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Catalog of Copyright Entries. Third Series

Author : Library of Congress. Copyright Office
Publisher : Copyright Office, Library of Congress
Page : 1608 pages
File Size : 34,48 MB
Release : 1976
Category : Copyright
ISBN :

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Poetry

Author :
Publisher :
Page : 826 pages
File Size : 37,84 MB
Release : 1975
Category : American poetry
ISBN :

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The Rotarian

Author :
Publisher :
Page : 56 pages
File Size : 20,32 MB
Release : 1975-05
Category :
ISBN :

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Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.

Slap-Happy - Cache of Odes

Author : Sindhuja Manikandan
Publisher : BecomeShakespeare.com
Page : 123 pages
File Size : 25,38 MB
Release : 2021-01-11
Category : Poetry
ISBN : 9390543479

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Every page you turn will have one or the other emotion out of love, fun, scare, anger, confusion, excitement and some more to hold the flavor of father's care to mother's share to romantic pair and so on. Read the odes with passion to really feel the aroma of emotion.

Catalog of Copyright Entries, Third Series

Author : Library of Congress. Copyright Office
Publisher :
Page : 1602 pages
File Size : 43,27 MB
Release : 1975
Category : Copyright
ISBN :

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The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).

Wreading

Author : Jed Rasula
Publisher : University of Alabama Press
Page : 382 pages
File Size : 46,4 MB
Release : 2022-03-29
Category : Literary Criticism
ISBN : 0817360301

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"Jed Rasula is a preeminent scholar of avant-garde poetics, noted for his erudition, intellectual range, and critical independence. He's also a gifted writer-his recent books have won praise for their entertaining, clear prose in addition to their scholarship. He is also an alumnus of UAP's distinguished Modern and Contemporary Poetics series, which published his Syncopations fifteen years ago. Rasula returns to the MCP series with Wreading, A collection of essays, interviews and occasional writings that reflects the breadth and diversity of his curiosity. One of the referees likened Wreading to a "victory lap, but one that sets its own further record in the taking." This is a collection of highlights from Rasula's shorter critical pieces, but also a carefully assembled and revised intellectual autobiography. Wreading consists of two parts: an assortment of Rasula's solo criticism, and selected interviews and conversations with other critics and scholars (Evelyn Reilly, Leonard Schwartz, Tony Tost, Mike Chasar, Joel Bettridge, and Ming-Qian Ma). The collection opens with a trio of essays that complicate the idea of a "poet." By interrogating the selection of poets for anthologies in the 20th century, Rasula identifies a host of "forgotten" poets, once prominent but now forgotten. Another essay on the state of the poetry anthology reveals how much influence literary gatekeepers have, and what a reimagination of the anthology form could make possible. In subsequent chapters, Rasula finds surprising overlap between Dada and Ralph Waldo Emerson, charts the deep links between image and poetic inspiration, and reckons with Ron Silliman's The Alphabet, a UAP classic. In the book's second half, Rasula engages in detailed conversations with a roster of fellow critics. Their exchanges confront ecopoetics, the corporate university, the sheer volume of contemporary poetry, and more. This substantial set of dialogues gives readers a glimpse inside a master critic's deeply informed critical practice, and lists his intellectual touchstones. The balance between essay and interview achieves a distillation of Rasula's long-established idea of "wreading." In his original use, the term denotes how any act of criticism inherently adds to the body of writing that it purports to read- how Rasula "couldn't help but participate" in his favorite poems. In this latest form, Wreading captures a critical perception that sparks insight and imagination, no matter what it sees"--