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Depois de A Ultima Feiticeira, o primeiro volume de uma fantasia epica, Sandra Carvalho publica dois meses depois o livro que se segue, O Guerreiro Lobo. Esta autora estreante na literatura desde cedo se entretem a contar historias aos seus amigos e inevitavelmente ao seu circulo familiar. Incentivada a mostrar o seu trabalho e aos 33 anos que o seu caminho se ilumina, rumo a uma carreira bem sucedida. Recuperando algumas personagens do inicio da saga voltamos a encontrar Sigarr, um feiticeiro de ma indole que afinal subsistiu no mundo, apesar de aparentemente ter sido vencido, Throst, guerreiro viking, filho de Thorgrim e Catelyn, neta da feiticeira Aranwen, que mais uma vez e a protagonista. Cat anseia encontrar a solucao para os enigmas que a atormentam, assim como a identidade do Ser Superior que ira orienta-la no treino da magia. Contudo, a sua mente e transportada numa viagem inesperada., enfrentando a mais dificil das decisoes: devera regressar a grande Ilha, impedir a hedionda feiticeira Gwendalin de libertar o poder contido nas sete pedras magicas, e salvar o seu povo, ou devera permanecer na Terra Antiga, livrar o Guerreiro-Lobo da maldicao que o condena a morte e ajuda-lo na sua missao de paz?
Author : Russell G. Hamilton Publisher : U of Minnesota Press Page : 464 pages File Size : 30,66 MB Release : 1975-07-24 Category : Literary Criticism ISBN : 0816657815
Voices From an Empire was first published in 1975. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The literature of the various regions of Lusophone Africa has received relatively little critical attention compared with that which has been focused on the work of writers in the English- and French- speaking countries of Africa. With the profound changes which are occurring in the social and political structures of Lusophone Africa, there is particular need for the comprehensive look at Afro-Protuguese literature which this account provides. Professor Hamilton traces the development of this literature in the broad perspective of it social, cultural, and aesthetic context. He discusses the whole of the Afro-Portuguese literary phenomenon, as it occurs on the Cape Verde archipelago, in Guinea-Bissau, on the Guinea Gulf islands of Sao Tome and Principe, in Angola, and in Mozambique. In an introduction he discusses some basic questions about Afro-Protuguese literature, among them, the matter of a definition of this body of writing, the implications of the concept of negritude, the role of Portugal and Brazil in Afro-Portuguese literature, and the social and cultural significance of the dominant literary themes found in the various regions of Lusophone Africa. Because he sees the regionalist movement in Angola as the most significant in terms of a neo-African orientation, he begins the book with an extensive study of the literature of that country. Many examples of afro-Portuguese poetry are given, both in the original language and in the English translation. There is a bibliography, and a map shows the African regions of study.
This book addresses the Lusophone Black Atlantic as a space of historical and cultural production between Portugal, Brazil, and Africa. The authors demonstrate how it has been shaped by diverse colonial cultures including the Portuguese imperial project. The Lusophone context offers a unique perspective on the history of the Atlantic.
CEMETERY GIRL: THE PRETENDERS Charlaine Harris, the #1 New York Times bestselling author of the Sookie Stackhouse novels and the Harper Connelly Mysteries, and New York Times bestselling author Christopher Golden present an original graphic novel illustrated by acclaimed comic book artist Don Kramer—first in a brand-new trilogy. She calls herself Calexa Rose Dunhill—names taken from the grim surroundings where she awoke, bruised and bloody, with no memory of who she is, how she got there, or who left her for dead. She has made the cemetery her home, living in a crypt and avoiding human contact. But Calexa can’t hide from the dead—and because she can see spirits, they can’t hide from her. Then one night, Calexa spies a group of teenagers vandalizing a grave—and watches in horror as they commit murder. As the victim’s spirit rises from her body, it flows into Calexa, overwhelming her mind with visions and memories not her own. Now Calexa must make a decision: continue to hide to protect herself—or come forward to bring justice to the sad spirit who has reached out to her for help...
Learn how automotive Ethernet is revolutionizing in-car networking from the experts at the core of its development. Providing an in-depth account of automotive Ethernet, from its background and development, to its future prospects, this book is ideal for industry professionals and academics alike.
A spellbinding novel of suspense from New York Times bestselling author James Grippando, in which Miami’s top prosecutor becomes a prime suspect in his wife’s disappearance, which may have a chilling connection to the woman he can’t forget. Unbelievable was the word for her. Samantha Vine was unbelievably beautiful. It was unbelievable that she’d married me. Even more unbelievable that she was gone . . . Samantha died too soon. Abe Beckham’s new wife has helped him through the loss, but some say it was a step back to marry Angelina, a love from Abe’s past. Abe doesn’t want to hear it, and through the ups and downs, he’s even managed to remain a star prosecutor at the Miami State Attorney’s Office. Then everything goes wrong. A woman’s body is discovered dumped in the Everglades, and Abe is called upon to monitor the investigation. The FBI is tracking a killer in South Florida they call “Cutter” because his brutal methods harken back to Florida’s dark past, when machete-wielding men cut sugarcane by hand in the blazing sun. But when the feds discover that Abe had a brief encounter with the victim after Samantha’s death, and when Angelina goes missing, the respected attorney finds himself under fire. Suspicion surrounds him. His closest friends, family, professional colleagues, and the media no longer trust his motives. Was Angelina right? Was their marriage not what they’d hoped for because he loved Samantha too much? Or was there another woman . . . and a husband with a dark side who simply wanted his new wife gone?
Nearly 300 speeches provide public speakers with a wealth of quotes and inspiration, from Pericles' funeral oration and William Jennings Bryan's "Cross of Gold" speech to Malcolm X's powerful words on the Black Revolution. Includes 7 selections from the Common Core State Standards Initiative.
Especially since the Renaissance, some in Western Christendom have suspected that the deeper dimension of their tradition has somehow been lost, and have therefore sought to discover, or create, an 'esoteric' or 'initiatic' Christianity. In the middle of the nineteenth century two scholars, Gabriele Rossetti and Eugène Aroux, pointed to certain esoteric meanings in the work of Dante Alighieri, notably The Divine Comedy. Partly based on their scholarship, Guénon in 1925 published The Esoterism of Dante. From the theses of Rosetti and Aroux, Guénon retains only those elements that prove the existence of such hidden meanings; but he also makes clear that esoterism is not 'heresy' and that a doctrine reserved for an elite can be superimposed on the teaching given the faithful without standing in opposition to it. One of René Guénon's lifelong quests was to discover, or revive, the esoteric, initiatory dimension of the Christian tradition. In the present volume, along with its companion volume Insights into Christian Esoterism (which includes the separate study Saint Bernard), Guénon undertakes to establish that the three parts of The Divine Comedy represent the stages of initiatic realization, exploring the parallels between the symbolism of the Commedia and that of Freemasonry, Rosicrucianism, and Christian Hermeticism, and illustrating Dante's knowledge of traditional sciences unknown to the moderns: the sciences of numbers, of cosmic cycles, and of sacred astrology. In these works Guénon also touches on the all-important question of medieval esoterism and discusses the role of sacred languages and the principle of initiation in the Christian tradition, as well as such esoteric Christian themes and organizations as the Holy Grail, the Guardians of the Holy Land, the Sacred Heart, the Fedeli d'Amore and the 'Courts of Love', and the Secret Language of Dante. In addition to Dante, various other paths toward a possible Christian esoterism have been explored by many investigators-the legend of the Holy Grail, the Knights Templars, the tradition of Courtly Love, Freemasonry, Rosicrucianism, and Christian Hermeticism-and Guénon deals with all of these in the present volume as well as his Insights into Christian Esoterism. In the latter, one chapter in particular, 'Christianity and Initiation', will be of special interest with regard to the history of the Traditionalist School. When first published as an article, it gave rise to some controversy because Guénon here reaffirmed his denial of the efficacy of the Christian sacraments as rites of initiation, a point of divergence between the teachings of Guénon and those of other key perennialist thinkers. Both The Esoterism of Dante and Insights into Christian Esoterism will be of inestimable value to all who are struggling to come to terms with the fullness of the Christian tradition.