[PDF] Photograph Like A Thief eBook

No photographer works in a vacuum. Photographers, like all artists, stand on the shoulders of those who came before them, and they are informed and influenced by those working around them contemporaneously. If you are striving to find your own style, one of the most powerful exercises you can practice is to find influence and inspiration in the work of those around you, and then emulate that work in an effort to define, shape, and grow your own photographic voice. By collecting, imitating, and eventually reshaping and combining the work of those around you, your unique voice can be found and the quality of your work can soar. In Photograph Like a Thief, photographer, author, and retoucher Glyn Dewis embraces the idea of “stealing” and recreating others’ work in order to improve as an artist. By “stepping inside” others’ images, you can learn to reverse engineer their creation, then build an image yourself that simultaneously pays homage to that work yet is also an original creation itself. The book is divided into two parts. In Part 1, Glyn discusses his approach, covering the process of "stealing ideas" and finding inspiration. He also covers the gear he uses, as well as his retouching and post-processing workflow. In a very helpful chapter on “reverse engineering” a photograph, Glyn discusses how to “read” an image by the catchlights, shadow position, and the hardness/softness of the shadows. This is a crucial skill to acquire if you want to recreate another’s look. In Part 2, Glyn works through a series of images, from initial concept and influence to lighting, shooting, and post-processing the image to get to the final result. For each image, he reverse engineers the shot to describe how it was created and discusses how the image influenced him, then works through the gear he used, the lighting for the image, and the post-processing of the image—from the RAW out-of-camera shot to the finished piece. While Glyn's work primarily focuses on portraiture, he finds inspiration and influence from a wide variety of work, from legendary photographers to animated films to book covers to movie posters. By working alongside Glyn in Photograph Like a Thief, you too can learn to find inspiration all around you, discover how that work can influence you, improve your photographic and post-processing skill set, and begin your own journey to defining your unique style. Who knows? Soon, others may be stealing from you.

James Ray Renton - thief, counterfeiter and bank robber - became one of America's 10 Most Wanted when he was charged with murdering a young Arkansas policeman in 1976. After a daring escape from maximum security prison he was recaptured and whilst in solitary confinement wrote a 60 page account of his escape and sent them to his friend, Danny Lyon. After Renton's death in 1995 Lyon tracked down Dinker Cassel, who was given a life sentence along with Renton for the murder. This is a gripping tale of two men - one alive, one dead - and an unparalleled portrayal of prison life.

A successful Italian doctor’s idyllic life is shattered by shameful accusations in a novel by the Campiello Prize–winning author of The Worst Intentions. In a sprawling villa on the outskirts of Rome, the internationally revered pediatric oncologist Leo Pontecorvo and his family have gathered for dinner. For these exemplary members of Italy’s upper middle-class, the scene is perfect in every way—until a horrifying accusation airs on the evening news concerning Leo Pontecorvo himself. From this point on, nothing will ever be the same. An allegation of embezzling would be bad enough, but to the horror of his family, Leo is also said to have seduced his son’s twelve-year-old girlfriend. The spotlight now turned on Leo reveals every mistake, regret, and contradiction of his lifetime. The details of his private and professional life are debated by both friends and foes, ravenous reporters and punctilious prosecutors. Unable to face the suspicious gazes of his wife and children, Leo descends into the basement of his palatial home—a self-imposed exile in which he attempts to piece together the shattered remains of his life.

Learn to harness the full power of layers and selections in Photoshop—and let your creativity soar!

Learning the basics of Photoshop is an admirable feat. Unfortunately, that’s exactly where most people end their Photoshop journey: with a fundamental appreciation of the program and the ability to execute a few helpful techniques. But without a full understanding of and capability with layers and selections—arguably Photoshop’s most powerful tools—you’re leaving the vast majority of Photoshop’s power and potential untapped.

The Photoshop Layers and Selections Workshop is here to change all that. In this book, photographer and bestselling author Glyn Dewis focuses on these two key features of Photoshop, knowing that if you can learn and master them, you’ll have everything you need to maximize Photoshop’s potential, bring out the best in your work, and harness your full creativity.

In this book, you will:

• Start off with a detailed breakdown of the Photoshop Home screen and Workspace, including how to best set it up for your way of working.

• Grow your understanding of layers and learn how to maximize their potential in your selections workflow.

• Conquer selections and cutouts by mastering the use of tools including Select and Mask, the Pen Tool, Channel Pulls, Vector Masks, Color Range, and more.

• Learn how to make and fake the best possible hair and fur selections.

• Work your way through three selections workflows, combining tools and techniques to get the very best possible results.

• Learn some of Glyn's favorite Photoshop techniques in a bonus chapter.

TABLE OF CONTENTS
Introduction
Chapter 1: The Photoshop Workspace
Chapter 2: Layers
Chapter 3: Selections and 101
Chapter 4: Selection Tools
Chapter 5: The Pen Tool and Vector Masks
Chapter 6: Select and Mask
Chapter 7: Sky Replacement
Chapter 8: Cleaning Up Selections
Chapter 9: Selection Workflows
Chapter 10: Bonus Content

Adobe Photoshop is one of the most powerful image-editing applications ever created, but it is also widely thought to be difficult to learn, infinite in scope, and nearly impossible to master. For these reasons, many photographers choose to stay exclusively with Lightroom for all their photography needs. But for those photographers who subscribe to the Adobe Creative Cloud Photography plan—which includes both Lightroom and Photoshop—to leave Photoshop unopened and unexplored is to deny yourself the ability to take your creativity and expression to a whole new level.

In The Photoshop Toolbox, photographer and bestselling author Glyn Dewis breaks down Photoshop into just three main features: layer masks, brushes, and blend modes. Glyn has taught thousands online, in person, and through his bestselling books The Photoshop Workbook and Photograph Like a Thief. Over and over, he has recognized that once a user truly understands these three tools, there is nothing holding them back from achieving whatever they want to accomplish in Photoshop. With Glyn explaining not only the “what” but also the “why” behind layer masks, brushes, and blend modes, you’re empowered to think beyond each specific example and to ask that all-powerful question, “What would happen if I used that technique on this other image?”

Written expressly for photographers with little knowledge of Photoshop, in The Photoshop Toolbox you’ll learn:

• Photoshop basics: Explore Photoshop’s Workspace, Tool Bar, Options Bar, Properties, and Layers

• Layer masks: Learn the basics of layer masks, as well as specific techniques that incorporate cutouts, removing halos, Content Aware Fill, Look Up Tables (LUTs), and more

• Brushes: Brushes are useful for everything from cutouts to creating special effects like snow, debris, grass, and even your own signature

• Blend modes: Use blend modes for tricky selections, brightening and darkening an image, and tidying up a layer mask

• Additional tips, tricks, and techniques: Glyn devotes an entire chapter to “extra” techniques such as removing reddening skin, creating smoke, matching color, and building depth in your image with contrast, light, and sharpness

Finally, in the last chapter of the book, Glyn brings it all together with a start-to-finish project concentrating on photo retouching skills.

The advertising campaigns launched by Kodak in the early years of snapshot photography stand at the center of a shift in American domestic life that goes deeper than technological innovations in cameras and film. Before the advent of Kodak advertising in 1888, writes Nancy Martha West, Americans were much more willing to allow sorrow into the space of the domestic photograph, as evidenced by the popularity of postmortem photography in the mid-nineteenth century. Through the taking of snapshots, Kodak taught Americans to see their experiences as objects of nostalgia, to arrange their lives in such a way that painful or unpleasant aspects were systematically erased. West looks at a wide assortment of Kodak's most popular inventions and marketing strategies, including the "Kodak Girl," the momentous invention of the Brownie camera in 1900, the "Story Campaign" during World War I, and even the Vanity Kodak Ensemble, a camera introduced in 1926 that came fully equipped with lipstick. At the beginning of its campaign, Kodak advertising primarily sold the fun of taking pictures. Ads from this period celebrate the sheer pleasure of snapshot photography--the delight of handling a diminutive camera, of not worrying about developing and printing, of capturing subjects in candid moments. But after 1900, a crucial shift began to take place in the company's marketing strategy. The preservation of domestic memories became Kodak's most important mission. With the introduction of the Brownie camera at the turn of the century, the importance of home began to replace leisure activity as the subject of ads, and at the end of World War I, Americans seemed desperately to need photographs to confirm familial unity. By 1932, Kodak had become so intoxicated with the power of its own marketing that it came up with the most bizarre idea of all, the "Death Campaign." Initiated but never published, this campaign based on pictures of dead loved ones brought Kodak advertising full circle. Having launched one of the most successful campaigns in advertising history, the company did not seem to notice that selling a painful subject might be more difficult than selling momentary pleasure or nostalgia. Enhanced with over 50 reproductions of the ads themselves, 16 of them in color, Kodak and the Lens of Nostalgia vividly illustrates the fundamental changes in American culture and the function of memory in the formative years of the twentieth century.

This book’s unique structured approach facilitates learning and incentivizes students to prepare for class. One Federal Rule of Evidence introduces each section, followed by text explaining the background, rationale, and details of the rule. The text includes numerous diagrams as visual aids to learning and short transcripts that illustrate how the rules are applied in the courtroom. The authors emphasize the rules over cases, but include a few edited versions of the seminal cases that every lawyer should know. The heart of the “structured approach” is the Questions for Classroom Discussion, which follow the narrative explanation for each rule. These questions consist of simple hypothetical cases allowing for a step-by-step analysis of each section of the pertinent rule. Because students know what questions the professor will ask in class, they quickly learn that preparation pays off. Evidence: A Structured Approach, Fifth Edition also allows students to download the questions directly for the book’s page on WKLegaledu.com into their notes before class, freeing students to spend more time thinking and less time typing. New to the Fifth Edition: New author Kevin Lapp brings a highly effective manner of communicating with students reminiscent of one of the original authors of this text, David Leonard. Extensive revisions to make the text more accessible to students and easier to teach from, and to reflect recent developments in the law: Shorter length (by more than 200 pages) avoids diversions and details better left to treatment in law reviews or advanced courses Exam Tip boxes at strategic points in each chapter help students understand how a given rule is typically tested Key Questions boxes at the beginning of each chapter (with concise answers in the appendix) assist the student in focusing on the heart of the material about to be covered More charts and diagrams to help students visualize complex concepts and the connections between rules Professors and student will benefit from: The structured approach—a series of short hypotheticals for class discussion—are provided for each rule. Each hypo in a series builds on the previous hypos until it is clear what the key parts of the rule mean and how those parts work together. Because students know in advance what questions will be the focus of class discussion, they have a strong incentive to come to class prepared. This approach is how most professors teach evidence law, even when they use a book that emphasizes cases—by presenting a series of hypos that build upon one another. The difference is that this book complements how most professors already teach the course. The Hearsay chapter—this difficult topic is taught through literally hundreds of examples. The narrative explanations are supported by visual depictions of key concepts. This includes diagrams that show students how to tell hearsay from non-hearsay by thinking about the logical steps that connect a statement to the fact it is offered to prove (Statement --> Inference --> Conclusion). Streamlined, manageable length—makes it easy for professors to cover and students to focus on the important material. The impact of new technology and recent rule amendments—explored through cases and problems.

If photos could speak. Still grieving his toddler’s death, Detective Dan Brennan of the Philadelphia P.D. returns to the force and is assigned to investigate a socialite’s fatal fall down her mansion’s staircase. But the open-and-shut case is turned on its head when the victim’s daughter alleges her mother was murdered. Her evidence? The dead. The vintage photographs of past murder victims displayed on the mansion’s walls have told her so. Compelled to listen to the reclusive teen’s pleas, Brennan begins to investigate her mother’s death and the disturbing secrets hidden in that house. Each vintage photograph is tied to a quartet of cold cases with a disturbing commonality. As the wealthy family’s long, sordid history threatens to bury Brennan, he realizes he has to make a choice: save his career, or risk it all for the chance to hear his daughter’s voice again.