[PDF] Paris In The Cinema eBook

Author : Alastair Phillips
Publisher : Bloomsbury Publishing
Page : 458 pages
File Size : 42,13 MB
Release : 2019-07-25
Category : Performing Arts
ISBN : 1838717544

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'Paris in the Cinema' offers a new approach to the representation of Paris on screen. Bringing together a wide range of renowned French and Anglophone specialists in film, television, history, architecture and literature, the volume introduces, challenges and extends ideas about the city as the locus of screen modernity. Through a range of concrete and historically-specific case studies, ranging from particular districts such as Saint-Germain-des-Pres and les banlieues (the suburbs) in French cinema, to iconic figures such as the detective Maigret and the lovers, and from locations such as the hotel, the building site and the Eiffel Tower to filmmakers such as Agnes Varda and Jean-Pierre Jeunet, this unique text demonstrates how the cinematic city of Paris now constitutes a major archive of French cultural history and memory.

Author : Leah Lehmbeck
Publisher : Delmonico Books
Page : 192 pages
File Size : 35,4 MB
Release : 2022-02-22
Category : Art
ISBN : 9781636810218

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How film emerged in 19th-century Paris amid an array of social, political, artistic and technological innovations--with works by the Lumiere brothers, Mélies, Chéret and more City of Cinematraces film's evolution from an obscure entertainment to the most powerful art form of the 20th century. Placing cinema in the context of 19th-century Parisian visual culture, this book brings together posters, paintings, studio and documentary photography, and film stills that evoke Paris as a site of consumption, demonstrate early cinema's relationship with technology and the fine arts, and highlight local and global spaces of film production. It also examines the aspects of 19th-century visual culture that gave rise to cinema as a quintessentially modern medium with an eager audience. Aligning with French beliefs that the nation's culture would be democratized through consumption, cinema reinforced a set of assumptions about French cultural and political authority and disseminated these ideas to the rest of the world. Presented here are images of and from the street by Jean Béraud, Charles Marville, Jules Chéret and Auguste and Louis Lumière; the technological experimentation of Loïe Fuller, Émile Reynaud and Georges Méliès; and the plein-air observations of Camille Pissarro and the staged artifice of Jean-Leon Gerome--all of which can be considered alongside the prototype film studios of Georges Méliès, Gaumont and Pathé. At the dawn of the 20th century, cinema is as much, if not more, a way of appropriating the world. Through arresting images and incisive texts, this book examines the origins of cinema and its position as a global medium.

Author : Michael Temple
Publisher : Bloomsbury Publishing
Page : 743 pages
File Size : 42,26 MB
Release : 2019-07-25
Category : Performing Arts
ISBN : 1838718869

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This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.

Author : Barbara Boespflug
Publisher : Editions du Chêne
Page : 0 pages
File Size : 13,34 MB
Release : 2013
Category : Motion picture locations
ISBN : 9782812308413

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Neighbourhood by neighbourhood, address by address, visit the City of Lights via 101 cafés, hôtels, boutiques, galleries and theatres that have served as backgrounds to our favourite movies.

Author : Ginette Vincendeau
Publisher : Bloomsbury Publishing
Page : 285 pages
File Size : 21,77 MB
Release : 2019-07-25
Category : Performing Arts
ISBN : 1838716548

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Ginette Vincendeau discusses the artistic value of his films in their proper context and comments on Jean-Pierre Melville's love of American culture and his controversial critical and political standing in this English language study.

Author : Alastair Phillips
Publisher :
Page : 286 pages
File Size : 30,58 MB
Release : 2017
Category : Motion pictures
ISBN : 9781838711900

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"Paris in the Cinema' offers a new approach to the representation of Paris on screen. Bringing together a wide range of renowned French and Anglophone specialists in film, television, history, architecture and literature, the volume introduces, challenges and extends ideas about the city as the locus of screen modernity. Through a range of concrete and historically-specific case studies, ranging from particular districts such as Saint-Germain-des-Pres and les banlieues (the suburbs) in French cinema, to iconic figures such as the detective Maigret and the lovers, and from locations such as the hotel, the building site and the Eiffel Tower to filmmakers such as Agnes Varda and Jean-Pierre Jeunet, this unique text demonstrates how the cinematic city of Paris now constitutes a major archive of French cultural history and memory."--Bloomsbury Publishing.

Author : François Truffaut
Publisher : Diversion Books
Page : 452 pages
File Size : 47,14 MB
Release : 2014-08-24
Category : Art
ISBN : 1626813965

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From a cinematic grand master, “one of the most readable books of movie criticism, and one of the most instructive” (American Film Institute). An icon. A rebel. A legend. The films of François Truffaut defined an exhilarating new form of cinema for moviegoers the world over. But before Truffaut became a great director, he was a critic who stood at the vanguard, pioneering an innovative way to view movies and to write about the cinematic arts. Now, for the first time in eBook, the legendary director shares his own words, as one of the most influential filmmakers of all time examines the art of movie-making through engaging and deeply personal reviews about the movies he loves. Truffaut writes extensively about his heroes, from Hitchcock to Welles, Chaplin to Renoir, Buñuel to Bergman, Clouzot to Cocteau, Capra to Hawks, Guitry to Fellini, sharing analysis and insight as to what made them film legends, and how their work led Truffaut and his fellow directors into classics like The 400 Blows, Jules and Jim, and the French New Wave movement. Articulate and candid, The Films in My Life is for everyone who has sat in a dark movie theater and dreamed. “Truffaut brings the same intelligence and grace to the printed page that he projects onto the screen. The Films in My Life provides a rare knowledgeable look at movies and moviemaking.” —Newsday

Author : Antoine de Baecque
Publisher : Columbia University Press
Page : 670 pages
File Size : 10,52 MB
Release : 2016-06-14
Category : Art
ISBN : 0231541570

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The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinéma from 1957 to 1963, Éric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved. This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: François Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume.

Author : Richard Neupert
Publisher : Univ of Wisconsin Press
Page : 442 pages
File Size : 41,99 MB
Release : 2007-04-20
Category : Performing Arts
ISBN : 0299217035

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The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.

Author : Eric Smoodin
Publisher : Duke University Press
Page : 156 pages
File Size : 49,65 MB
Release : 2020-03-27
Category : Performing Arts
ISBN : 1478007532

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In Paris in the Dark Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s. Drawing on a wealth of journalistic sources, Smoodin recounts the ways films moved through the city, the favored stars, and what it was like to go to the movies in a city with hundreds of cinemas. In a single week in the early 1930s, moviegoers might see Hollywood features like King Kong and Frankenstein, the new Marlene Dietrich and Maurice Chevalier movies, and any number of films from Italy, Germany, and Russia. Or they could frequent the city's ciné-clubs, which were hosts to the cinéphile subcultures of Paris. At other times, a night at the movies might result in an evening of fascist violence, even before the German Occupation of Paris, while after the war the city's cinemas formed the space for reconsolidating French film culture. In mapping the cinematic geography of Paris, Smoodin expands understandings of local film exhibition and the relationships of movies to urban space.