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This book presents interviews with eight gay men who are celebrated American poets and writers, discussing their early lives, friends and communities that shaped their work, histories of gay writers before them, how sex and desire connect with artistic production, and what coming out means to a writer.
With gossip being so prevalent in our culture, it can be hard to resist listening to and sharing stories about other people's business. But what does God say about gossip? In Resisting Gossip, Pastor Matt Mitchell not only outlines the scriptural warnings against gossip, but also demonstrates how the truth of the gospel can deliver believers from this temptation.
Here, the author examines gossip as a form of 'verbal grooming', and as a means of strengthening relationships. He challenges the idea that language developed during male activities such as hunting, and that it was actually amongst women that it evolved.
One of the most gifted American writers of the twentieth century—and the author of the acclaimed Rabbit series—delivers the intimate, generous, insightful, and beautifully written collection he was compiling when he died. This collection of miscellaneous prose opens with a self-portrait of the writer in winter, a Prospero who, though he fears his most dazzling performances are behind him, reveals himself in every sentence to be in deep conversation with the sources of his magic. It concludes with a moving meditation on a modern world robbed of imagination—a world without religion, without art—and on the difficulties of faith in a disbelieving age. In between are previously uncollected stories and poems, a pageant of scenes from seventeenth-century Massachusetts, five late “golf dreams,” and several of Updike's commentaries on his own work. At the heart of the book are his matchless reviews—of John Cheever, Ann Patchett, Toni Morrison, William Maxwell, John le Carré, and essays on Aimee Semple McPherson, Max Factor, and Albert Einstein, among others. Also included are two decades of art criticism—on Chardin, El Greco, Blake, Turner, Van Gogh, Max Ernest, and more. Updike’s criticism is gossip of the highest order, delivered in an intimate and generous voice.
This “standard text of the defining era of gay literati” tells the cultural history of the interconnected lives of the 20th century's most influential gay writers (Philadelphia Inquirer). In the years following World War II a group of gay writers established themselves as major cultural figures in American life. Truman Capote, the enfant terrible, whose finely wrought fiction and nonfiction captured the nation's imagination. Gore Vidal, the wry, withering chronicler of politics, sex, and history. Tennessee Williams, whose powerful plays rocketed him to the top of the American theater. James Baldwin, the harrowingly perceptive novelist and social critic. Christopher Isherwood, the English novelist who became a thoroughly American novelist. And the exuberant Allen Ginsberg, whose poetry defied censorship and exploded minds. Together, their writing introduced America to gay experience and sensibility, and changed our literary culture. But the change was only beginning. A new generation of gay writers followed, taking more risks and writing about their sexuality more openly. Edward Albee brought his prickly iconoclasm to the American theater. Edmund White laid bare his own life in stylized, autobiographical works. Armistead Maupin wove a rich tapestry of the counterculture, queer and straight. Mart Crowley brought gay men's lives out of the closet and onto the stage. And Tony Kushner took them beyond the stage, to the center of American ideas. With authority and humor, Christopher Bram weaves these men's ambitions, affairs, feuds, loves, and appetites into a single sweeping narrative. Chronicling over fifty years of momentous change-from civil rights to Stonewall to AIDS and beyond. Eminent Outlaws is an inspiring, illuminating tale: one that reveals how the lives of these men are crucial to understanding the social and cultural history of the American twentieth century.
In 1889 uniformed post-boys were discovered moonlighting in a West End brothel frequented by men of the upper classes. "The Cleveland Street Scandal" erupted and Victorian Britain faced the possibility that the Post Office-a bureaucratic backbone of nation and empire-was inspiring and servicing subversive sexual behavior. However, the unlikely alliance between sex and the postal service was not exactly the news the sensational press made it out to be. Postal Pleasures explores the relationship between illicit sex and the Royal Mail from reforms initiated in 1840 up to the imperial end of the nineteenth century. With a combination of historical details and literary analyses, Kate Thomas illustrates how the postal network, its uniformed employees, and its material trappings-envelopes, postmarks, stamps-were used to signal and circulate sexual intrigue. For many, the idea of an envelope promiscuously jostling its neighbors in a post boy's bag, or the notion that secrets passed through the eyes and fingers of telegraph girls, was more stimulating than the actual contents of correspondence. Writers like Anthony Trollope, Eliza Lynn Lynton, Henry James, Oscar Wilde, Arthur Conan Doyle, and others, invoked the postal system as both an instrument and a metaphor for sexual relations that crossed and double-crossed lines of class, marriage, and heterosexuality. Postal Pleasures adds a new dimension to studies of the era as it uncovers the unlikely linkage between the Victorian Post Office and the queer networks it inspired.
Modernity is made and unmade by the anecdotal. Conceived as a literary genre, a narrative element of criticism, and, most crucially, a mode of historiography, the anecdote illuminates the convergences as well as the fault lines cutting across modern practices of knowledge production. The volume explores uses of the anecdotal in exemplary case studies from the threshold of the early modern to the present.
Who’s Yer Daddy? offers readers of gay male literature a keen and engaging journey. In this anthology, thirty-nine gay authors discuss individuals who have influenced them—their inspirational “daddies.” The essayists include fiction writers, poets, and performance artists, both honored masters of contemporary literature and those just beginning to blaze their own trails. They find their artistic ancestry among not only literary icons—Walt Whitman, Oscar Wilde, André Gide, Frank O’Hara, James Baldwin, Edmund White—but also a roster of figures whose creative territories are startlingly wide and vital, from Botticelli to Bette Midler to Captain Kirk. Some writers chronicle an entire tribal council of mentors; others describe a transformative encounter with a particular individual, including teachers and friends whose guidance or example cracked open their artistic selves. Perhaps most moving are the handful of writers who answered the question literally, writing intimately of their own fathers and their literary inheritance. This rich volume presents intriguing insights into the contemporary gay literary aesthetic. Winner, LGBT Nonfiction Anthology, Lambda Literary Awards