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In the decades following World War II, both Japan and Italy were rebuilding after the ravages of war, constructing democratic political systems after a period of fascism and transforming into economic powerhouses, all of which profoundly influenced their respective cultures. Artists in both nations were working in these similar conditions, examining their formidable artistic traditions and seeking a new path forward in the wake of modernism - ways of making art objects that had never been made before. 'Parallel Views' presents a breadth of postwar masters of Italian and Japanese art.
Author : Patrick S P Wang Publisher : World Scientific Page : 235 pages File Size : 48,77 MB Release : 1994-08-01 Category : Computers ISBN : 9814520128
This review volume contains a selection of papers by leading experts in the areas of Parallel Image Analysis, 2-D, 3-D Grammars and Automata and Neural Nets and Learning.
This volume contains the papers selected for presentation at the Second International Conference on Parallel Image Analysis (ICPIA '92), held in Ube, Japan, December 21-23, 1992. The conference topics are data structures, parallel algorithms and architectures, neural networks, computational vision, syntactic generation and recognition, and multidimensional models. The first meeting with these topics was theInternational Colloquium on Parallel Image Processing, which took place in Paris in June 1991. The aim of the meetings is to bring together specialistsfrom various countries who are interested in the topics and to stimulatetheoretical and practical research in the field of parallel image processingand analysis. The volume contains three invited papers, a summary of a tutorial lecture, and twenty selected and refereed communications.
The eye-arresting images in this original contemporary art book feature two popular mediums, painting and photography. Although the art is inspired by the Long Island landscape, its visual appeal in artists’ interpretations of locations is universal. Paired with the dialog of the artists, the narrative becomes an intimate conversation with the reader. Combining life, loss, serendipity and art, it portrays two artists, whose conceptually similar work evolved independently until social media brought them together. Their collaboration continues to produce treasures of stunning, memorable beauty. The improbable pairing of Holly Gordon, photographer from Bay Shore, Long Island, and Ward Hooper, painter from Northport, Long Island, is a symbiotic match. Their artistic relationship is an affirmation of the human spirit in an age where most can’t seem to detach from objects. These two contemporary artists discovered a serendipitous connection to the earlier American artistic and personal alliance of Arthur Dove and Helen Torr, whose work was inspired by the same Long Island locations. The past thus joined the present, deepening Gordon and Hooper’s bond, both personally and geographically. In Gordon and Hooper’s intimate relationship there is a sense of empathy, connection, and mutual discovery that is invincible. Ward Hooper and Holly Gordon understand that the meaning of their journey extends beyond themselves. Their camaraderie and brilliant exposition beckons others to do the same and thereby reach their own heights in art and life. The transformative journey that unfolds centers on art as a positive force that ultimately unites two creative spirits. I found the imagery captivating and the text inspirational. Learning about how these two people from different art disciplines came together to help heal and enrich each others’ lives (and create wonderful imagery throughout the process) made me appreciate my life and relationships even more. The book may even encourage you to create something new, or collaborate with someone you already know...or someone who is out there waiting to be a part of your “Light's Journey.” -- Andrew Darlow, Photographer, Educator and Author ......A love story of friendship and renewal. Holly and Ward were meant to meet to discover their connection through art and nature. Two wonderful artists exploring life together through the warmth of colors, brush and lens strokes and subjects they created separately at different times and then together revealing their deep passion for life, friendship and art. --Charlee M. Miller, Executive Director, Art League of Long Island, Dix Hills, N.Y. Parallel Perspectives: The Brush/Lens Project gives us seamlessly created images that work on many levels: They pay attention to tiny details yet pulse with large swaths of vibrant color. They look like paintings — but they could be photographs, and vice versa. These are eye-arresting scenes, a visual harvest of the natural beauty that surrounds us, creating lasting sights that celebrate what talented artists have always quested for: the light. Holly Gordon finds images and builds digital layers that blend an unflinching assessment by a documentary photographer and environmentalist with a painterly sensitivity; Ward Hooper’s loose brushstrokes capture the ever-shifting light and shadow through watercolors that are as elusive as the light. Their collaboration continues to produce treasures of stunning, memorable beauty.—Annie Wilkinson Blachley’s features and cover stories have been published by The New York Times, Los Angeles Times, and national and regional newspapers and magazines. She is a copy editor and columnist for the Long Island Press and writes several monthly columns for Long Island Woman Magazine
Parallel Lines describes how post-9/11 cinema, from Spike Lee's 25th Hour (2002) to Kathryn Bigelow's Zero Dark Thirty (2012), relates to different, and competing, versions of US national identity in the aftermath of the September 11 terrorist attacks. The book combines readings of individual films (World Trade Center, United 93, Fahrenheit 9/11, Loose Change) and cycles of films (depicting revenge, conspiracy, torture and war) with extended commentary on recurring themes, including the relationship between the US and the rest of the world, narratives of therapeutic recovery, questions of ethical obligation. The volume argues that post-9/11 cinema is varied and dynamic, registering shock and upheaval in the immediate aftermath of the attacks, displaying capacity for critique following the Abu Ghraib prisoner abuse scandal mid-decade, and seeking to reestablish consensus during Obama's troubled second term of office.
The substantial effort of parallelizing scientific programs is only justified if the resulting codes are efficient. Thus, all types of performance tuning are important to parallel software development. But performance improvements are much more difficult to achieve with parallel programs than with sequential programs. One way to overcome this difficulty is to bring in graphical tools. This monograph covers recent developments in parallel program visualization techniques and tools and demonstrates the application of specific visualization techniques and software tools to scientific parallel programs. The solution of initial value problems of ordinary differential equations, and numerical integration are treated in detail as two important examples.
A riveting investigation of the jagged fault line between the Christian and Muslim worlds The tenth parallel—the line of latitude seven hundred miles north of the equator—is a geographical and ideological front line where Christianity and Islam collide. More than half of the world's 1.3 billion Muslims live along the tenth parallel; so do sixty percent of the world's 2 billion Christians. Here, in the buzzing megacities and swarming jungles of Africa and Asia, is where the two religions meet; their encounter is shaping the future of each faith, and of whole societies as well. An award-winning investigative journalist and poet, Eliza Griswold has spent the past seven years traveling between the equator and the tenth parallel: in Nigeria, the Sudan, and Somalia, and in Indonesia, Malaysia, and the Philippines. The stories she tells in The Tenth Parallel show us that religious conflicts are also conflicts about land, water, oil, and other natural resources, and that local and tribal issues are often shaped by religious ideas. Above all, she makes clear that, for the people she writes about, one's sense of God is shaped by one's place on earth; along the tenth parallel, faith is geographic and demographic. An urgent examination of the relationship between faith and worldly power, The Tenth Parallel is an essential work about the conflicts over religion, nationhood and natural resources that will remake the world in the years to come.
Pictorial drawing in this volume incudes parallel projection and perspective projection concepts.In Parallel projection:* The concepts of axonometric projection i.e. isometric, dimetric and trimetric :* How a projection of a drawing in axonometric projection is drawn.* The different tilt planes in axonometric projection* The methods of constructing axonometric scales * Isometric projection drawings from a true diagonal* Constructing the isometric tilt angle* Constructing the diametric tilt angle* The isometric circle and sphere in comparison to a circle* Adjusting the isometric drawing methods for a circle to accommodate isometric projection* The comparison of constructing isometric circles using the ordinates method and the 8 points method with respect to isometric drawing or projection.* An analysis of the approximate 4 arcs method for isometric* Drawing a sphere in isometric.* The concepts of oblique projection :* The comparison of constructing oblique circles with respect to cavalier or cabinet oblique.* The 8 points method for oblique drawing as compared to the ordinates method for oblique drawing* Drawing an ordinates method for cabinet oblique.* Views of planometric drawings in 2 and 3 dimensions.In Perspective projection:* The concepts of one and two point perspective.* The concepts of perspective drawing are discussed as paths or trajectories approach. * The perspective range* The receding direction* The planes in perspective:* Vertical and horizontal planes* Picture plane* Eye level plane* Line of Sight plane* SP to VP plane* Methods of locating points in one and two point perspective