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Olivia is so excited when she finds out that her class is putting on a special play. Olivia is sure she'll land the leading role. But instead of getting the lead role, she is assigned the role of "Cow Number 2" and has only one line in the whole play: "Moo!" With her penchant for turning lemons into lemonade, and the determination and humor that's unique to Olivia, she manages to secure her place in the spotlight after all.
In her latest adventure, Olivia, everyone's favourite little pig, is off the Venice, the place of fine art, carnival and gondolas for a family holiday to remember. With her very own discerning eye for style, Olivia takes the beautiful city of Venice by storm. From dodging pigeons in the Piazza San Marco, to eating an abundance of the most delicious Italian gelato at Carneval, and barelystaying afloat in a gondola, Olivia uncovers the wonderful delights of Venice with that very special 'Olivia' style and flair!
The haunting tale of a family that moves into a house... and finds that someone -- or something -- does NOT want them there. Olivia is curious about the people moving into 16 Olcott Place. The last family there moved out in the dead of night, and the new family, the Donahues, has no idea why. Olivia becomes fast friends with Janie Donahue . . . so she's there at the house when the first of the letters arrives:--I am the Sentry of Glennon Heights. Long ago I claimed 16 Olcott Place as levy for my guardianship. The walls will not tolerate your trespass. The ceilings will bleed and the windows will shatter. If you do not cease your intrusion, the rooms will soon smell of corpses.--Who is the Sentry? And why does the Sentry want the Donahues out of the house badly enough to kill? As Olivia and Janie explore the house, they find a number of sinister secrets . . . and as they explore their town, they find a hidden history that the Sentry wants to remain hidden forever. You can lock the doors. You can close the windows. But you can't keep the Sentry out. . . .
"Astute and consistently surprising critic" (NPR) Olivia Laing investigates the body and its discontents through the great freedom movements of the twentieth century. The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her ambitious, brilliant sixth book, Olivia Laing charts an electrifying course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement. Drawing on her own experiences in protest and alternative medicine, and traveling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century—among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag, and Malcolm X. Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Arriving at a moment in which basic bodily rights are once again imperiled, Everybody is an investigation into the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.
One of the most recognizable young poets in America, Olivia Gatwood dazzles with her tribute to contemporary American womanhood in her debut book, New American Best Friend. Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.