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"As long as there are readers of Paul, there will be always be other perspectives." The essays in this second edition of Paul Unbound: Other Perspectives on the Apostle provide introductions to Paul's relationship to and views on the Roman Empire, first-century economic stratification, his opponents, ethnicity, the law, Judaism, women, and Greco-Roman rhetoric. Contributors Warren Carter, Charles H. Cosgrove, A. Andrew Das, Steven J. Friesen, Mark D. Given, Deborah Krause, Mark D. Nanos, and Jerry L. Sumney have added addendums to their original essays and updated the bibliography to take into account scholarship produced in the decade since the publication of the first edition. The collection provides essential background and sets out new directions for study useful to students of the New Testament and Paul's letters.
"A work that is as disturbing as it is empathetic, as beautiful as it is riveting." —Eimear McBride, New Statesman In the aftermath of the Norman Invasion of 1066, William the Conqueror was uncompromising and brutal. English society was broken apart, its systems turned on their head. What is little known is that a fractured network of guerrilla fighters took up arms against the French occupiers. In The Wake, a postapocalyptic novel set a thousand years in the past, Paul Kingsnorth brings this dire scenario back to us through the eyes of the unforgettable Buccmaster, a proud landowner bearing witness to the end of his world. Accompanied by a band of like-minded men, Buccmaster is determined to seek revenge on the invaders. But as the men travel across the scorched English landscape, Buccmaster becomes increasingly unhinged by the immensity of his loss, and their path forward becomes increasingly unclear. Written in what the author describes as "a shadow tongue"—a version of Old English updated so as to be understandable to the modern reader—The Wake renders the inner life of an Anglo-Saxon man with an accuracy and immediacy rare in historical fiction. To enter Buccmaster's world is to feel powerfully the sheer strangeness of the past. A tale of lost gods and haunted visions, The Wake is both a sensational, gripping story and a major literary achievement.
This volume contains a number of articles on modern Chinese history and historiography written by one of the leading academic experts on the subject. The author provides a critique of older approaches to nineteenth-century history and offers powerful reinterpretations of such key events in the recent history of China as the boxer rebellion, Mao's ascension to power in 1949, and the process of political and economic reform in the post-Mao era. This is a strong collection which will be of enormous interest to scholars of East Asian history.
This book offers advanced undergraduates, graduate students, and interested laypeople an introduction to a wide range of approaches to Paul that are relevant to, yet go beyond, traditional theological and historical concerns. Beginning with Warren Carter's observations on Paul's primary interactions being with Rome, rather than with the followers of Jesus or first-century Jews, and moving through Steven Friesen's argument for a different picture of Paul as activist and Mark Nanos's challenge to prevailing interpretations of 1 Corinthians 9 and Paul's observance of "the law," leading New Testament scholars provide helpful surveys of the field and offer new insights and possibilities for further research. An excellent supplement to standard textbooks, each chapter of this compilation offers suggestions for further reading. The book also includes indices of modern authors, subjects, and ancient sources. CONTRIBUTORS Warren Carter, "Paul and the Roman Empire: Recent Perspectives" Steven J. Friesen, "Paul and Economics: The Jerusalem Collection as an Alternative to Patronage" Jerry L. Sumney, "Paul and His Opponents: The Search" Charles H. Cosgrove, "Paul and Ethnicity: A Selective History of Interpretation" A. Andrew Das, "Paul and the Law: Pressure Points in the Debate" Mark D. Nanos, "Paul and Judaism: Why not Paul's Judaism?" Deborah Krause, "Paul and Women: Telling Women to Shut Up Is More Complicated than You Might Think" Mark D. Given, "Paul and Rhetoric: A Sophos in the Kingdom of God"
"Cantor demonstrates how, during the 1960s, Gilligan's Island and Star Trek reflected America's faith in liberal democracy and our willingness to project it universally. Gilligan's Island, Cantor argues, is based on the premise that a representative group of Americans could literally be dumped in the middle of nowhere and still prevail under the worst of circumstances. Star Trek took American optimism even further by trying to make the entire galaxy safe for democracy. Despite the famous Prime Directive, Captain Kirk and his crew remade planet after planet in the image of an idealized 1960s America."--BOOK JACKET.
A critical evaluation of Philip Roth—the first of its kind—that takes on the man, the myth, and the work Philip Roth is one of the most renowned writers of our time. From his debut, Goodbye, Columbus, which won the National Book Award in 1960, and the explosion of Portnoy's Complaint in 1969 to his haunting reimagining of Anne Frank's story in The Ghost Writer ten years later and the series of masterworks starting in the mid-eighties—The Counterlife, Patrimony, Operation Shylock, Sabbath's Theater, American Pastoral, The HumanStain—Roth has produced some of the great American literature of the modern era. And yet there has been no major critical work about him until now. Here, at last, is the story of Roth's creative life. Roth Unbound is not a biography—though it contains a wealth of previously undisclosed biographical details and unpublished material—but something ultimately more rewarding: the exploration of a great writer through his art. Claudia Roth Pierpont, a staff writer for The New Yorker, has known Roth for nearly a decade. Her carefully researched and gracefully written account is filled with remarks from Roth himself, drawn from their ongoing conversations. Here are insights and anecdotes that will change the way many readers perceive this most controversial and galvanizing writer: a young and unhappily married Roth struggling to write; a wildly successful Roth, after the uproar over Portnoy, working to help writers from Eastern Europe and to get their books known in the West; Roth responding to the early, Jewish—and the later, feminist—attacks on his work. Here are Roth's family, his inspirations, his critics, the full range of his fiction, and his friendships with such figures as Saul Bellow and John Updike. Here is Roth at work and at play. Roth Unbound is a major achievement—a highly readable story that helps us make sense of one of the most vital literary careers of the twentieth and twenty-first centuries.
What does it mean to move beyond the boundaries of what we believe? The apostle Paul led the Galatians through a massive cultural shift in which they had to radically expand their ideas of who God is, who they were, and God's mission for the church. He was able to lead them through this time of great change because of his encounter with the risen Christ on the Damascus road, an experience in which his view of God was completely upended. Today Christianity is undergoing a cultural shift just as challenging as the situation confronting Paul and the Galatians. As many churches decline, congregations and pastors feel uncertain and anxious about how to continue their mission of making disciples of Jesus Christ. Elaine Heath extends an invitation to broaden our view of God by moving beyond the walls of buildings and programs to become a more diverse church than we have ever imagined. While deeply honoring tradition, she calls the church to boldly follow the Holy Spirit's leadership into the future. Ideal for a 6- to 9-week small-group study.
'Extremely intriguing with intricate twists and turns' Frederick Forsyth When maverick police sergeant Jolly Macken is banished to the sleepy 1950s Irish border village of Blackwatertown, he vows to find the killer of his brother – even if the murderer is inside the police. But a lot can happen in a week. Over seven days Macken falls in love, uncovers dark family secrets, accidentally starts a war and is hailed a hero and branded a traitor. When Blackwatertown explodes into violence, who can he trust? And is betrayal the only way to survive?
Featuring a foreword by Will Self We’ll all experience recovery at some point in our lives, whether from addiction, physical illness, mental health issues or loss. Many of us heal, and we may discover ways to live with our changed selves, to reclaim a life. We may find a new voice, or unearth a voice that has been submerged. Vitally, recovery can mean community. This anthology – which grew out of a small creative writing class run by Lily Dunn at Hackney Recovery Service, and was later broadened into a nationwide call for submissions by Dunn and her teaching partner, Zoe Gilbert – represents a community of writers: new, unheard voices alongside emerging and established authors. Theirs are stories from the dark back alleys, the deep crevices of the mind, and from the wild, ecstatic heights of life before, during and after recovery. These are voices that urgently need to be heard, in all their variety.
'Ian Stone has one of the sharpest comic minds in the country. I would read anything he’s written about anything. This book made me start listening to The Jam' Romesh Ranganathan 'Full of wit, cheek and energy – not just for fans of The Jam, this is for fans of London, of youth, of life itself' Rory Bremner 'This is a funny, fascinating, absorbing, surprising and readable book with the added bonus of Phill Jupitus’s delicious cartoons . . . A book for anyone who is now middle-aged and looking back joyfully at their youth' Jo Brand 'I really liked this book. I'd forgotten how shit it was in the seventies' Paul Weller Ian Stone grew up in a Jewish, working-class house in north London in the mid-1970s. Everywhere around him, adults were behaving badly. His parents' relationship was in freefall so he tried not to spend too much time at home. But outside, there was industrial unrest, football violence, racism and police brutality. As for the music, it was all 'Save All Your Grandma's Kisses for My Love Sweet Jesus'. It made him feel physically sick. Then The Jam appeared. This is Ian's story of that time. Of weekend jobs so that he could go to gigs. Of bunking into the Hammersmith Odeon and ending up on the roof. Of going to see The Jam in Paris and somehow finding himself being interviewed for Melody Maker. Of attempting to keep out of the way of skinheads and trying (and failing) to work out how to talk to girls. And of devastation when in 1982 Paul Weller announced that the band were splitting up. There will never be another band like The Jam. For those who went on that journey with them, the love ran deep. And still does. They helped Ian and thousands like him to grow up – to be someone.