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A Neutral Corner collects fifteen previously unpublished boxing pieces written by legendary sportswriter A.J. Liebling between 1952 and 1963. Demonstrating A.J. Liebling's abiding passion for the "sweet science" of boxing, A Neutral Corner brings together previously unpublished material. Antic, clear-eyed, and wildly entertaining, these essays showcase a The New Yorker journalist at the top of his form. Here one relives the high drama of the classic Patterson-Johansson championship bout of 1959, and Liebling's early prescient portrayal of Cassius Clay's style as a boxer and a poet is not to be missed. Liebling always finds the human story that makes these essays appealing to aficionados of boxing and prose alike. Alive with a true fan's reverence for the sport, yet balanced by a true skeptic's disdain for sentiment, A Neutral Corner is an American treasure.
Among the legendary athletes of the 1920s, the unquestioned halcyon days of sports, stands Gene Tunney, the boxer who upset Jack Dempsey in spectacular fashion, notched a 77—1 record as a prizefighter, and later avenged his sole setback (to a fearless and highly unorthodox fighter named Harry Greb). Yet within a few years of retiring from the ring, Tunney willingly receded into the background, renouncing the image of jock celebrity that became the stock in trade of so many of his contemporaries. To this day, Gene Tunney’s name is most often recognized only in conjunction with his epic “long count” second bout with Dempsey. In Tunney, the veteran journalist and author Jack Cavanaugh gives an account of the incomparable sporting milieu of the Roaring Twenties, centered around Gene Tunney and Jack Dempsey, the gladiators whose two titanic clashes transfixed a nation. Cavanaugh traces Tunney’s life and career, taking us from the mean streets of Tunney’s native Greenwich Village to the Greenwich, Connecticut, home of his only love, the heiress Polly Lauder; from Parris Island to Yale University; from Tunney learning fisticuffs as a skinny kid at the knee of his longshoreman father to his reign atop boxing’s glamorous heavyweight division. Gene Tunney defied easy categorization, as a fighter and as a person. He was a sex symbol, a master of defensive boxing strategy, and the possessor of a powerful, and occasionally showy, intellect–qualities that prompted the great sportswriters of the golden age of sports to portray Tunney as “aloof.” This intelligence would later serve him well in the corporate world, as CEO of several major companies and as a patron of the arts. And while the public craved reports of bad blood between Tunney and Dempsey, the pair were, in reality, respectful ring adversaries who in retirement grew to share a sincere lifelong friendship–with Dempsey even stumping for Tunney’s son, John, during the younger Tunney’s successful run for Congress. Tunney offers a unique perspective on sports, celebrity, and popular culture in the 1920s. But more than an exciting and insightful real-life tale, replete with heads of state, irrepressible showmen, mobsters, Hollywood luminaries, and the cream of New York society, Tunney is an irresistible story of an American underdog who forever changed the way fans look at their heroes.
For the past nine years, heavyweight hopeful Jack Cribb has trained relentlessly under the watchful eye of his father, Walter. Now he's signed on with Leo Kern, an old pro who believes he can take him to the championship. But when Leo decides to train him as a stand-up fighter, Walter begins to worry. Jack will be ruined if he abandons the techniques that Walter has taught him, and Walter can't tell anyone why...not even Jack. Jack: A Boxing Fable is an intriguing tale of boxing, a unique father-son relationship, and a shocking secret that -- if revealed -- could destroy a lifetime of work.
Thomas Hauser has been called “one of boxing’s greatest writers. The Boxing Scene, Hauser’s provocative new anthology, contains all of his trademark insights and candor as he peels away layers of hypocrisy to reveal the men who make up the contemporary boxing landscape. Hauser exposes the inner workings of HBO Sports; examines the phenomenon of mixed martial arts as it relates to boxing; and records the amusing encounter between his 81-year-old mother and larger-than-life boxing impresario Don King. The Boxing Scene also updates Hauser’s personal and professional thoughts on superstars like Oscar De La Hoya, Floyd Mayweather Jr., Ricky Hatton, Miguel Cotto, and Bernard Hopkins as well as fight promoter Bob Arum, announcer Bob Sheridan and a host of others. The Boxing Scene recreates another year in professional boxing and adds to Hauser’s definitive record of the sport.
Whether opening saloons, raising cattle, or promoting sporting events, George Lewis "Tex" Rickard (1870-1929) possessed a drive to be the best. After an early career as a cowboy and Texas sheriff, Rickard pioneered the largest ranch in South America, built a series of profitable saloons in the Klondike and Nevada gold rushes, and turned boxing into a million-dollar sport. As "the Father of Madison Square Garden," he promoted over 200 fights, including some of the most notable of the 20th century: the "Longest Fight," the "Great White Hope," fight, and the famous "Long Count" fight. Along the way, he rubbed shoulders with some of history's most renowned figures, including Teddy Roosevelt, Wyatt Earp, Bat Masterson, John Ringling, Jack Dempsey, and Gene Tunney. This detailed biography chronicles Rickard's colorful life and his critical role in the evolution of boxing from a minor sport to a modern spectacle.
Throughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.
It was the fall of 1940, and Americans turned to college football for relief from the turbulent world around them. The Depression still had its grip on the nation and, across the Atlantic, the Battle of Britain raged. As war crept closer every day, the nation's first peacetime draft called Americans to the defense of the country. While the great Tom Harmon of Michigan set new standards on the gridiron, on other fields black stars struggled for the right to play. At Stanford, coaching genius Clark Shaughnessy reinvented the game and in the process engineered the greatest turnaround in the history of college football. But the team everybody was talking about was Cornell. Fueled by the most powerful offense in the country, the Big Red dominated the national rankings until, on a snowy field at Dartmouth, they eked out a win with a touchdown on the last play of the game-or did they? When it came to light that the touchdown had been scored on a grievous error by the officials, Cornell, undefeated and in the race for the national championship, faced a wrenching decision. The 1940 season was one of the most exciting on record-and one that taught America about the values that really matter.