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Written in the early 1890s, before Czech independence and in an age of patriotic upsurge and romanticism, these thirty-four tales quite naturally reflect a glorification of the Czech past. While the details of the legends are necessarily archaic, peopled by kings and noblemen, ghosts and magic, the themes are universal. Now at the dawn of a new era of Czech independence, they provide a fascinating new perspective to the contemporary situation.
Written in the early 1890s, before Czech independence and in an age of patriotic upsurge and romanticism, these thirty-four tales quite naturally reflect a glorification of the Czech past. While the details of the legends are necessarily archaic, peopled by kings and noblemen, ghosts and magic, the themes are universal. Now at the dawn of a new era of Czech independence, they provide a fascinating new perspective to the contemporary situation.
Written in the early 1980s, at a time of patriotic upsurge and romanticism, these legends reflect a glorification of the Czech past, tempered by a sense of nostalgia reflected in old Czech legends, tales of Old Prague, myths of the Middle Ages and ancient prophecies.
Author : Andrew Lawrence Roberts Publisher : Central European University Press Page : 234 pages File Size : 46,46 MB Release : 2005-01-01 Category : Social Science ISBN : 9789637326271
Emphasizing the importance of popular culture and the wealth of knowledge that can be gained through an analysis of the daily lives and practices of individuals, this book serves as an introduction to Czech popular culture. It includes 600 entries, cross-referenced to allow readers to pursue particular topics in greater depth.
The Art of Czech Animation is the first comprehensive English language account of Czech animation from the 1920s to the present, covering both 2D animation forms and CGI, with a focus upon the stop-motion films of Jirí Trnka, Hermína Týrlová, Jan Švankmajer and Jirí Barta. Stop-motion is a highly embodied form of animation and The Art of Czech Animation develops a new materialist approach to studying these films. Instead of imposing top-down Film Theory onto its case studies, the book's analysis is built up from close readings of the films themselves, with particular attention given to their non-human objects. In a time of environmental crisis, the unique way Czech animated films use allegory to de-centre the human world and give a voice to non-human aspects of the natural world points us towards a means by which culture can increase ecological awareness in viewers. Such a refutation of a human-centred view of the world was contrary to communist orthodoxy and it remains so under late-stage consumer-capitalism. As such, these films do not only offer beautiful examples of allegory, but stand as models of political dissent. The Art of Czech Animation is a unique endeavour of film philosophy to provide a materialist appraisal of a heretofore neglected strand of Central-Eastern European cinema.