[PDF] Nero Opera In Four Acts By Anton Rubinstein The English Version After The German Translation Of Jules Barbiers Text By John P Jackson eBook

Author : Anton Rubinstein
Publisher : Nabu Press
Page : 82 pages
File Size : 47,30 MB
Release : 2014-01
Category :
ISBN : 9781294523130

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Author : Anton Rubinstein
Publisher : Hardpress Publishing
Page : 94 pages
File Size : 36,18 MB
Release : 2012-08-01
Category :
ISBN : 9781290573344

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Author : Gesine Manuwald
Publisher : Walter de Gruyter
Page : 420 pages
File Size : 34,5 MB
Release : 2013-05-28
Category : Music
ISBN : 3110317516

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This book considers the story of Nero and Octavia, as told in the pseudo-Senecan Octavia and the works of ancient historiographers, and its reception in (early) modern opera and some related examples of other performative genres. In total the study assembles more than 30 performative texts (including 22 librettos), ranging chronologically from L'incoronazione di Poppea in 1642/43 until the early 20th century, and provides detailed information on all of them. In a close examination of the libretto (and dramatic) texts, the study shows the impact and development of this fascinating story from the beginnings of historical opera onwards. The volume demonstrates the various transformations of the characters of Nero and his wives and of the depiction of their relationship over the centuries, and it looks at the tension between “historical” elements and genre conventions. The book is therefore of relevance to literary scholars as well as to readers interested in the evolution of Nero’s image in present-day media.