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The national bestseller. Write. Burn. Repeat. Now with new covers to match whatever mood you’re in. "This book has made me laugh and cry, filled me with joy, and inspired me." -TikTok user camrynbanks Instagram, WhatsApp, Snapchat, TikTok, VSCO, YouTube...the world has not only become one giant feed, but also one giant confessional. Burn After Writing allows you to spend less time scrolling and more time self-reflecting. Through incisive questions and thought experiments, this journal helps you learn new things while letting others go. Imagine instead of publicly declaring your feelings for others, you privately declared your feelings for yourself? Help your heart by turning off the comments and muting the accounts that drive you into jealousy for a few moments a night. Whether you are going through the ups and downs of growing up, or know a few young people who are, you will flourish by finding free expression--even if through a few tears! Push your limits, reflect on your past, present, and future, and create a secret book that's about you, and just for you. This is not a diary, and there is no posting required. And when you're finished, toss it, hide it, or Burn After Writing.
Burn After Writing Teen is an interactive book for teenagers that invites you to face life's big questions. Who are you now? How did you get here? Where are you going? Some questions are fun, some are deep and some are just plain random. Approach them with courage and creativity. There are no wrong answers. You can take it deadly seriously, or just have fun with it, or both. It's up to you. This is the practice session for the big interview exclusive you will doubtless face when the world finally discovers how amazing you actually are.
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
Burn After Reading, first published in 1961, is an insider's look at the use of intelligence, espionage, and sabotage during the Second World War. Author Ladislas Faragó, chief of research and planning in the U.S. Navy's Special Warfare Branch, describes activities of the Allies' organizations (such as the O.S.S., M.I.5, Deuxième Bureau, various units in the Soviet Union, and others), as well as those of Germany and Japan. Many of the secret operations were critical to the success or failure of the war effort, and a high price was paid in terms of human lives lost as many spies and agents were captured, tortured, and executed. Hungarian-born Ladislas Faragó wrote numerous books on the war and espionage, including an authoritative biography of General George Patton (1963). Faragó passed away on October 15, 1980.
Carly Allen is finishing up her senior year of high school. After a rough break-up at the beginning of the year, she's ready to move on and leave her hometown in the dust. The only problem? She still hasn't heard back from any of the colleges she applied to. As the end of the year approaches, will Carly be able to figure out her future in time? Throw in a new crush, a moderately successful high school jam band, and a sarcastic freshman to tutor, and it'll be a miracle if she makes it to graduation alive.
Three satiric plays by Oscar-winning screenwriter Ethan Coen Raising Arizona, Fargo, No Country for Old Men, Burn After Reading–the Coen brothers’ films are some of the most critically acclaimed and iconic of our time. Now, one half of the duo, Ethan Coen, adds playwriting to his eclectic bio. In these three short plays that ran to sold-out audiences Off-Broadway in 2008, the theme is hell–both on earth and in the hereafter. In “Waiting,” a man faces an uncertain future in an uncertain location that seems to be some kind of waiting room. The anxiety and despair hark back to dramas of the fifties–Sartre, Beckett, Pinter. “Four Benches” depicts an unlikely meeting in a steam room between a straight-talking Texan and an uptight Brit. Both men learn from the encounter, though only one survives it. In “Debate,” the cantankerous god of the Old Testament roundly abuses the mealymouthed god of the New. His profanity and ill humor receive a startling comeuppance, and further reversals and changes of point of view lead to a denouement that is no more preposterous than anything else in the play. Clever, provocative, and as engaging as the best fiction, these plays showcase yet another talent of one of our most celebrated contemporary writers.