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One book that’s been lurking in the back of my mind for a long time is a book about sex. You see, abort forty years ago while I was going through a painful divorce, I decided to teach a course called “Philosophy of Sex” at my university. My other favorite philosopher Wittgenstein once said to his student:“ What is the use of studying philosophy if all that does for you is to enable you to talk with some plausibility about some abstruse questions of logic, etc., and if it does not improve your thinking about the important questions of everyday life?” Other than the food, is there anything more significant to everyday life than sex? Yet, philosophers rarely discuss sex as a philosophical topic. I tried to apply my philosophical skills to help myself think clearly about the male-female relationships while living them. Over the years I have formed my own philosophy of sex and seriously contemplated writing a philosophical book, following my course outline with the title, “Thinking About Sex”. But such a book would be too didactic and boring. My recent writings convinced me that I write best when I let my thoughts range freely, and do not try to organize them into a set form. So there won’t be a table of contents or chapter divisions in this book. What follows are my sexual reminiscences interjected with my philosophizing about them. The events described are real, and the persons involved are real, but with names changed. Some parts of it may sound to some people like pornography, but it is actually a philosophy book. A great contemporary philosopher Noam Chomsky said,“ The job of a philosopher is to tell the truth and to expose lies.” That’s what I am trying to do. Another great philosopher Karl Marx said,“ Philosophers hitherto have only interpreted the world in various ways, the point, however, is to change it.” I am also trying to do that. This is not just a memoir, but I meant it to be a subversive track. I wish to subvert the status quo of our sexual mores. In fact, I meant this to be a Manifesto of Sexual Liberation!
The increasing tabloidization of politics and focus on politicians involved in sex scandals is both problematic and important. This book examines how gender impacts political sex scandals in the United States, in the past and today; explains how political sex scandals contribute to the mistrust of government; and identifies why these titillating events do have serious consequences for our political system. When a major political sex scandal occurs, it occupies as much as 25 percent of all news coverage in the United States. Even if people may deny it, they enjoy "consuming" and talking about political sex scandals. Written by a former journalist who has frequently explored the intersections of politics, sex, and gender in the United States, Sex Scandals, Gender, and Power in Contemporary American Politics investigates how political sex scandals contribute to the mistrust of government and why these titillating events have great significance in our frenzied media environment. The book makes use of comprehensive descriptive data (including statistics) to explain how political sex scandals are a representation of society's broader gender dynamics, conveying subtle messages about power and morality. It addresses the roles of men and women in political sex scandals over time, the increasing tabloidization of politics, and the often-overlooked consequences of sex scandals for the political system. Readers will see how the types of sex scandals that politicians are typically involved in differ by political party, and that all major political sex scandals have involved male—not female—politicians engaged in bad behavior. Author Hinda Mandell also documents how scandals' multiple negative effects for the politicians themselves and for society include turning politics into a spectator sport, contributing to the mistrust of government, the questioning of politicians' competence and judgment as a group, and politicians' diminishing effectiveness in office.
A scorching memoir of a love affair with an addict, weaving personal reckoning with psychology and history to understand the nature of addiction, codependency, and our appetite for obsessive love “Ferocious . . . glints with hard-won truths . . . Aron lights a path through the darkness of her past toward a better future.”—Los Angeles Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PARADE “The disease he has is addiction,” Nina Renata Aron writes of her boyfriend, K. “The disease I have is loving him.” Their love affair is dramatic, urgent, overwhelming—an intoxicating antidote to the long, lonely days of early motherhood. Soon after they get together, K starts using again, and years of relapses and broken promises follow. Even as his addiction deepens, she stays, convinced she is the one who can get him sober. After an adolescence marred by family trauma and addiction, Nina can’t help but feel responsible for those suffering around her. How can she break this pattern? If she leaves K, has she failed him? Writing in prose at once unflinching and acrobatic, Aron delivers a piercing memoir of romance and addiction, drawing on intimate anecdotes as well as academic research to crack open the long-feminized and overlooked phenomenon of codependency. She shifts between visceral, ferocious accounts of her affair with K and introspective analyses of the part she plays in his addictions, as well as defining moments in the history of codependency, from the temperance movement to the formation of Al-Anon to more recent research in the psychology of addiction. Good Morning, Destroyer of Men’s Souls is a blazing, bighearted book that illuminates and adds nuance to the messy tethers between femininity, enabling, and love. Praise for Good Morning, Destroyer of Men's Souls “Unflinching . . . Aron writes in gripping prose about the thrills and dangers of her own substance use and relationship with K—their weak-kneed passion and wolfish needs, as well as her guilt-ridden enabling and savior-complex optimism.”—San Francisco Chronicle “In Nina Renata Aron’s scorching, unvarnished memoir, an addiction story gets spun from the perspective of the helpless partner, the lover too stuck in a dangerous dynamic to find her way out.”—Entertainment Weekly “A raw and eloquently unflinching memoir.”—Kirkus Reviews
This collection takes its inspiration from Paul Goodman's Growing Up Absurd, a landmark critique of American culture at the end of the 1950s. Goodman called for a revival of social investment in urban planning, public welfare, workplace democracy, free speech, racial harmony, sexual freedom, popular culture, and education to produce a society that could inspire young people, and an adult society worth joining. In postmodernity, Goodman's enlightenment-era vision of social progress has been judged obsolete. For many postmodern critics, subjectivity is formed and expressed not through social investment, but through consumption; the freedom to consume has replaced political empowerment. But the power to consume is distributed very unevenly, and even for the affluent it never fulfills the desire produced by the advertising industry. The contributors to this volume focus on adverse social conditions that confront young people in postmodernity, such as the relentless pressure to consume, social dis-investment in education, harsh responses to youth crime, and the continuing climate of intolerance that falls heavily on the young. In essays on education, youth crime, counseling, protest movements, fiction, identity-formation and popular culture, the contributors look for moments of resistance to the subsumption of youth culture under the logic of global capitalism.
"What do women want?" is a book of inspiration, humor, and provocation-- an intimate conversation between the reader and Erica Jong. In these personal statements Jong addresses many of the questions that concern women and men today: Are women better off today than they were twenty-five years ago? What was Princess Diana's importance to women? Has Hillary Clinton prepared us for a woman president? Why do powerful women evoke ambivalence? Why do mothers continue to be blamed for working outside the home? How does the mother-daughter dialectic influence cycles of feminism and backlash? What is the relationship of pornography to the creative spirit? Who is the perfect man? What constitutes sex appeal? With her characteristic wit and her refreshing refusal to bow down before political correctness, Erica Jong tackles these and other issues. She also celebrates Nabokov's "Lolita" and relates it to the history of censorship; analyzes Anaos Nin's importance to contemporary writers; captures the seductive charm of Italy, her second home; and honors the necessity for poetry in our lives. "What Do Women Want?" is at once an informal memoir and a book of inspiration for all women and the men in their lives. "What Do Women Want?" is both funny and serious, full of Jong's delight in language and her passion for ideas. It grapples with the writers she loves and the hypocrisy she hates, and reveals her own original, quirky take on the world we live in.
Author : Mary D. Sheriff Publisher : University of Chicago Press Page : 372 pages File Size : 29,19 MB Release : 1997-10-24 Category : Art ISBN : 9780226752822
Elisabeth Vigee-Lebrun (1755-1842) was an enormously successful painter, a favorite portraitist of Marie-Antoinette, and one of the few women accepted into the Royal Academy of Painting and Sculpture. In her role as an artist, she was simultaneously flattered as a charming woman and vilified as monstrously unfeminine. In the Exceptional Woman, Mary D. Sheriff uses Vigee-Lebrun's career to explore the contradictory position of "woman-artist" in the moral, philosophical, professional, and medical debates about women in eighteenth-century France. Central to Sheriff's analysis is one key question: given the cultural norms and social attitudes that regulated a woman's activities, how could Vigee-Lebrun conceive of herself as an artist, and indeed become a successful one, in old-regime France. Paying particular attention to painted and textual self-portraits, Sheriff shows how Vigee-Lebrun's images and memoirs undermined the assumptions about "woman" and the strictures imposed on women. Engaging ancien-regime philosophy as well as modern feminism, psychoanalysis, literary theory, and art criticism, Sheriff's interpretations of Vigee-Lebrun's paintings challenge us to rethink the work of this controversial woman artist.
Jean Genet (1910–1986) resonates, perhaps more than any other canonical queer figure from the pre-Stonewall past, with contemporary queer sensibilities attuned to a defiant non-normativity. Not only sexually queer, Genet was also a criminal and a social pariah, a bitter opponent of the police state, and an ally of revolutionary anticolonial movements. In Disturbing Attachments, Kadji Amin challenges the idealization of Genet as a paradigmatic figure within queer studies to illuminate the methodological dilemmas at the heart of queer theory. Pederasty, which was central to Genet's sexuality and to his passionate cross-racial and transnational political activism late in life, is among a series of problematic and outmoded queer attachments that Amin uses to deidealize and historicize queer theory. He brings the genealogy of Genet's imaginaries of attachment to bear on pressing issues within contemporary queer politics and scholarship, including prison abolition, homonationalism, and pinkwashing. Disturbing Attachments productively and provocatively unsettles queer studies by excavating the history of its affective tendencies to reveal and ultimately expand the contexts that inform the use and connotations of the term queer.
Shortlisted for the 2018 Parliamentary Book Awards (Best Memoir by a Parliamentarian) Why is gender inequality so stubbornly persistent? Power. Even today, power remains concentrated in the hands of men right across the worlds of business, politics and culture. Decisions taken by those with power tend to perpetuate gender inequality rather than accelerate solutions. And those who see the problem often feel powerless: ingrained sexism and gender inequality can seem too huge to solve. Equal Power holds a mirror up to society, showing the stark extent of gender inequality while making the case that everyone has the power to create change. Whether you are a teenage student, a global CEO or a taxi driver, there is much we can do as friends, consumers, parents and colleagues to create a world of Equal Power. In this inspiring and essential book, deputy leader of the Liberal Democrats and former Government Minister for Women Jo Swinson outlines the steps we can all take, small and large, to make our society truly gender equal.
When her parents died and her marriage disintegrated within the span of a few months, art historian and performance artist Joanna Frueh entered a painful period of grief and mourning. This book is about how she healed herself and in the process explored the range of her potential as a woman.Swooning Beauty is an intimate memoir of discovery and healing. Frueh’s path to recovery lay through a profound examination of her intuitions, desires, fantasies, dreams, and emotions, her capacity for pleasure—visual, sensual, intellectual, gastronomic, and erotic—and her sense of her own heroic female identity. Hers is the passionate voice of a creative, intelligent woman scrutinizing the nature of love in all its forms and the ways of being that make us free, flexible, more fully real and more fully human. The result is an engaging view into the rich and colorful inner life of a woman at the threshold of middle age, of the blossoming of mind and spirit that comes after suffering and self-realization. Pleasure, she concludes, “is the absence of lack. Self-love is a necessary plenitude. Vigilance in love brings us freedom. Freedom is not an absolute whose attainment is humanly impossible. Yogis say that the self that is not ego is free. That self is the spacious heart, the spacious mind.” Frueh offers us wisdom and comfort for the journey into middle age, and the deep pleasure of encountering a generous, lively spirit and a remarkably spacious mind.