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Much-loved master storyteller Gilbert Morris has turned an imaginative pen to the lives of the patriarchs. Combining extensive research with skillful plotting, Morris creates believable scenarios in which his fictional characters are worthy of their biblical counterparts. The result is an exciting story with riveting, action-packed adventures that will entertain, enlighten, and challenge readers to think in new ways about familiar stories from the Bible. In No Woman So Fair, Abram and Sarai struggle with the call of God on their lives and his promise to give them a child. Their battles with doubt and temptation will have readers glued to the pages and seeing spiritual forbears in a new light.
Book 2 of Lions of Judah. Much-loved master storyteller Gilbert Morris has turned an imaginative pen to the lives of the patriarchs. Combining extensive research with skillful plotting, Morris creates believable scenarios in which his fictional characters are worthy of their biblical counterparts. The result is an exciting story with riveting, action-packed adventures that will entertain, enlighten, and challenge readers to think in new ways about familiar stories from the Bible. In No Woman So Fair, Abram and Sarai struggle with the call of God on their lives and his promise to give them a child. Their battles with doubt and temptation will have readers glued to the pages and seeing spiritual forbears in a new light.
Featured in multiple “must-read” lists, No One Tells You This is “sharp, intimate…A funny, frank, and fearless memoir…and a refreshing view of the possibilities—and pitfalls—personal freedom can offer modern women” (Kirkus Reviews). If the story doesn’t end with marriage or a child, what then? This question plagued Glynnis MacNicol on the eve of her fortieth birthday. Despite a successful career as a writer, and an exciting life in New York City, Glynnis was constantly reminded she had neither of the things the world expected of a woman her age: a partner or a baby. She knew she was supposed to feel bad about this. After all, single women and those without children are often seen as objects of pity or indulgent spoiled creatures who think only of themselves. Glynnis refused to be cast into either of those roles, and yet the question remained: What now? There was no good blueprint for how to be a woman alone in the world. It was time to create one. Over the course of her fortieth year, which this “beguiling” (The Washington Post) memoir chronicles, Glynnis embarks on a revealing journey of self-discovery that continually contradicts everything she’d been led to expect. Through the trials of family illness and turmoil, and the thrills of far-flung travel and adventures with men, young and old (and sometimes wearing cowboy hats), she wrestles with her biggest hopes and fears about love, death, sex, friendship, and loneliness. In doing so, she discovers that holding the power to determine her own fate requires a resilience and courage that no one talks about, and is more rewarding than anyone imagines. “Amid the raft of motherhood memoirs out this summer, it’s refreshing to read a book unapologetically dedicated to the fulfillment of single life” (Vogue). No One Tells You This is an “honest” (Huffington Post) reckoning with modern womanhood and “a perfect balance between edgy and poignant” (People)—an exhilarating journey that will resonate with anyone determined to live by their own rules.
The Fen country in the autumn of 1850 is dank and drab. A young woman, Catherine Greencliffe, comes from the other end of England to care for a small child who has been abandoned by his mother. On the surface all seems well but she soon becomes prey to mysterious compulsions and visions. She comes to realise that Southwell Hall holds a secret that she is not invited to share and at last makes a dreadful discovery.
He’d already had his great love and lost it. So when a twist of fate throws him into a situation with a women who is glowing with the soul call, Saul doesn’t know what to believe. Especially when said woman is being held captive by the very same tribe that murdered his first mate—the Ka’lagh. All bets are off and all Saul’s claws come out. The tribe is under attack. Their secrets. Their lives. Not only do they have to deal with a cruel tyrant leading a band of marauding lions across Denali, they have an entire clan of dragons following behind the lions, threatening chaos and destruction in their wake. The Ka’lagh are stealing females. But the only female Saul is interested in is already mated. And she’s a queen and would never have anything to do with him. Then there’s the problem of her damaged memory and the fact that she can’t remember the last three hundred and sixty-five days of her life on earth. She thinks she’s still on Reylea. Still the queen of La’Tar. All’s Fair In Lion and War is the seventh book in the Soulmate Shifters in Mystery, Alaska series. It’s a full-length, action-packed standalone fantasy paranormal lion-shifter romance story featuring a queen who never gives up and a slightly gruff and stoic alpha male lion from another world with a compulsion to protect and pleasure his second chance at happiness. Happily-ever-after and more guaranteed! Perfect for those readers who love sexy, strong, protective heroes, high action stories, small town vibes, fated mate romances. If you enjoy books by T. S. Joyce, Roxie Ray, Jen L. Grey, Leia Stone, Elizabeth Briggs, and Lana Pecherczyk.
Frost examines whether color prejudice or black slavery came first. Did slavery create negative feelings toward dark skin? Or was it the other way around? Frost argues that skin color had a very different meaning before slavery, as the main differencei
Niall of the Seven Betrayals accepts the duty of retrieving Caitlyn of the Lillies for his chieftain, Crom, as the last of his seven quests to gain honor and redemption. On the journey back, Crom tells Niall to kill Caitlyn and forever end the curse upon Crom. Niall and Caitlyn must put their faith in love to conquer hate.
Is artificial intelligence (AI) becoming more and more expressive, or is human thought adopting more and more structures from computation? What does it mean to perform oneself through AI, or to construct one’s subjectivity through AI? How does AI continue to complicate what it means to have a body? Has the golden age of AI, especially with regards to creative applications, already ended? Choreomata: Performance and Performativity after AI is a book about performance and performativity, but more specifically, it is a book about the performance of artificiality and the performance of intelligence. Both humans and human-designed computational forces are thoroughly engaged in an entangled, mutual performance of AI. Choreomata spins up a latticework of interdisciplinary thought, pairing theoretical inquiry from philosophy, information theory, and computer science with practical case studies from visual art, dance, music, and social theory. Through cross-disciplinary proportions and a diverse roster of contributors, this book contains insights for computer scientists, social scientists, industry professionals, artists, and beyond.