem.