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A collection of short stories from the Hugo and Nebula award-winning author who "has the imagination of six ordinary science fiction writers" (George R.R. Martin)—John Varley. Picnic on Nearside includes nine astonishing stories from an author whose imagination has changed the genre and the way that people envision the future.
A landmark collection from the master of science fiction whose short stories “are quite literally unforgettable” (William Gibson). These eighteen stories from the acclaimed author of the Gaea Trilogy, The Ophiuchi Hotline, and many other important works span thirty years of his distinguished career. In these pages are Hugo, Nebula, Prix Tour-Apollo, and James Tiptree Jr. Award winners, including “The Persistence of Vision,” “PRESS ENTER [ ],” “The Pusher,” and “The Barbie Murders,” among other outstanding works of speculative short fiction. As a valuable bonus, each story includes an autobiographical introduction by the author. Praise for John Varley “John Varley is the best writer in America.” —Tom Clancy “There are few writers whose work I love more than John Varley’s, purely love.” —Cory Doctorow “One of science fiction’s most important writers.” —The Washington Post “Inventive.” —The New York Times “One of the genre’s most accomplished storytellers.” —Publishers Weekly
In Shorter Views, Hugo and Nebula award-winning author Samuel R. Delany brings his remarkable intellectual powers to bear on a wide range of topics. Whether he is exploring the deeply felt issues of identity, race, and sexuality, untangling the intricacies of literary theory, or the writing process itself, Delany is one of the most lucid and insightful writers of our time. These essays cluster around topics related to queer theory on the one hand, and on the other, questions concerning the paraliterary genres: science fiction, pornography, comics, and more. Readers new to Delany's work will find this collection of shorter pieces an especially good introduction, while those already familiar with his writing will appreciate having these essays between two covers for the first time.