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This book focuses on the conservation and preservation of Persian architectural heritage, including the philosophy of conservation, practical experiences, and risk. Containing the results of research completed over the last several decades into a culture that has contributed much to human civilisation, the book will be useful not just as a scholarly reference for researchers and students, but also as a practical tool for practicing engineers.
During its long history Persian culture has played a fundamental role in, and has made major contributions to, human civilisation. During the last few decades, scholarly interest in Persian culture, including its history, archaeology, art and architecture, has accelerated research into Persian cultural heritage. Scientific studies have provided information about knowledge on which Persian traditional buildings are based and methodologies used for their preservation. This book gives comprehensive information about Persian architectural heritage for scholars, students and practicing engineers in civil, structural, architectural, hydraulic, and restoration engineering, and other related disciplines.
During its long history Persian culture has played a fundamental role in, and has made major contributions to, human civilisation. During the last few decades, scholarly interest in Persian culture, including its history, archaeology, art and architecture, has accelerated research into Persian cultural heritage. Scientific studies have provided information about knowledge on which Persian traditional buildings are based and methodologies used for their preservation. This book gives comprehensive information about Persian architectural heritage for scholars, students and practicing engineers in civil, structural, architectural, hydraulic, and restoration engineering, and other related disciplines. The book focuses on the structural features of heritage architecture. It describes the construction materials used in architectural heritage structures, traditional construction technology and structural analysis of architectural heritage, arches, vaults, and domes. The book is not only a reference work but also contains theory written in such a way that it appeals to practising engineers, as well as students and researchers.
This book deals with the history of Persian architecture, its geometry and orientation, architectural and urban functions, and climatic adaptability in Persian vernacular architecture. Not just a reference work, the book also presents theory. The book is written so as to appeal to practicing engineers as well as students and researchers.
This book describes the construction materials used in Persian heritage structures and the traditional construction technology employed. It also provides structural analysis of architectural heritage, arches, and domes. Serving as a reference work the book will appeal to practising engineers, students and researchers, in the way it presents theory.
This book deals with the history of traditional Persian architecture, including its geometry and orientation, architectural and urban functions, and climatic adaptability in Persian vernacular architecture. The book provides comprehensive information about Persian architectural heritage, which has contributed much to human civilisation. The result of research in the last several decades, the book will be useful to scholars, students and practicing engineers in civil, structural, architectural, hydraulic, and restoration engineering, and other related disciplines.
This book represents a reflection on the policies of preservation that were established and interventions for restoration that occurred in Iran before and in the years after the Khomeinist Revolution, as well as being an analysis of the impact that Italian restoration culture has had in the country. Research concerning the state of conservation and the ongoing restoration of the Armenian churches in the Khoy and Salmas areas is included, along with precise documentation of the observation of the two cities, their architecture and the context of their landscape. The problems of architectural restoration in present-day Iran and the compatible use of buildings no longer intended for worship are addressed. The book is bolstered by first-hand documentation obtained through inspections and interviews with Iranian specialists during three missions carried out between 2016 and 2018 and a large anthology of period texts that have only recently been made available for the first time for study in electronic form, including travel reports written by Westerners describing Persia between the 15th and 19th centuries.
One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.
Historiography is the study of the methodology of writing history, the development of the discipline of history, and the changing interpretations of historical events in the works of individual historians. Exploring the historiography of Persian art and architecture requires a closer look at a diverse range of sources, including chronicles, historical accounts, travelogues, and material evidence coming from archaeological excavations. The Historiography of Persian Architecture highlights the political, cultural, and intellectual contexts that lie behind the written history of Persian architecture in the twentieth century, presenting a series of investigations on issues related to historiography. This book addresses the challenges, complexities, and contradictions regarding historical and geographical diversity of Persian architecture, including issues lacking in the 20th century historiography of Iran and neighbouring countries. This book not only illustrates different trends in Persian architecture but also clarifies changing notions of research in this field. Aiming to introduce new tools of analysis, the book offers fresh insights into the discipline, supported by historical documents, archaeological data, treatises, and visual materials. It brings together well-established and emerging scholars from a broad range of academic spheres, in order to question and challenge pre-existing historiographical frameworks, particularly through specific case studies. Overall, it provides a valuable contribution to the study of Persian architecture, simultaneously revisiting past literature and advancing new approaches. This book would be of interest to students and scholars of Middle East and Iranian Studies, as well as Architectural History, including Islamic architecture and historiography.