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Painting the Woods

Author : Deborah Paris
Publisher : Texas A&M University Press
Page : 195 pages
File Size : 11,63 MB
Release : 2020-12-11
Category : Art
ISBN : 1623499194

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When first-time author and artist Deborah Paris stepped into Lennox Woods, an old-growth southern hardwood forest in northeast Texas, she felt a disruption that was both spatial and temporal. Walking the remnants of an old wagon trail past ancient stands of pine, white oak, elm, hickory, sweetgum, maple, hornbeam, and red oak, she felt drawn into a reverie that took her back to “the beginning, both physically and metaphorically.” Painting the Woods: Nature, Memory and Metaphor explores the experience of landscape through the lens of art and art-making. It is a place-based meditation on nature, art, memory, and time, grounded in Paris’s experiences over the course of a year in Lennox Woods. Her account unfolds through the twin arcs of the changing seasons and her creative process as a landscape painter. In the tradition of Annie Dillard’s Pilgrim at Tinker Creek, narrative passages interweave with observations about the natural history of Lennox Woods, its flora and fauna, art history, the science of memory, Transcendentalist philosophy, the role of metaphor in creative work, and even loop quantum gravity theory. Each chapter explores a different aspect of the forest and a different step in the art-making process, illuminating our connection to the natural world through language, comprehension of time, and visual depictions of the landscape. The complex layers of the forest and Paris’s journey through it emerge as metaphors for the larger themes of the book, just as the natural world underpins the art-making drawn from it. Like the trail that winds through Lennox Woods, memory and time intertwine to provide a path for understanding nature, art, and our relationship to both.

Portraits from the Woods

Author : Norman Reedus
Publisher :
Page : pages
File Size : 45,80 MB
Release : 2020-10-31
Category :
ISBN : 9780989637985

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Portraits from the Woods is a pictorial record in multiple takes of a singular journey through Norman Reedus' experience of darkness and light. It will become clear early in this wholly fresh body of work that these photographic images are as likely to propose questions as provide answers. This book is a collection of raw, grainy, offkey photos that Norman has regurgitated for our bemusement and twisted pleasure.Norman Reedus is a master of the unlikely the eccentric, the uncooked. He loves to indulge his eye in all manner of improbable and fractured camera moments. Portraits from the Woods takes the viewer on some very strange trips into a subterranean world where there is no judgment. What you get is raw, unplacated Norman behind his natural and delightful charm. This book can't help to push your envelope.

Painting Expressive Watercolour

Author : Bridget Woods
Publisher : Crowood
Page : 457 pages
File Size : 26,39 MB
Release : 2014-06-30
Category : Art
ISBN : 1847977510

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Watercolour offers great potential for expression. Its fluidity, full colour range, generous spread and variety of marks can portray a likeness, a response, a feeling - even the notions of time and speed. This book is a practical guide to watercolour painting and more. It explains the importance of colour, tone, shape, texture and scale through exercises and shared techniques, but it also encourages the artist to express sensations and ideas in watercolour - and by exploring the joy of the medium, to develop handling skills, confidence and a unique painting 'voice'. Includes: getting started; materials, fundamentals and mark-making; ideas to trigger the imagination for developing personal style; a variety of images to inspire and encourage; and help and advice throughout to practice new skills and gain confidence with a medium that has the potential magnificence of a 'full orchestra', yet can be slipped into the pocket. Lavishly illustrated with 259 colour photographs.

The Orange Woods

Author :
Publisher :
Page : 312 pages
File Size : 10,64 MB
Release : 2020-10-28
Category :
ISBN : 9781947966475

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On the brink of middle age, Marilyn and Jack Woods do a one-eighty, leaving their world of big city radio and broadcasting to embark on a new adventure with the purchase of a Southern California farm. As they struggle over the two decades that follow, they experience losses, failures, and stunning successes while crafting a life among orange groves, lavender fields, and vineyards in San Diego County. Until Jack's devastating, unexpected death leaves Marilyn alone with a shattered dream. She must now, on her own, reclaim the inspiration and internal fortitude that symbolized their country life together. Stumbling to find her way forward, Marilyn creates a portrait of the grief, joy, courage and hope of a life lived boldly. Her story is an ode to the solace that can be found in nature and art. It will inspire readers to embark on quiet adventures of their own.

Making Renaissance Art

Author : Kim Woods
Publisher : Yale University Press
Page : 326 pages
File Size : 45,11 MB
Release : 2007-01-01
Category : Art
ISBN : 9780300121896

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This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life. Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes--allowing us an inside view on the vexed issue of the notion of a renaissance.

Watercolor With Me in the Forest

Author : Dana Fox
Publisher : PAGE STREET PUB
Page : 123 pages
File Size : 33,5 MB
Release : 2018-08-14
Category : Art
ISBN : 1624145566

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"In Watercolor With Me in the Forest, Dana provides light outlines of each project, and every page is printed on premium art paper, so you can focus on the watercolor techniques--wet-on-dry, wet-on-wet, painting fur and ink and wash. Even if you've never picked up a paintbrush before, Dana's creative tricks will ensure that every piece of art is frame-worthy"--Back cover.

Charley Harper's What's in the Woods?

Author : Zoe Burke
Publisher : Pomegranatekids
Page : 0 pages
File Size : 24,33 MB
Release : 2013
Category : Forest animals
ISBN : 9780764964534

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Simple, rhyming text introduces individual woodland birds and animals as seen in Charley Harper's illustration, "Penitentiary Glen," which is shown as a whole on a fold-out page at the end.

Grant Wood

Author : R. Tripp Evans
Publisher : Knopf
Page : 433 pages
File Size : 19,81 MB
Release : 2010-10-05
Category : Art
ISBN : 0307594335

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He claimed to be “the plainest kind of fellow you can find. There isn’t a single thing I’ve done, or experienced,” said Grant Wood, “that’s been even the least bit exciting.” Wood was one of America’s most famous regionalist painters; to love his work was the equivalent of loving America itself. In his time, he was an “almost mythical figure,” recognized most supremely for his hard-boiled farm scene, American Gothic, a painting that has come to reflect the essence of America’s traditional values—a simple, decent, homespun tribute to our lost agrarian age. In this major new biography of America’s most acclaimed, and misunderstood, regionalist painter, Grant Wood is revealed to have been anything but plain, or simple . . . R. Tripp Evans reveals the true complexity of the man and the image Wood so carefully constructed of himself. Grant Wood called himself a farmer-painter but farming held little interest for him. He appeared to be a self-taught painter with his scenes of farmlands, farm workers, and folklore but he was classically trained, a sophisticated artist who had studied the Old Masters and Flemish art as well as impressionism. He lived a bohemian life and painted in Paris and Munich in the 1920s, fleeing what H. L. Mencken referred to as “the booboisie” of small-town America. We see Wood as an artist haunted and inspired by the images of childhood; by the complex relationship with his father (stern, pious, the “manliest of men”); with his sister and his beloved mother (Wood shared his studio and sleeping quarters with his mother until her death at seventy-seven; he was forty-four). We see Wood’s homosexuality and how his studied masculinity was a ruse that shaped his work. Here is Wood’s life and work explored more deeply and insightfully than ever before. Drawing on letters, the artist’s unfinished autobiography, his sister’s writings, and many never-before-seen documents, Evans’s book is a dimensional portrait of a deeply complicated artist who became a “National Symbol.” It is as well a portrait of the American art scene at a time when America’s Calvinistic spirit and provincialism saw Europe as decadent and artists were divided between red-blooded patriotic men and “hothouse aesthetes.” Thomas Hart Benton said of Grant Wood: “When this new America looks back for landmarks to help gauge its forward footsteps, it will find a monument standing up in the midst of the wreckage . . . This monument will be made out of Grant Wood’s works.”

Painted Wood

Author : Valerie Dorge
Publisher : Getty Publications
Page : 549 pages
File Size : 28,44 MB
Release : 1998-08-27
Category : Art
ISBN : 0892365013

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The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.

Clare Woods

Author : Clare Woods
Publisher : Art / Books
Page : 0 pages
File Size : 37,47 MB
Release : 2016
Category : Art
ISBN : 9781908970268

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British artist Clare Woods is internationally regarded as one of the most significant painters working today. Her paintings and works on paper are found in important public and private collections around the world, and she has produced many highprofile public commissions in the UK and Europe. Her highly colouristic paintings in oil or gloss paint on aluminium of strange, dark landscapes and anthropomorphic forms hover somewhere between abstraction and representation, expressing both a poetic romanticism and an unnerving psychic charge. This beautifully designed and illustrated volume is the first monograph on Woods' art. It presents all the major works from her career to date, from small-scale intimate paintings and prints to ambitious large-scale architectural projects. The dynamic layout of the book, with a varied mix of close-up detail and installation shots, gives the reader a strong sense of the diverse scale and immersive, push-pull nature of the paintings. Five prominent writers consider various aspects of her practice, including her use of photographic source material; her engagement with the traditions of landscape and figurative art; her relationship with artistic forebears, such as Francis Bacon, Paul Nash and Graham Sutherland; the context of painting practice today and twenty-firstcentury culture; and the connections between her life and work.