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In this hilarious, inspiring and provocative series of essays, Kingsley Amis introduces every reader to the wonders and value of science fiction writing. From the extraordinary ideas but sexless science of Jules Verne to the power of H. G. Wells's terrifying storytelling; from the brilliance of bad science fiction writing to the potency of their important ideas; from a portrait of the average SF reader to Amis's sad prediction that this genre will never make it in film or television, New Maps of Hell is a warm and witty exploration of a world many readers may be yet to discover.
I fell into the deepest of holes. I am no one. I awake in a windowless room--naked, filthy, bruised, robbed of my every memory. I feel inexplicably drowned in a sea of hatred and rage. I...don't know who I am. But I know I must escape. This is Matt Wells, hero of The Death List and The Soul Collector, as you've never seen him. Crime writer Matt Wells could never have conjured a plot this twisted--a secretive militia running sick brainwashing experiments in the Maine wilderness, himself a subject. He knows they've been subconsciously feeding him instructions...but for what? Taunted by maddening snatches of a life he can't trust as his own, Matt's piecing it together: three gruesome killings he's blamed for...and a woman...someone from his past he should remember.
Ingebretsen (English, Georgetown U.) poses an interesting question in his introduction, "Why does Milton's Satan have all the best lines?" A glance at the bestsellers list shows that king of horror Stephen King tops the charts with five books. Americans obviously love to be scared out of their wits because, the author argues, our puritanical theology demands fear to attain conversion, and the writings of Cotton Mather, Hawthorne, Frost, and King are the relics of this collective memory. Tracing themes of captivity, expiation, self-loss, and possession, the volume provides an entertaining analysis of American literature and cultural identity. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR
Mapmaking fulfills one of our most ancient and deepseated desires: understanding the world around us and our place in it. But maps need not just show continents and oceans: there are maps to heaven and hell; to happiness and despair; maps of moods, matrimony, and mythological places. There are maps to popular culture, from Gulliver's Island to Gilligan's Island. There are speculative maps of the world before it was known, and maps to secret places known only to the mapmaker. Artists' maps show another kind of uncharted realm: the imagination. What all these maps have in common is their creators' willingness to venture beyond the boundaries of geography or convention. You Are Here is a wide-ranging collection of such superbly inventive maps. These are charts of places you're not expected to find, but a voyage you take in your mind: an exploration of the ideal country estate from a dog's perspective; a guide to buried treasure on Skeleton Island; a trip down the road to success; or the world as imagined by an inmate of a mental institution. With over 100 maps from artists, cartographers, and explorers, You are Here gives the reader a breath-taking view of worlds, both real and imaginary.
New York Times Bestseller A New York Times Notable Book The #1 New York Times bestselling author of Seveneves, Anathem, Reamde, and Cryptonomicon returns with a wildly inventive and entertaining science fiction thriller—Paradise Lost by way of Philip K. Dick—that unfolds in the near future, in parallel worlds. In his youth, Richard “Dodge” Forthrast founded Corporation 9592, a gaming company that made him a multibillionaire. Now in his middle years, Dodge appreciates his comfortable, unencumbered life, managing his myriad business interests, and spending time with his beloved niece Zula and her young daughter, Sophia. One beautiful autumn day, while he undergoes a routine medical procedure, something goes irrevocably wrong. Dodge is pronounced brain dead and put on life support, leaving his stunned family and close friends with difficult decisions. Long ago, when a much younger Dodge drew up his will, he directed that his body be given to a cryonics company now owned by enigmatic tech entrepreneur Elmo Shepherd. Legally bound to follow the directive despite their misgivings, Dodge’s family has his brain scanned and its data structures uploaded and stored in the cloud, until it can eventually be revived. In the coming years, technology allows Dodge’s brain to be turned back on. It is an achievement that is nothing less than the disruption of death itself. An eternal afterlife—the Bitworld—is created, in which humans continue to exist as digital souls. But this brave new immortal world is not the Utopia it might first seem . . . Fall, or Dodge in Hell is pure, unadulterated fun: a grand drama of analog and digital, man and machine, angels and demons, gods and followers, the finite and the eternal. In this exhilarating epic, Neal Stephenson raises profound existential questions and touches on the revolutionary breakthroughs that are transforming our future. Combining the technological, philosophical, and spiritual in one grand myth, he delivers a mind-blowing speculative literary saga for the modern age.
A survey of how, over the past 4,000 years, religious leaders, poets, painters, and ordinary people have visualized Hell--its location, architecture, furnishings, purpose, and inhabitants.
Most contemporary Christians acknowledge the doctrine of hell, but they’d rather not think about how God punishes the wicked. The authors of Four Views on Hell meet this subject head-on with different views on what the Scriptures say. Is hell to be understood literally as a place of eternal smoke and flames? Or are such images simply metaphors for a real but different form of punishment? Is there such a thing as “conditional immortality,” in which God annihilates the souls of the wicked rather than punishing them endlessly? Is there a Purgatory, and if so, how does it fit into the picture? The interactive Counterpoints forum allows the reader to see the four views on hell—literal, metaphorical, conditional, and purgatorial—in interaction with each other. Each view in turn is presented, critiqued, and defended. This evenhanded approach is ideal for comparing and contrasting views in order to form a personal conclusion about one of Christianity’s key doctrines. The Counterpoints series provides a forum for comparison and critique of different views on issues important to Christians. Counterpoints books address two categories: Church Life and Bible and Theology. Complete your library with other books in the Counterpoints series.
The author of Men Explain Things to Me explores the moments of altruism and generosity that arise in the aftermath of disaster Why is it that in the aftermath of a disaster? whether manmade or natural?people suddenly become altruistic, resourceful, and brave? What makes the newfound communities and purpose many find in the ruins and crises after disaster so joyous? And what does this joy reveal about ordinarily unmet social desires and possibilities? In A Paradise Built in Hell, award-winning author Rebecca Solnit explores these phenomena, looking at major calamities from the 1906 earthquake in San Francisco through the 1917 explosion that tore up Halifax, Nova Scotia, the 1985 Mexico City earthquake, 9/11, and Hurricane Katrina in New Orleans. She examines how disaster throws people into a temporary utopia of changed states of mind and social possibilities, as well as looking at the cost of the widespread myths and rarer real cases of social deterioration during crisis. This is a timely and important book from an acclaimed author whose work consistently locates unseen patterns and meanings in broad cultural histories.
Raymond King Cummings' 'The Man Who Mastered Time' is a quintessential work of early science fiction that delves into the complexities and paradoxes of time travel. With a narrative rich in speculative wonder, Cummings' literary style marries a brisk pace with methodical scientific curiosity, set against the backdrop of the genre's golden era. The novel stands as a testament to the period's fascination with temporal exploration and its broader implications on the human condition. The literary context of this novel hails from an era that bore witness to the burgeoning science fiction landscape, one which Cummings distinctly influenced with his imaginative propositions and his unique vision of the future. Cummings, an influential figure in the sci-fi community, often intertwined his interest in the possibilities of science with his vivid imagination, resulting in stories that were both grounded in scientific plausibility and wildly creative. It's likely that 'The Man Who Mastered Time' was born from both his personal fascination with the concept of time and the emerging theories of the early 20th century that challenged traditional notions of a linear, immutable chronology. For lovers of classic science fiction, 'The Man Who Mastered Time' offers a journey that is as intellectually stimulating as it is entertaining. Cummings' prowess in weaving a tale that both honors the scientific inquiries of its time and transcends decades with its relevance is a rare find. The book beckons the modern reader to dive into the origins of sci-fi literature, where the foundations of today's beloved time-travel tropes were first forged. In enjoying this work, one not only partakes in a thrilling narrative but also in the celebration of a genre's heritage.