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Opium, once used for ritual purposes, is a substance which dulls pain and offers access to an artificial world, and has long been idealized by artists and markets. Baudelaire, Picasso, and Dickens were all inspired to create by the blue clouds of smoke. Known as either a sacred drug or the worst of poisons, opium rapidly became popular in Great Britain and a source of commerce with Imperial China. This illustrated work presents the history and quasi-religious rites of opium’s use.
Among the earliest artistic accounts of the hallucinogenic experience in European literature, the four pieces in this volume document Gautier and Baudelaire's own involvement in the Club of Assassins, who met under the auspices of Dr Moreau to investigate the psychological and mind-enhancing effects of hashish, wine and opium. As well as providing an absorbing of nineteenth-century drug use, Hashish, Wine, Opium captures the spirit of French Romanticism, in its struggle to free the mind from the shackles of the humdrum and the conventional, and serves as a fascinating prologue to the psychedelic literature of the following centuries.
"Opium. Known as 'The Mother of All Analgesics,' it's probably the greatest pain killer ever discovered. Opium is the parent of morphine, heroin, laudanum, Darvocet, Darvon, and many other pain relievers. Opium causes poets to rhapsodize and nations to go to war. 'Religion... is the opium of the people,' said Karl Marx, but some people insist on the real thing. In Opium for the Masses, Jim Hogshire tells you everything you want to know about the beloved poppy and its amazing properties [...] As he reveals the secrets of the seductive opium poppy, he tells the sad story of prescription drugs: doctors, drug makers and governments prohibiting natural remedies in favor of harsh synthetic derivatives. Opium for the Masses includes rare photographs and detailed illustrations that bring this magnificent plant to life."--From cover.
Collection of the notorious poet's essays transcends the squalor of his financial ruin and the torture of physical decline to offer compelling thoughts on his world, society, and philosophy.
In 1857 the French poet Charles Baudelaire, who was fascinated by lesbianism, created a scandal with Les Fleurs du Mal [The Flowers of Evil]. This collection was originally entitled "The Lesbians" and described women as "femmes damnées," with "disordered souls" suffering in a hypocritical world. Then twenty years later, lesbians in Paris dared to flaunt themselves in that extraordinarily creative period at the turn of the 19th and 20th centuries which became known as the Belle Époque. Lesbian Decadence, now available in English for the first time, provides a new analysis and synthesis of the depiction of lesbianism as a social phenomenon and a symptom of social malaise as well as a fantasy in that most vibrant place and period in history. In this newly translated work, praised by leading critics as "authoritative," "stunning," and "a marvel of elegance and erudition," Nicole G. Albert analyzes and synthesizes an engagingly rich sweep of historical representations of the lesbian mystique in art and literature. Albert contrasts these visions to moralists' abrupt condemnations of "the lesbian vice," as well as the newly emerging psychiatric establishment's medical fury and their obsession on cataloging and classifying symptoms of "inversion" or "perversion" in order to cure these "unbalanced creatures of love." Lesbian Decadence combines literary, artistic, and historical analysis of sources from the mainstream to the rare, from scholarly studies to popular culture. The English translation provides a core reference/text for those interested in the Decadent movement, in literary history, in French history and social history. It is well suited for courses in gender studies, women's studies, LGBT history, and lesbianism in literature, history, and art.
At the time of its release in 1860, Baudelaire's "Artificial Paradises" met with immediate praise. Beautifully wrought, this portrait of the effects of wine, opium, and hashish on the mind captures the dreamlike visions that the author experienced during his narcotic trances. **Lightning Print On Demand Title