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Picturing Performance

Author : Thomas F. Heck
Publisher : University Rochester Press
Page : 286 pages
File Size : 37,86 MB
Release : 1999
Category : Art
ISBN : 9781580460446

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There has long been a need to introduce performing-arts enthusiasts and students to the fascinating field of iconography, both as manifested in art history and in its more pragmatic or applied forms. Yet relatively little systematic effort has been made to collect and interpret centuries of such visual evidence in the light of the best available art-historical information, combined with corroborating textual documentation and insights from the histories of performance disciplines. Aspiring iconographers of the performing arts need to be aware that there are often several levels of interpretation which great works of visual art will sustain. This book explores these levels of interpretation: a surface or literal reading, a deeper reading of the work which seeks to enter the mind of the artist and asks how and why he put a given work together, and the deepest reading of the work relating it to the artistic traditions and culture in which the artist lived. In expounding on these levels of iconographic interpretations four discourses by scholars active in the study of visual records are given in relation to traditions, techniques, and trends: performance in general (Katritzky), music (Heck), theatre (Erenstein), and dance (Smith). Effort is made to keep abreast of modern technology influencing iconographic representations as on the Internet and virtual reality.Thomas F. Heck is Professor of Musicology and Head of the Music and Dance Library at the Ohio State University.

Painting and Performance

Author : Victor H. Mair
Publisher : University of Hawaii Press
Page : 420 pages
File Size : 49,32 MB
Release : 2019-03-31
Category : Literary Collections
ISBN : 0824881141

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In this extraordinary work of scholarship, Victor Mair traces the global development over a thousand years of a genre of popular Buddhist folk literature from China known as pien-wen, pointing out its origins in India as a form of oral storytelling using painting as an aid, and showing how that form has influenced performance and literary traditions in India, Indonesia, Japan, Central Asia, the near East, Italy, France, and Germany. Professor Mair's research has important implications for students and scholars of literature, folklore, painting, religion, history, art, and theater and the performing arts, not to mention Chinese popular culture and Indian civilization.

Get the Whole Picture With a Performance Assessment

Author : Hadiya Nuriddin
Publisher : Association for Talent Development
Page : 20 pages
File Size : 25,11 MB
Release : 2014-08-29
Category : Business & Economics
ISBN : 1562862065

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To improve performance, you need to understand where you are and where you want to go. In “Get the Whole Picture With Performance Assessments,” Hadiya Nuriddin guides readers through a process for defining your desired performance and developing solutions to help your organization fill the gap between its current status and its performance goal. This issue of TD at Work includes: • a five-step performance assessment process • tips for identifying a central question • advice for reporting your findings • a performance analysis planning guide • questions to consider when deciding on solutions.

Performing Image

Author : Isobel Harbison
Publisher : MIT Press
Page : 257 pages
File Size : 16,14 MB
Release : 2019-04-09
Category : Social Science
ISBN : 0262350807

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An examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era. In Performing Image, Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation—from home video to social media—suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms. Harbison argues that while we produce images, images also produce us—those that we take and share, those that we see and assimilate through mass media and social media, those that we encounter in museums and galleries. Although all the artists she examines express their relation to images uniquely, they also offer a vantage point on today's productive-consumptive image circuits in which billions of us are caught. This unregulated, all-encompassing image performativity, Harbison writes, puts us to work, for free, in the service of global corporate expansion. Harbison offers a three-part interpretive framework for understanding this new proximity to images as it is negotiated by these artworks, a detailed outline of a set of connected practices—and a declaration of the value of art in an economy of attention and a crisis of representation.

Documentation, Disappearance and the Representation of Live Performance

Author : M. Reason
Publisher : Springer
Page : 274 pages
File Size : 38,66 MB
Release : 2006-09-22
Category : Performing Arts
ISBN : 0230598560

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The documentation of practice is one of the principle concerns of performance studies. Focusing on contemporary performance practice and with emphasis on the transformative impact of video, photography and writing, this book explores the ideological, practical, and representational implications of knowing performance through its documentations.

Moving Image Cataloging

Author : Martha M. Yee
Publisher : Bloomsbury Publishing USA
Page : 289 pages
File Size : 38,97 MB
Release : 2007-10-30
Category : Language Arts & Disciplines
ISBN : 0313097216

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Libraries, archives, and museums hold a wide variety of moving images. all of which require the same level of attention to issues of organization and access as their print counterparts. Consequently, the people who create collection level records and metadata for these resources need to be equally conversant in the principles of cataloging. Martha Yee covers both descriptive (AACR2R, AMIM, and FIAF rules) and subject cataloging (with a focus on LCSH). In the process, the reader is encouraged to think critically and to be prepared to make decisions in ambiguous situations where solutions to problems are not always obvious or clearly dictated by specific rules.

Everything and Other Performance Texts from Germany

Author : Matt Cornish
Publisher : In Performance
Page : 0 pages
File Size : 35,27 MB
Release : 2019
Category : German drama
ISBN : 9780857426123

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Drawn from theatre events variously described as documentary, post-dramatic, and live art, the texts collected here seldom look or read like plays-some comprise rules for improvisation; others could best be described as theatrical scenarios; a few are transcripts; one includes a soup recipe. Yet amid these dramaturgical tests and trials, one finds poetry: heartbreaking stories of disability and triumph as well as strange, disjointed fairy tales interrupted by communist songs. This volume is an extension of the original theatrical experiments.

Site-Specific Art

Author : Nick Kaye
Publisher : Routledge
Page : 260 pages
File Size : 37,93 MB
Release : 2013-04-15
Category : Performing Arts
ISBN : 1134665946

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Site-Specific Art charts the development of an experimental art form in an experimental way. Nick Kaye traces the fascinating historical antecedents of today's installation and performance art, while also assembling a unique documentation of contemporary practice around the world. The book is divided into individual analyses of the themes of space, materials, site, and frames. These are interspersed by specially commissioned documentary artwork from some of the world's foremost practitioners and artists working today. This interweaving of critique and creativity has never been achieved on this scale before. Site-Specific Art investigates the relationship of architectural theory to an understanding of contemporary site related art and performance, and rigorously questions how such works can be documented. The artistic processes involved are demonstrated through entirely new primary articles from: * Meredith Monk * Station House Opera * Brith Gof * Forced Entertainment. This volume is an astonishing contribution to debates around experimental cross-arts practice.