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Not Dead Yet studies the uncertainties of loss, turning a gaze toward the often-silenced voices of the infirm, elderly, and adolescent. Rich in humor and honesty, Hadley Moore's debut collection of short stories presents a contemporary set of narratives from a lush cast of characters. We find the protagonists of her stories tenderly revealing their pain after the loss of loved ones and coping with the voids left by the passing of youth, happiness, and fulfilment. Moore invites us into the lives of characters like Morley, who struggles to adapt to new cultural norms, and Salmon, who confronts the loss of her husband while feeling isolated from his family's Judaism. The character-driven prose of Not Dead Yet offers striking detail as it dives into moments of absurdity and tragedy.
A riveting medical memoir: actor/writer/director Robby Benson takes us on a candid journey from athletic soft spoken heartthrob on Broadway and film, to husband, father, professor and courageous survivor of 4 open heart surgeries. From One On One, Ice Castles, The Chosen and Disney's Beauty and The Beast to directing TVs Ellen and Friends, the funny and explicit narrative: with the author's beautiful photography, career and personal photos, and helpful medical links: is a must for fans and essential reading for heart patients and their loved ones, and anyone searching for what should be the template for medical care in America. (Standard Version) "When you read this funny and courageously blunt book, you will understand how to gain the vibrancy that Robby (and Karla) have. YES, the Cleveland Clinic Provides Many with Miracles but that is not the story. What a great read, and what an important story for YOU, too." Michael F. Roizen, M.D. New York Times #1 Bestselling Author and Chair of the Wellness Institute at the Cleveland Clinic
Part memoir, part sports adventure, Not Dead Yet tells the inspirational story of Phil Southerland's battle with Type 1 diabetes and how from diagnosis to sheer determination, Phil Southerland beat all odds and turned his diagnosis and his passion for cycling into a platform. From leading a Race Across America to now managing a world-class cycling program, his journey on and off the bike is changing the way the world views diabetes. When Phil Southerland was seven-months-old, he lost ten pounds in a week, his body was limp and his breathing slowed to what his mother called a "death rattle." Rushing him to the ER, she was informed that tiny Phil displayed the youngest case of diabetes on record in the world at that time. Blindness, kidney failure and death were all predicted for him by age twenty-five. Twenty-nine years later, not only is Phil alive and well but as the founder of Team Type 1, he and his team of championship cyclists — many of them diabetics—have become health and fitness role models for people the world over. Together, they have taken on some of the most challenging endurance events in the world, including winning the Race Across America—a grueling 3,000-mile endurance competition—twice. Today, Phil continues to lead Team Type 1 as its professional cycling team, among one of the top 30 teams in the world, races toward an invite to the world's top cycling event, the Tour de France in 2012. Leading the pack is a serious challenge for any athlete, but for Phil and his teammates, it presents two daily battles: one to stay in razor-sharp race-fit condition, the other, to stay alive. Not Dead Yet is Phil's powerful story: his account of his relationship with his mother, and how she struggled to keep him alive; growing up quickly in the New-Old South of the 1990s, learning at the tender age of 6 years old how to check his glucose and give himself injections; of how he fulfilled his dream of becoming a professional athlete using his team and the bike as a platform, inspiring thousands of individuals and families around the world who are battling diabetes to not just chase, but catch, their dreams.
Roy Grace tracks a stalker obsessed with a Hollywood starlet in Not Dead Yet, the latest from #1 international bestselling author Peter James Days before one of Hollywood's hottest stars, Gaia Lafayette, leaves her Bel Air home for a movie role on location in Brighton, England, there is a bungled attempt on her life. The whole city of Brighton awaits Gaia's arrival, including her dangerously obsessive Number One fan looking for revenge and an anxious Detective Superintendent Roy Grace, charged with protecting Gaia. When a mutilated torso is found on a chicken farm miles away in the countryside, the police have no reason at all to connect this to the star's visit to the county. But as events rapidly begin to unfold, Roy Grace and his team of cops find themselves in a desperate race against time to save Gaia's life from a clever maniac who will stop at nothing to kill her.
Congratulations! After years of drudgery in the respectable working world, you've earned the right to unlimited free time-a luxury also enjoyed by the homeless, the incarcerated, and bimbo heiresses everywhere. With all this newfound time for meditation, medication, and reflection, you might've already made a few profound discoveries. Perhaps you've learned of your spouse's plan to drive you crazy, or just how bad daytime TV can be. If there's more to retirement, author Patrick Fanning sets out to find it in this irreverent guide to life in the slow lane.
In studying the Russian novel it is amusing to note the childish attitude of certain English men of letters to the novel in general, their depreciation of its influence and of the public's 'inordinate' love of fiction. Many men of letters to-day look on the novel as a mere story-book, as a series of light-coloured, amusing pictures for their 'idle hours,' and on memoirs, biographies, histories, criticism, and poetry as the age's serious contribution to literature. Whereas the reverse is the case. The most serious and significant of all literary forms the modern world has evolved is the novel; and brought to its highest development, the novel shares with poetry to-day the honour of being the supreme instrument of the great artist's literary skill. To survey the field of the novel as a mere pleasure-garden marked out for the crowd's diversionÑa field of recreation adorned here and there by the masterpieces of a few great menÑargues in the modern critic either an academical attitude to literature and life, or a one-eyed obtuseness, or merely the usual insensitive taste. The drama in all but two countries has been willy-nilly abandoned by artists as a coarse playground for the great public's romps and frolics, but the novel can be preserved exactly so long as the critics understand that to exercise a delicate art is the oneserious duty of the artistic life. It is no more an argument against the vital significance of the novel that tens of thousands of peopleÑthat everybody, in factÑshould to-day essay that form of art, than it is an argument against poetry that for all the centuries droves and flocks of versifiers and scribblers and rhymesters have succeeded in making the name of poet a little foolish in worldly eyes. The true function of poetry! That can only be vindicated in common opinion by the severity and enthusiasm of critics in stripping bare the false, and in hailing as the true all that is animated by the living breath of beauty. The true function of the novel! That can only be supported by those who understand that the adequate representation and criticism of human life would be impossible for modern men were the novel to go the way of the drama, and be abandoned to the mass of vulgar standards.Ê
Like the author of this remarkable collection of thirteen linked stories, the protagonist, Nadia, was born and raised in Egypt, educated in England, and immigrated to the United States. Samia Serageldin draws her characters out with subtlety and control, moving from the narrator’s grandmother’s garden house in Cairo to the suburbs of North Carolina, yielding powerful portraits of cultural dislocation, faith, and multigenerational conflicts. As the narratives shift in time and place, they unfold through memory. In "The Zawiya," Nadia reflects on the change in women’s space from the coiffeur’s salon to a religious pulpit as she revisits a childhood ritual. In the title story, Nadia offers a vivid sketch of her grandmother Nanou, "a force of nature" who, as an early widow, single-handedly raised six children and ran the household. At a time when few women experienced such independence, Nanou had a potent influence on the young narrator. Told with compassion and clarity, Serageldin’s stories reveal one woman’s exploration of identity, finding it in both the sweeping backdrop of Egyptian history and the quotidian exchanges with friends and family.