[PDF] Poetic Form eBook

Author : Michael D. Hurley
Publisher : Cambridge University Press
Page : 259 pages
File Size : 16,69 MB
Release : 2012-10-08
Category : Literary Criticism
ISBN : 1107376920

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Michael D. Hurley and Michael O'Neill offer a perceptive and illuminating look into poetic form, a topic that has come back into prominence in recent years. Building on this renewed interest in form, Hurley and O'Neill provide an accessible and comprehensive introduction that will be of help to undergraduates and more advanced readers of poetry alike. The book sees form as neither ornamenting nor mimicking content, but as shaping and animating it, encouraging readers to cultivate techniques to read poems as poems. Lively and wide-ranging, engaging with poems as aesthetic experiences, the book includes a long chapter on the elements of form that throws new light on troubling terms such as rhythm and metre, as well as a detailed introduction and accessible, stimulating chapters on lyric, the sonnet, elegy, soliloquy, dramatic monologue and ballad and narrative.

Author : Ron Padgett
Publisher :
Page : 256 pages
File Size : 15,20 MB
Release : 2000
Category : Literary Criticism
ISBN :

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A reference guide to various forms of poetry with entries arranged in alphabetical order. Each entry defines the form and gives its history, examples, and suggestions for usage.

Author : Lewis Turco
Publisher : UPNE
Page : 356 pages
File Size : 17,71 MB
Release : 2000
Category : Literature
ISBN : 9781584650225

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Companion to the Book of Literary Terms, an indispensable handbook, revised and updated for today's users.

Author : Lucy Alford
Publisher : Columbia University Press
Page : 249 pages
File Size : 27,62 MB
Release : 2020-01-28
Category : Literary Criticism
ISBN : 0231547323

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A poem is often read as a set of formal, technical, and conventional devices that generate meaning or affect. However, Lucy Alford suggests that poetic language might be better understood as an instrument for tuning and refining the attention. Identifying a crucial link between poetic form and the forming of attention, Alford offers a new terminology for how poetic attention works and how attention becomes a subject and object of poetry. Forms of Poetic Attention combines close readings of a wide variety of poems with research in the philosophy, aesthetics, and psychology of attention. Drawing on the work of a wide variety of poets such as T. S. Eliot, Wallace Stevens, Frank O’Hara, Anne Carson, Theresa Hak Kyung Cha, Harryette Mullen, Al-Khansā’, Rainer Maria Rilke, Arthur Rimbaud, and Claudia Rankine, Alford defines and locates the particular forms of attention poems both require and produce. She theorizes the process of attention-making—its objects, its coordinates, its variables—while introducing a broad set of interpretive tools into the field of literary studies. Forms of Poetic Attention makes the original claim that attention is poetry’s primary medium, and that the forms of attention demanded by a poem can train, hone, and refine our capacities for perception and judgment, on and off the page.

Author : David Caplan
Publisher : Longman
Page : 0 pages
File Size : 10,1 MB
Release : 2007
Category : Literary form
ISBN : 9780321198204

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Poetic Form offers a clear, compact, and entertaining introduction to the history, structure, and practice of the language's most popular verse forms. Written with humor and wit, this guide aims to convey the pleasures of poetry -- a sestina's delightful gamesmanship, an epigram's barbed wit, a haiku's deceptive simplicity -- and the fun of exploring the poetic forms. Each chapter defines a particular verse form, briefly describes its history, and offers examples. Writing exercises challenge students to utilize the forms in creative expression. Covering a wider range of forms in greater detail and with more poetic examples than similar guides on the market, it provides enough material to thoroughly introduce the language's major forms while allowing flexibility in the classroom.

Author : Stephen Adams
Publisher : Broadview Press
Page : 260 pages
File Size : 28,77 MB
Release : 1997-04-07
Category : Poetry
ISBN : 9781551111292

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There are numerous introductions to poetry and prosody available, but none at once so comprehensive and so accessible as this. With the increasing emphasis on free verse, the past generation has developed a widespread impression that the study of poetic meter is old fashioned—or even that form ‘doesn’t matter’ in poetry. It is an impression that has not been dispelled by the emphasis of some of the existing texts in the area on forms that are now rare or outmoded. The irony is that simultaneously in the past decade interest in formal matters among many poets and literary scholars has been on the increase; the reality is that prosody is today on the cutting edge of literary studies. Stephen Adams’ text provides a full treatment of traditional topics, from the iambic pentameter through other accentual-syllabic rhythms (trochaic, dactylic and so on) and covering as well other metrical types, stanza structure, the sonnet and other standard forms. Adams also includes a variety of topics not covered in most other introductions to the topic; perhaps most significantly, he provides a full chapter on form in free verse. Moreover, he treats rhyme extensively and includes a comprehensive chapter on literary figures. Poetic Designs is thus much more that an introduction to prosody; it is a concise but comprehensive introduction to the nature of poetry in English. It is a book for the general reader and the aspiring writer as well as for the student, a book intended (in the words of the author) to help ‘heighten the experience of poetry.’

Author : Michael Theune
Publisher : Teachers & Writers Collaborative
Page : 268 pages
File Size : 48,8 MB
Release : 2007
Category : Education
ISBN :

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Structure & Surprise: Engaging Poetic Turns offers a road map for analyzing poetry through examination of poems' structure, rather than their forms or genres. Michael Theune's breakthrough concept encourages students, teachers, and writers to use structure as a tool to see the fundamental affinities between strikingly different kinds of poetry and radically different literary eras. The book includes examination of the mid-course turn and the elegy, as well as the ironic, concessional, emblem, and retrospective-prospective structures, among others. In addition, 14 contemporary poets provide an example of and commentary on their own work.