[PDF] Pathology And Visual Culture eBook

Author : Natasha Ruiz-Gómez
Publisher : Penn State Press
Page : 225 pages
File Size : 23,70 MB
Release : 2024-05-01
Category : Art
ISBN : 0271098201

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In this book, Natasha Ruiz-Gómez delves into an extraordinary collection of pathological drawings, photographs, sculptures, and casts created by neurologists at Paris’s Hôpital de la Salpêtrière in the nineteenth century. Led by Dr. Jean-Martin Charcot (1825–1893) and known collectively as the Salpêtrière School, these savants-artistes produced works that demonstrated an engagement with contemporary artistic discourses and the history of art, even as the artists/clinicians professed their dedication to absolute objectivity. During his lifetime, Charcot became internationally famous for his studies of hysteria and hypnosis, establishing himself as a pioneer in modern neurology. However, this book brings to light the often-overlooked contributions of other clinicians, such as Dr. Paul Richer, who created “scientific artworks” that merged scientific objectivity with artistic intervention. Challenging conventional interpretations of visual media in medicine, Ruiz-Gómez analyzes how these images and objects documented symptoms and neuropathology while defying disciplinary categorization. Grounded in extensive archival research, Pathology and Visual Culture targets an international audience of historians and students of art, visual culture, medicine, and the medical humanities. It will also captivate neurologists and anyone interested in fin-de-siècle French history and culture.

Author : Lisa Cartwright
Publisher : U of Minnesota Press
Page : 228 pages
File Size : 30,33 MB
Release : 1995
Category : Medical
ISBN : 9780816622900

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Moving images are used as diagnostic tools and locational devices every day in hospitals, clinics and laboratories. But how and when did such issues come to be established and accepted sources of knowledge about the body in medical culture? How are the specialized techniques and codes of these imaging techniques determined, and whose bodies are studied, diagnosed and treated with the help of optical recording devices? "Screening the Body" traces the unusual history of scientific film during the late 19th and early 20th centuries, presenting material that is at once disturbing and engrossing. Lisa Cartwright looks at films like "The Elephant Electrocution". She brings to light eccentric figures in the history of the science film such as William P. Spratling who used Biograph equipment and crews to film epileptic seizures, and Thomas Edison's lab assistants who performed x-ray experiments on their own bodies. Drawing on feminist film theory, cultural studies, the history of film, and the writings of Foucault, Lisa Cartwright illustrates how this scientific cinema was a part of a broader tendency in society toward the technological surveillance, management, and physical transformation of the individual body and the social body. She frequently points out the similarities of scientific film to works of avant-garde cinema, revealing historical ties among the science film, popular media culture and elite modernist art and film practices. Ultimately, Cartwright unveils an area of film culture that has rarely been discussed, but which will leave readers scouring video libraries in search of the films she describes.

Author : Aga Skrodzka
Publisher : Oxford University Press, USA
Page : 799 pages
File Size : 15,32 MB
Release : 2020-06-18
Category : Performing Arts
ISBN : 019088553X

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Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contributors trace the legacies of communist ideology in visual culture, from buildings and monuments, murals and sculpture, to recycling campaigns and wall newspapers, all of which work to make communism's ideas and values material. Contributors work to resist the widespread demonization of communism, demystifying its ideals and suggesting that it has visually shaped the modern world in undeniable and complex ways. Together, contributors answer curcial questions like: What can be salvaged and reused from past communist experiments? How has communism impacted the cultures of late capitalism? And how have histories of communism left behind visual traces of potential utopias? An interdisciplinary look at the cultural currency of communism today, The Oxford Handbook of Communist Visual Cultures demonstrates the value of revisiting the practices of the past to form a better vision of the future.

Author : Eric Coombes
Publisher : Andrews UK Limited
Page : 294 pages
File Size : 34,15 MB
Release : 2016-11-08
Category : Architecture
ISBN : 1845409191

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Can any of us entirely banish from our hearts and minds grave misgivings about the condition of the culture we now inhabit? Expressions of those misgivings are mostly unheard in public forums, ignored in the dominant media, and, if noticed at all, dismissed by state-supported bureaucracies and commercial vested interests. To have any chance of gaining attention, they must resolve themselves into coherent forms. We need to clarify our perceptions of the things that trouble us, by articulating and developing our thoughts about them. That is, we are in need of serious criticism—serious criticism, aesthetic, social and political—which is notably lacking in the contemporary world, especially in places readily available to the educated non-specialist, such as the 'quality' weekend newspapers, and especially, perhaps, in relation to the visual arts. The pieces collected in this volume are not presented as amounting to an overall account or theory of our cultural condition. They are offered merely as examples of serious criticism, of what we need if we are to begin to think more profitably about our condition, daring, in defiance of contemporary dogmatism, to make the necessary judgements of value without which our culture will continue to disintegrate.

Author : Domenico Bertoloni Meli
Publisher : University of Chicago Press
Page : 311 pages
File Size : 14,95 MB
Release : 2018-01-19
Category : Science
ISBN : 022646363X

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Visual anatomy books have been a staple of medical practice and study since the mid-sixteenth century. But the visual representation of diseased states followed a very different pattern from anatomy, one we are only now beginning to investigate and understand. With Visualizing Disease, Domenico Bertoloni Meli explores key questions in this domain, opening a new field of inquiry based on the analysis of a rich body of arresting and intellectually challenging images reproduced here both in black and white and in color. Starting in the Renaissance, Bertoloni Meli delves into the wide range of figures involved in the early study and representation of disease, including not just men of medicine, like anatomists, physicians, surgeons, and pathologists, but also draftsmen and engravers. Pathological preparations proved difficult to preserve and represent, and as Bertoloni Meli takes us through a number of different cases from the Renaissance to the mid-nineteenth century, we gain a new understanding of how knowledge of disease, interactions among medical men and artists, and changes in the technologies of preservation and representation of specimens interacted to slowly bring illustration into the medical world.

Author : Nicholas Mirzoeff
Publisher : Princeton University Press
Page : 333 pages
File Size : 16,76 MB
Release : 2019-01-15
Category : Art
ISBN : 0691656983

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Sign wars -- The Art of signing -- Ancient gestures, modern signs -- French ancients and moderns -- The Deaf in the harem -- The Deafness of the ancients -- Philosophy and the sign -- Sign at the salon -- Signs of the revolution -- Signs and Citizens : Regeneration and the Deaf -- The Politics of Deafness -- The Normal and the pathological -- David's studio and the Deaf -- The Mimicry of mimesis : Morality, sign and pathology -- Mimicry, copying and orginality -- Revolt and organization -- Cultural politics -- A Culture of gestures -- Mimicry and mimesis -- Visualizing Anthropology : Touch, the hand and gesture -- Evolutionism, art, and the sign -- The Silent monument -- Milan and after -- A Deaf Variety of Modernism? : Republican morality -- The Deaf artists and the museum -- Gesture and hysteria -- Deaf Republicans -- Deaf artists and the Third Republic -- The Deaf and the Dreyfus Affair -- Eugenics and the Deaf -- Deaf moderns -- Anthropology and philosophy -- Art history -- Deaf culture.

Author : A. Joan Saab
Publisher : John Wiley & Sons
Page : 512 pages
File Size : 25,17 MB
Release : 2021-03-08
Category : Art
ISBN : 1119415403

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Provides an up-to-date overview of the present state Visual Cultural Studies, featuring new original content, topics, and methods The Wiley Blackwell Concise Companion to Visual Culture brings together original research by both established scholars and new voices in the dynamic field, exploring the history, current state, and possible future directions of visual cultural studies. Organized as a series of non-traditional keyword essays, this innovative volume engages readers with a diversity of ideas and perspectives to broaden and enrich their understanding of visual culture and its operations. This accessible, reader-friendly volume begins with a brief introduction to the history and practices of visual studies, featuring interviews and conversations with key figures such as W.J.T. Mitchell and Douglas Crimp. The majority of the text explores key concepts within a broad framework of history, ecologies, mediations, agencies, and politics while placing particular emphasis on interdisciplinarity and intersectionality. Essays cover keyword topics including Identities, Representation, Institutions, Architectures, Memes, Environment, Temporality, and many more. Offering a unique approach to the subject, this timely resource: Presents new work from a diverse group of scholars with a broad range of social, cultural, and generational perspectives Emphasizes the importance of activism and political urgency in humanities scholarship Discusses engaging objects and discourses beyond film and art, such as architecture, video games, political activism, and the nonhuman Highlights the diverse and interconnecting elements of visual culture scholarship Includes case studies and short introductions that provide context and reinforce core concepts The Wiley Blackwell Concise Companion to Visual Culture is essential reading for advanced undergraduate students, graduate students, and scholars in the fields of visual studies, art history, film studies, and media studies.

Author : Michele Wallace
Publisher : Duke University Press
Page : 532 pages
File Size : 18,12 MB
Release : 2004-12-06
Category : Biography & Autobiography
ISBN : 9780822334132

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DIVA collection of writings from the ‘90s by the popular Black feminist scholar and journalist on film, art, and politics./div

Author : Felicia M. McCarren
Publisher : Stanford University Press
Page : 292 pages
File Size : 49,63 MB
Release : 1998
Category : Performing Arts
ISBN : 9780804735247

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A history of dance’s pathologization may startle readers who find in dance performance grace, discipline, geometry, poetry, and the body’s transcendence of itself. Exploring dance’s historical links to the medical and scientific connotations of a “pathology,” this book asks what has subtended the idealization of dance in the West. It investigates the nineteenth-century response, in the intersections of dance, literature, and medicine, to the complex and long-standing connections between illness, madness, poetry, and performance. In the nineteenth century, medicine becomes a major cultural index to measure the body’s meanings. As a particularly performative form of madness, nineteenth-century hysteria preserved the traditional connection to dance in medical descriptions of “choreas.” In its withholding of speech and its use of body code, dance, like hysteria, functions as a form of symptomatic expression. Yet by working like a symptom, dance performance can also be read as a commentary on symptomatology and as a condition of possibility for such alternative approaches to mental illness as psychoanalysis. By redeeming as art what is “lost” in hysteria, dance expresses non-hysterically what only hysteria had been able to express: the somatic translation of idea, the physicalization of meaning. Medicine’s discovery of “idea” manifesting itself in the body in mental illness strikingly parallels a literary fascination with the ability of nineteenth-century dance to manifest “idea,” suggesting that the evolution of medical thinking about mind-body relations as they malfunction in madness, as well as changes in the cultural reception of danced representations of these relations, might be paradigmatic shifts caused by the same cultural factors: concern about the body as a site of meaning and about vision as a theater of knowledge.