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In the twenty-first century, nuclear energy has become a hotly contested issue. In the face of climate change, and the search for alternative forms of energy, nuclear power continues to affect the lives of communities around the world. In Nuclear Portraits, scholars from Europe, North America, and Asia demonstrate the complexity, controversy, contradictions, and dangers that surround many aspects of the nuclear industry. The resulting local, regional, national, and international concerns that arise, such as the disasters at Chernobyl and Fukushima, call into question the optimism espoused by the nuclear industry. We live in a world with more nuclear nations than ever before and energy policy is central to the mounting global concern about climate change. The innovative essays found in Nuclear Portraits will open your eyes to the realities of nuclear energy, thereby allowing you to decide for yourself whose side you are on.
E.L. Doctorow suggested that in the years since 1945 the nuclear bomb has come to compose the identity of the American people. Developing this theme, Hugh Gusterson shows how the military-industrial complex has transformed public culture & personal psychology in America, to create a nuclear people.
Author : Alex Wellerstein Publisher : University of Chicago Press Page : 558 pages File Size : 16,90 MB Release : 2021-04-09 Category : History ISBN : 022602038X
"Nuclear weapons, since their conception, have been the subject of secrecy. In the months after the dropping of the atomic bombs on Hiroshima and Nagasaki, the American scientific establishment, the American government, and the American public all wrestled with what was called the "problem of secrecy," wondering not only whether secrecy was appropriate and effective as a means of controlling this new technology but also whether it was compatible with the country's core values. Out of a messy context of propaganda, confusion, spy scares, and the grave counsel of competing groups of scientists, what historian Alex Wellerstein calls a "new regime of secrecy" was put into place. It was unlike any other previous or since. Nuclear secrets were given their own unique legal designation in American law ("restricted data"), one that operates differently than all other forms of national security classification and exists to this day. Drawing on massive amounts of declassified files, including records released by the government for the first time at the author's request, Restricted Data is a narrative account of nuclear secrecy and the tensions and uncertainty that built as the Cold War continued. In the US, both science and democracy are pitted against nuclear secrecy, and this makes its history uniquely compelling and timely"--
One photojournalist's decade-long commitment, a gripping collection of portraits and interviews of those whose lives were crossed by radioactive fallout.
"Emmet Gowin likes to ask a provocative question: "Which country on earth has had the largest number of nuclear bombs detonated within its borders?" The answer is the United States. Covering approximately 680 square miles, the Nevada National Security Site, formerly known as the Nevada Test Site, was the primary testing location of American nuclear devices from 1951 to 1992; 1,021 announced nuclear tests occurred there, 921 of which were underground. The site, which is closed to the public, including its airspace, contains 28 areas, 1,100 buildings, 400 miles of paved roads, 300 miles of unpaved roads, 10 heliports, and two airstrips. Its surface is covered with subsidence craters from testing, and in places looks like the moon. In 1996, Gowin received permission to document the landscape by air, after over a decade of working to secure access. These aerial views of environmental devastation--made quietly majestic but no less potent in the hands of a master photographer--unveil environmental travesties on a grand scale. While groups of images from the Nevada Test Site series have been published previously, this book will produce the largest number yet, and three quarters of the pictures will not have been published at all. Gowin is the only photographer to have been granted access to this site, which is now permanently closed, post-9/11. Other than images made by the government for geographic purposes, no other images of this landscape exist. The book will feature a preface by photographer Robert Adams (America, b. 1937), whose photographic and written work is concerned with landscape, urbanization, and activism. It will also feature an afterword by Gowin on how he made the images, and their significance to him today."--Provided by publisher.
What can photographs reveal about Canada’s nuclear footprint? The Bomb in the Wilderness contends that photography is central to how we interpret and remember nuclear activities. The impact and global reach of Canada’s nuclear programs have been felt ever since the atomic bombs dropped on Japan in 1945. But do photographs alert viewers to nuclear threat, numb them to its dangers, or actually do both? John O’Brian’s wide-ranging and personal account of the nuclear era presents and discusses over a hundred photographs, ranging from military images to the atomic ephemera of consumer culture. His fascinating analysis ensures that we do not look away.
Rooted in the study of objects, British Art in the Nuclear Age addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Examining both the fears and hopes for the future that attended the advances of the nuclear age, nine original essays explore the contributions of British-born and ?gr?rtists in the areas of sculpture, textile and applied design, painting, drawing, photo-journalism, and exhibition display. Artists discussed include: Francis Bacon, John Bratby, Lynn Chadwick, Prunella Clough, Naum Gabo, Barbara Hepworth, Peter Lanyon, Henry Moore, Eduardo Paolozzi, Peter Laszlo Peri, Isabel Rawsthorne, Alan Reynolds, Colin Self, Graham Sutherland, Feliks Topolski and John Tunnard. Also under discussion is new archival material from Picture Post magazine, and the Festival of Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to students and researchers in a variety of fields including modern European history, political science, the history of design, anthropology, and media studies.
The atomic age began at 5:30 a.m. on July 16, 1945, with the explosion of “the Gadget” at Trinity near Alamogordo, New Mexico. Prelude to the bombing of Hiroshima and Nagasaki, which forced the capitulation of Japan and ended World War II, the Trinity test was the culmination of herculean efforts by scientists, civilians, and the military of the United States to tap the potential of the atom for a wartime emergency. If Nazi Germany could engineer the bomb first, an Allied victory against Hitler was all but lost. Historic Photos of the Manhattan Project is a look back at the epic struggle to build the world’s first atomic bomb. Nearly 200 images in vivid black-and-white reveal the project as it unfolded, from its secretive origins at Oak Ridge, Hanford, and Los Alamos, to the day Americans celebrated triumph over the Axis powers with victory over Japan. A pinnacle moment in the history of the United States, the Manhattan Project’s application of Einstein’s famous equation E=MC2 shows, perhaps better than any other single endeavor, what can be achieved by human ingenuity when the citizens of a great nation are united in freedom against a fearsome and despotic foe.