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Addresses the question of the legacies of Nietzsche's theories of tragedy as literary genre and of the tragic as ontological concept. This volume gives a sampling of the multifaceted and widespread impact of Nietzsche's thought in Eastern as well as in Western Europe and in the United States.
Nietzsche's philosophy - at once revolutionary, erudite and deep - reaches into all spheres of the arts. Well into a second century of influence, the profundity of his ideas and the complexity of his writings still determine Nietzsche's power to engage his readers. His first book, "The Birth of Tragedy", presents us with a lively inquiry into the existential meaning of Greek tragedy. We are confronted with the idea that the awful truth of our existence can be revealed through tragic art, whereby our relationship to the world transfigures from pessimistic despair into sublime elation and affirmation. It is a landmark text in his oeuvre and remains an important book both for newcomers to Nietzsche and those wishing to enrich their appreciation of his mature writings. "Nietzsche and The Birth of Tragedy" provides a clear account of the text and explores the philosophical, literary and historical influences bearing upon it. Each chapter examines part of the text, explaining the ideas presented and assessing relevant scholarly points of interpretation. The book will be an invaluable guide to readers in Philosophy, Literary Studies and Classics coming to "The Birth of Tragedy" for the first time.
"In defining rapturous superabundance, Gordon explicates the tension between Apollonian principles of preservation and orderly boundaries (Exemplified in Aristotle's theory of tragedy) and an ecstatic Dionysian energy (essentially a manifestation of will) that ruptures boundaries. Aristotle denied this disruptive element by focusing on tragedy as a rational framework for redefining moral boundaries. Nietzsche seized on it as the core of his theory of tragedy."--BOOK JACKET.
Nietzsche's first published book, The Birth of Tragedy is a compelling argument for the necessity of art in life This landmark work of criticism is fuelled by Nietzsche's enthusiasms for Greek tragedy, the philosophy of Schopenhauer and the music of Wagner, to whom the book was dedicated. Nietzsche outlined a distinction between two central forces in art: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it. Impassioned and exhilarating in its conviction, The Birth of Tragedy has become a key text in European culture. Translated by Shaun Whiteside Edited by Michael Tanner
This new edition of Nietzsche's discussion of the nature of art, science, and religion, expounds on the origins of Greek tragedy and its relevance to the German culture of its time. The book's argument raises important questions about the problematic nature of cultural origins, which are still valid today.
The philosophy of Friedrich Nietzsche (1844-1900) was almost wholly neglected during his sane life, which came to an abrupt end in 1889. Since then he has been appropriated as an icon by an astonishingly diverse spectrum of people, whose interpretations of his thought range from the highly irrational to the firmly analytical. Thus Spoke Zarathustra introduced the 'superman' and The Twilight of the Idols developed the 'Will to Power' concept; these term, together with 'Sklavenmoral' and 'Herrenmoral', became confused with the rise of nationalism in Germany. Idiosyncratic and aphoristic, Nietzsche is always bracing and provocative, and temptingly easy to dip into. Michael Tanner's readable introduction to the philosopher's life and work examines the numerous ambiguities inherent in his writings. It also explodes the many misconceptions fostered in the hundred years since Nietzsche wrote, prophetically: 'Do not, above all, confound me with what I am not!' ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Nietzsche's The Birth of Tragedy describes the origins and essence of Greek tragedy, offering a unique lens through which to understand the complex interplay of art, culture, and psychology. Nietzsche introduces the contrasting concepts of the Apollonian and Dionysian as fundamental forces in art: the Apollonian symbolizes structure, order, and beauty, and the Dionysian represents chaos, ecstasy, and raw emotion. This groundbreaking work explores how these forces were harmoniously united in Greek tragedies, creating art forms that allowed individuals to confront life's suffering and find deep, cathartic meaning. Nietzsche argues that this balance has been lost in modern culture, advocating a rebirth of tragic art to revitalize society's spiritual health. The Birth of Tragedy is more than a historical analysis; it is a passionate call to embrace the full spectrum of human experience, to acknowledge the necessity of suffering, and to find within it the potential for transcendence and beauty. This book challenges readers to rethink their views on art, culture, and the human condition, making it a timeless piece of philosophical literature.
Two representative and important works in one volume by one of the greatest German philosophers. The Birth of Tragedy (1872) was Nietzsche's first book. Its youthful faults were exposed by Nietzsche in the brilliant "Attempt at a Self-Criticism" which he added to the new edition of 1886. But the book, whatever its excesses, remains one of the most relevant statements on tragedy ever penned. It exploded the conception of Greek culture that was prevalent down through the Victorian era, and it sounded themes developed in the twentieth century by classicists, existentialists, psychoanalysts, and others. The Case of Wagner (1888) was one Nietzsche's last books, and his wittiest. In attitude and style it is diametrically opposed to The Birth of Tragedy. Both works transcend their ostensible subjects and deal with art and culture, as well as the problems of the modern age generally. Each book in itself gives us an inadequate idea of its author; together, they furnish a striking image of Nietzsche's thought. The distinguished translations by Walter Kaufmann superbly reflect in English Nietzsche's idiom and the vitality of his style. Professor Kaufmann has also furnished running footnote commentaries, relevant passages from Nietzsche's correspondence, a bibliography, and, for the first time in any edition, an extensive index to each book.
In "The Birth of Tragedy from the Spirit of Music," philosopher Friedrich Nietzsche explores the origins of Greek tragedy and its relationship with the human experience. Nietzsche argues that tragedy arises from the interplay between two fundamental forces: the Apollonian, representing order and rationality, and the Dionysian, symbolizing chaos and primordial instincts. By examining the tension between these forces, he reveals how tragedy embodies a balance of emotions and rationality, providing deep insights into the human condition. This groundbreaking work offers readers a unique perspective on the nature of art, culture, and the role of the artist in society.