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This book examines the nature of Freud's relationship to the philosopher Friedrich Nietzsche. Nietzsche regarded himself, among other things, as a psychologist. His psychological explorations included an understanding of the meaning and function of dreams, the unconscious, sublimation of drives, drives turned inward upon the self, unconscious guilt, unconscious envy, unconscious resistance, and much more that anticipated some of Freud's fundamental psychoanalytic concepts. Although Freud wrote of Nietzsche having anticipated psychoanalytic concepts, he denied that Nietzsche had any influence on his thought.
This book examines the nature of Freuds relationship to the philosopher Friedrich Nietzsche. Nietzsche regarded himself, among other things, as a psychologist. His psychological explorations included an understanding of the meaning and function of dreams, the unconscious, sublimation of drives, drives turned inward upon the self, unconscious guilt, unconscious envy, unconscious resistance, and much more that anticipated some of Freuds fundamental psychoanalytic concepts. Although Freud wrote of Nietzsche having anticipated psychoanalytic concepts, he denied that Nietzsche had any influence on his thought.
Many of the leading Freudian analysts, including in the early days, Jung, Adler, Reich and Rank, attempted to link the writings of Nietzsche with the clinical work of Freud. But what was Nietzsche to Freud--an intuitive anticipation, a precursor, a rival psychologist? Assoun moves beyond the seduction of these attractive analogues to a deeper analysis of the relation between these two figures.
Author : Jacob Golomb Publisher : State University of New York Press Page : 388 pages File Size : 38,95 MB Release : 2015-04-17 Category : Psychology ISBN : 1438404360
Exploring the connections between Nietzsche's thought and depth psychology, this book sheds new light on the relation between psychology and philosophy. It examines the status and function of Nietzsche's psychological insights within the framework of his thought; explores the formative impact of Nietzsche's "new psychology" on Freud, Adler, Jung, and other major psychoanalysts; and adopts Nietzsche's original psychological insights on the figure and biography of Nietzsche himself. Contributors include Claude Barbre; Eric Blondel; James P. Cadello; Daniel Chapelle; Daniel W. Conway; Claudia Crawford; Jacob Golomb; Deborah Hayden; Robert C. Holub; Ronald Lehrer; Rochelle L. Millen; George Moraitis; Graham Parkes; Carl Pletsch; Weaver Santaniello; Ofelia Schutte; and Robert C. Solomon.
This work looks at the contribution made by various sages and philosophers to political debate. The originality of the book lies in its inclusion not just of philosophers and political theorists, but also of psychoanalysts, as a way of establishing how rich a contribution psychoanalysis can make to political theory. The work of many diverse thinkers is explored here: John Stuart Mill, Nietzche, Dostoevsky, Freud, Erich Fromm, Bruno Bettelheim and Erik H Erikson, and the author is keen to present them as people just as much as thinkers.
Author : Daniel Chapelle Publisher : State University of New York Press Page : 268 pages File Size : 41,38 MB Release : 1993-12-23 Category : Psychology ISBN : 0791498735
This book presents a reading of the Nietzschean thought of the eternal return of all things and relates it to Freud's psychoanalysis of the repetition compulsion. Nietzsche's eternal return and Freud's repetition compulsion have never before been so seriously compared. The manner in which this study is executed is drastically different from usual Nietzsche scholarship and Freud studies. Chapelle works with his material until it acquires archetypal levels of significance, even while the level of everyday life experience is never abandoned. He returns the theory and practice of psychologizing and philosophizing to the old ground of imaginative poetic and ultimately mythic thought.
The contributors featured in this work engage the reader in a stimulating exchange and dialogue about the post-modern turn in psychoanalysis. They advocate, critique, or simply observe this contemporary phenomenon.
Author : Thomas Albrecht Publisher : State University of New York Press Page : 179 pages File Size : 21,43 MB Release : 2009-12-23 Category : Psychology ISBN : 1438428693
Examines images of horror in Victorian fiction, criticism, and philosophy. Focusing on the recurring metaphor of Medusas head, The Medusa Effect examines images of horror in texts by Sigmund Freud, Friedrich Nietzsche, and a series of Victorian artists and critics writing about aesthetics. Through nuanced and innovative readings of canonical works by Freud, Nietzsche, Dante Gabriel Rossetti, Walter Pater, A. C. Swinburne, and George Eliot, Thomas Albrecht demonstrates the twofold nature of these writers images of horror. On the one hand, the analysis illuminates how the representation of something seen as horrifyingfor instance, a disturbing work of art, an existential insight, or a recognition of the fundamental inaccessibility of another persons consciousnesscan serve a protective purpose, to defend the writer in some way against the horror he or she encounters. On the other hand, the representations themselves can be a potential threatepistemologically unreliable, for instance, or illusory, deceptive, fundamentally unstable, and potentially dangerous to the writers. Through a psychoanalytically informed literary analysis, The Medusa Effect explores crucial ethical and epistemological questions of Victorian aesthetics, as well as underexamined complexities of the mechanisms of Victorian literary representation. an elegant study in rhetorical analysis. Victorian Studies Thomas Albrecht brings a radically different approach to aestheticspsychoanalytic and poststructuralist rather than historicistin The Medusa Effect. Studies in English Literature
Widely acclaimed for giving "an understanding of the connection between Nietzsche’s personal experience and his most famous ideas" (Christopher Lehmann-Haupt, New York Times) in her biography of Nietzsche, Nietzsche in Turin, Chamberlain now renders a similar service to readers of Freud. In this book, part biography, part literary criticism, she takes the reader into the mind of Freud, toward a better understanding of the thinker, his work, and art itself. The very idea of the subconcious as a constant, active presence in our daily lives was Freud’s greatest contribution and has allowed generations of people to experience their lives more deeply. His rigorous exploration of the dynamism and structures of the subconscious, Chamberlain argues, was in itself an important work of art. Using Freud’s own writing on art and the aesthetic theories of thinkers ranging from Nietzsche to Lionel Trilling, Chamberlain examines Freud’s art and shows how his imaginative creations have revolutionized not only mental health, but our thinking about art in general, by opening up the individual subconscious as a subject. In elegant, accessible prose she describes how "Freud split the aesthetic atom, releasing a vast energy for individual creativity."