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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.
This volume traces a genealogy of the varied conceptions and functions of alphabetic writing in Hispanic cultures of the pre-modern and early colonial periods. The historical junctures selected are those at which the written word (in grammatical, historical and legal discourse) assumed increased ideological importance for bolstering different kinds of 'imperial' power. In effect,Companion to Empire posits a constellation of historical scenarios, rather than a singular mythical origin, in which the alliance between writing and imperium might be discerned. The corpus of primary texts considered in the volume derives from works by foundational figures in the history of pre-modern language theories (Isidore of Seville, Alfonso X the Wise, Antonio de Nebrija) and from those identified with the early transatlantic expansion of alphabetic writing (Peter Martyr D'Anghiera, Bernardino de Sahagún, Nuño Beltrán de Guzmán). By reading these canonical texts against the grain, the author avoids the totalizing gesture of histories of the language, and instead focuses upon the relationship between prestige written languages, the creation of a 'literate mentality' and the need to consolidate imperium on both sides of the Atlantic.Companion to Empire will thus be of interest to those adopting a 'post-philological' approach to Hispanic Studies, as well as those interested in medieval and transatlantic imperium studies.
Jimmy is a stereotypical geek who works at the library in Oakland, California, and is trapped in his own torpidity. Sara is his best friend, but she wants to get a life (translation: an apartment in Brooklyn and a publishing internship). When Sara moves to New York City, Jimmy is rattled. Then lonely. Then desperate. He screws up his courage, writes Sara a letter about his true feelings, and asks her to meet him at the top of the Empire State Building (a nod to their ongoing debate about Sleepless in Seattle). Jimmy's cross-country bus trip to Manhattan is as hapless and funny as Jimmy himself. When he arrives in the city he's thought of as "a festering hellhole," he's surprised by how exciting he finds New York, and how heartbreaking—he discovers Sara has a boyfriend! Jason Shiga's bold visual storytelling, sly pokes at popular culture, and subtle text work together seamlessly in Empire State, creating a quirky graphic novel comedy about the vagaries of love and friendship. Praise for Empire State: "He [Shiga] displays a wicked sense of comic timing." -Publishers Weekly "Empire State: A Love Story (Or Not) is funny, sweet, geeky and affecting, and definitely worth a read." -Wired.com "Shiga's illustrations . . . are unique and endearing, and his images of NYC are instantly recognizable." -am New York "If Woody Allen grew up in Oakland rather than Manhattan, he'd most likely see the world, and especially New York City, as Jason Shiga does in Empire State." -Big Think.com
When Siraj, the ruler of Bengal, overran the British settlement of Calcutta in 1756, he allegedly jailed 146 European prisoners overnight in a cramped prison. Of the group, 123 died of suffocation. While this episode was never independently confirmed, the story of "the black hole of Calcutta" was widely circulated and seen by the British public as an atrocity committed by savage colonial subjects. The Black Hole of Empire follows the ever-changing representations of this historical event and founding myth of the British Empire in India, from the eighteenth century to the present. Partha Chatterjee explores how a supposed tragedy paved the ideological foundations for the "civilizing" force of British imperial rule and territorial control in India. Chatterjee takes a close look at the justifications of modern empire by liberal thinkers, international lawyers, and conservative traditionalists, and examines the intellectual and political responses of the colonized, including those of Bengali nationalists. The two sides of empire's entwined history are brought together in the story of the Black Hole memorial: set up in Calcutta in 1760, demolished in 1821, restored by Lord Curzon in 1902, and removed in 1940 to a neglected churchyard. Challenging conventional truisms of imperial history, nationalist scholarship, and liberal visions of globalization, Chatterjee argues that empire is a necessary and continuing part of the history of the modern state.
Revelation speaks to the reality that we are caught in the fray of cosmic conflict. We are guilty. We've already been contaminated. But it's not too late for us to exit empire and enter the kingdom. We are yet both victim and victimizer. We have healing work to do, and we must take responsibility for the ways in which we have benefited from and been complicit with the religion of empire. This is the truth of Revelation. God wants to liberate us in body, heart, soul, and mind.Revelation reveals how scapegoating functions within empire to define its own boundaries and contours as being over and against wicked others.Revelation critiques wealth and shows that even in the first century there was prophetic critique against an economic system that was based on abundance for some, while exploiting the rest.Revelation demonstrates the importance of liturgy as something that forms people into the likeness of either empire or the lamb.Revelation reveals an alternative social order which becomes the center of resistance rooted in a vision of what the book describes as "the multitude."
Empires have returned as features of the international scene. With the Cold War's global ideological contest gone, alternative structures such as the War on Terror or the Clash of Civilizations losing credibility, and even the unipolar position of the USA no longer self-evident, the operations of competing empires, history's best known form of order imposed over territories and peoples, acquires renewed credibility. Empire and International Order presents a critical examination of how useful the concept of empire is for understanding varieties of international order across time and place. Original contributions from an international team of upcoming and distinguished scholars analyse a wealth of theoretical approaches alongside contemporary themes enabling the reader to understand the desire to shift the ground of analysis away from the current literature of immediate issue of the US towards the disciplines of international relations, politics, and political/sociological theory.