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An unprecedented study of Norman Rockwell's creative process, pairing masterworks of American illustration with the photographs that inspired their execution
Based on the Rockwell collections owned by George Lucas and Steven Spielberg, "Telling Stories" is the first book to chart the connections between Rockwell's iconic images of American life and the movies.
Reprint. Originally published: New York: H.N. Abrams 1975. Text and captioned illustrations present selections of the artist's work and a brief biographical sketch.
Norman Rockwell's son, Tom, has put together the absolute finest collection of his father's bounteous body of work, illustrations that bespeak the golden glow of pre- and post-WWII Americana. Rockwell senior, who said he depicted life “as I would like it to be,” chronicled iconic visions of American life: the Thanksgiving turkey, soda fountains, ice skating on the pond, and small-town boys playing baseball-not to mention the beginning of the civil rights movement. Now, the best-selling collection of Rockwell's most beloved illustrations, organized by decade, is available in a refreshed edition. With more than 150 images-oil paintings, watercolors, and rare black-and-white sketches--this is an uncommonly faithful Rockwell treasury. The original edition has sold nearly 200,000 copies.
Eight-part series published in the Saturday Evening Post, February 13 - April 2, 1960. Ties in with the publication of his autobiography under the same title, published by Doubleday in 1960.
Twentieth-century American society wittily and ironically portrayed by a great artist. Norman Rockwell (1894-1978), one of the most popular American artists of the past century, has often been regarded as a simple illustrator and had his work identified with the covers of the Saturday Evening Post. He is, instead, a total artist. An acute observer of human nature and talented storyteller, Rockwell captured America's evolving society in small details and nuances, portraying scenes of the everyday life of ordinary people and presenting a personal and often idealized interpretation of the American identity. His images offered a reassuring visual haven in a period of epoch-making transformation that led to the birth of the modern American society. The art of Norman Rockwell entered the homes of millions of Americans for over fifty years, illustrating the Roaring Twenties, the Depression, World War II, and the 1950s and 1960s. His works mirror aspects of the life of average Americans with precise realism and often in a humorous light. The exhibition catalog organized in collaboration with the Norman Rockwell Museum of Stockbridge, Massachusetts, presents well-known and beloved masterpieces like the Triple Self-Portrait (1960), Girl at the Mirror (1954), and The Art Critic (1955) alongside carefully observed images of youthful innocence (No Swimming, 1921) and paintings with a powerful social message like The Problem We All Live With (1964).
This nostalgic collection vividly reproduces the work of N.C. Wyeth, Howard Pyle, Harvey Dunn, Frank Schoonover, Philip R. Goodwin and Dean Cornwell from their original paintings that illustrated the pages of popular books and magazines of up to a century ago. 45 color, 15 b&w illustrations.
Norman Rockwell's famous Saturday Evening Post covers, the Four Freedoms he painted during the years of World War II, and his depictions of American towns, families, and traditions are all represented in this concise volume. Avidly collected by legendary filmmakers Steven Spielberg and George Lucas, the works offer a picture of America that we all continue to believe in, a world of hope and humanity. Fred Bauer writes about Rockwell's message of optimism and the artist's faith in America and its people, in a forthright and sympathetic text complemented by numerous Rockwell favorites in all their warmth and color. Bauer visits Stockbridge, Massachusetts, and Arlington, Vermont, talking to the people who lived with Rockwell and posed for his anecdotal pictures, the people about whom the artist said, "If you are interested in the characters you draw and understand them and love them, why, the people who see your pictures are bound to feel the same way.” This revised edition of this classic volume enables us to rediscover Rockwell’s unique understanding of American greatness.