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Pioneers of Modern Typography

Author : Herbert Spencer
Publisher : MIT Press
Page : 172 pages
File Size : 40,31 MB
Release : 2004
Category : Architecture
ISBN : 9780262693035

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A revised edition of the standard guide to the avant-garde origins of modern graphic design and typography, illustrated with many iconic examples.

Pioneers of Modern Typography

Author : Herbert Spencer
Publisher : MIT Press (MA)
Page : 160 pages
File Size : 46,25 MB
Release : 1983-01
Category : Design
ISBN : 9780262690812

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Since it was first published in 1969, it has served as the standard guide to the impact of twentieth century avant-garde movements on graphic design and typography.

Pioneers of German Graphic Design

Author : Jens Müller
Publisher : Callisto Publishers
Page : 0 pages
File Size : 29,87 MB
Release : 2017
Category : Commercial artists
ISBN : 9783981753912

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"This book for the first time tells the fascinating story of German graphic design in all its detail, from the late monarchy to the 'Wirtschaftswunder' after World War II. The author explores the interrelationship between the groundbreaking early inventions of Germany's graphic design pioneers and the nation?s explosive politics, shedding light not only on the development of the profession but on its international influence."--

Pioneers of the Possible: Celebrating Visionary Women of the World

Author : Angella M. Nazarian
Publisher :
Page : 0 pages
File Size : 22,32 MB
Release : 2012
Category : Women
ISBN : 9781614280392

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Presents brief biographies on some of the most important women of the twentieth and twenty-first century, including Wangari Maathai, Frida Kahlo, Golda Meir, and Somaly Mam.

The New Typography

Author : Jan Tschichold
Publisher : Univ of California Press
Page : 236 pages
File Size : 29,5 MB
Release : 2006
Category : Art
ISBN : 9780520250123

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"Probably the most important work on typography and graphic design in the twentieth century."--Carl Zahn, The Museum of Fine Arts, Boston

Modern Pioneers in Typography and Design: Anna Simons, Edward Johnston, Rudolf Von Larisch, F. H. Ehmcke

Author : Inge Druckrey
Publisher :
Page : 0 pages
File Size : 44,41 MB
Release : 2024-01-29
Category :
ISBN : 9781930824027

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In the early 1900s, good typefaces were scarce, books poorly crafted and tasteless, type design a dead end, formal handwriting disconnected from origins of broad-edged pens and brushes, tools that shaped Roman letterforms for 2000 years. But then, four modern pioneers of design and typography created new modern typefaces, fresh interest in letterforms, beginnings of modernism. This book traces the reach of design modernism within Europe, especially Switzerland, and eventually the United States.

New Types

Author : Ada Wardi
Publisher :
Page : 315 pages
File Size : 50,20 MB
Release : 2016
Category : Art
ISBN : 9789652784575

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The Visible Word

Author : Johanna Drucker
Publisher : University of Chicago Press
Page : 306 pages
File Size : 43,86 MB
Release : 1994
Category : Art
ISBN : 0226165027

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Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.

The Complete Manual of Typography

Author : James Felici
Publisher : Adobe Press
Page : 374 pages
File Size : 42,98 MB
Release : 2012
Category : Design
ISBN : 9780321773265

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This book is about how type should look and how to make it look that way--in other words, how to set type like a professional. It explains in practical terms how to use today's digital tools to achieve the secret of good design: well set type. An essential reference for anyone who works with type: designers, print production professionals, and corporate communications managers can go to straight to the index to find focused answers to specific questions, while educators and students can read it as a text book from cover to cover.