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Author : Mary Connors
Publisher : Teacher Created Resources
Page : 178 pages
File Size : 43,26 MB
Release : 1994-10
Category : Education
ISBN : 1557346194
Explore the traditional arts and cultures of Native Americans through hands-on activities.
Author : Ellen L. Kronowitz
Publisher : Teacher Created Resources
Page : 98 pages
File Size : 32,6 MB
Release : 2000
Category : Juvenile Nonfiction
ISBN : 157690590X
Author : Margaret Denise Dubin
Publisher : Albuquerque, N. M. : University of New Mexico Press
Page : 196 pages
File Size : 34,46 MB
Release : 2001
Category : Architecture
ISBN : 9780826321749
"I argue for a history of Native American art that is politically informed," Margaret Dubin writes, "and for a criticism of contemporary Native American fine arts that is historically founded." Integrating ethnography, discourse analysis, and social theory in a careful mapping of the Native American art world, this insightful new study explores the landscape of 'intercultural spaces' -- the physical and philosophical arenas in which art collectors, anthropologists, artists, historians, curators, and critics struggle to control the movement and meaning of art objects created by Native Americans. Dubin examines the ideas and interactions involved in contemporary collecting, in particular, to understand how marketplace demands have homogenised Western perceptions of 'authentic' Native American art. In doing so, she reveals the power relations of an art world in which Native American artists work within and against a larger system that seeks to control people by manipulating objects.
Author : Brendan January
Publisher : Capstone Classroom
Page : 60 pages
File Size : 41,16 MB
Release : 2005-08-04
Category : Art
ISBN : 9781410921185
This series takes an in-depth look at both the decorative and functional art and design of a given culture. The engaging text explains how the art ties in to the culture, what it means, why it was created, and what it's used for or represents. Fine art, architecture, music and theater, cookware, clothing and textiles and other topics are all discussed. Feature boxes highlight fascinating bits of information on a specific topic, such as African embroidery.
Author : Fergus M. Bordewich
Publisher : Aldrich Museum of Contemporary Art
Page : 118 pages
File Size : 18,90 MB
Release : 2006
Category : Art
ISBN :
This collection of work by both Native and non-Native artists speaks of the complexity of Native American historical and cultural influences in contemporary culture. Rather than focusing on artists who attempt to maintain strict cultural practices, it brings together a group of artists who engage the larger contemporary art world and are not afraid to step beyond the bounds of tradition. Focusing on a group of 10 artists who came of age since the initial Native Rights movement of the 1960s and 70s, the book emphasizes art that does not so much "look Indian," but incorporates Native content in surprising and innovative ways that defy easy categorization. The Native artists featured here focus on the evolution of cultural traditions. The non-Native artists focus primarily on the history of European colonization in America. Artists include Matthew Buckingham, Lewis deSoto, Peter Edlund, Nicholas Galanin, Jeffrey Gibson, Rigo 23, Duane Slick, Marie Watt, Edie Winograde and Yoram Wolberger.
Author : Margaret Denise Dubin
Publisher : Albuquerque, N. M. : University of New Mexico Press
Page : 200 pages
File Size : 16,75 MB
Release : 2001
Category : Architecture
ISBN :
"I argue for a history of Native American art that is politically informed," Margaret Dubin writes, "and for a criticism of contemporary Native American fine arts that is historically founded." Integrating ethnography, discourse analysis, and social theory in a careful mapping of the Native American art world, this insightful new study explores the landscape of 'intercultural spaces' -- the physical and philosophical arenas in which art collectors, anthropologists, artists, historians, curators, and critics struggle to control the movement and meaning of art objects created by Native Americans. Dubin examines the ideas and interactions involved in contemporary collecting, in particular, to understand how marketplace demands have homogenised Western perceptions of 'authentic' Native American art. In doing so, she reveals the power relations of an art world in which Native American artists work within and against a larger system that seeks to control people by manipulating objects.
Author : Anne D'Alleva
Publisher :
Page : 122 pages
File Size : 15,27 MB
Release : 1993-01-01
Category : Art
ISBN : 9780871922489
Students explore the richness of Native American cultures, through a variety of art in its many forms and meanings. Flexible to your classroom needs, chapters are organized by cultural regions in which the arts, elements of language and social organization are similar.
Author : Petra Press
Publisher : Heinemann-Raintree Library
Page : 36 pages
File Size : 14,11 MB
Release : 2006-06-23
Category : Juvenile Nonfiction
ISBN : 9781403487698
Discover the beliefs, inventions, and materials that helped the art and culture of North America to develope.
Author : Bill Holm
Publisher : University of Washington Press
Page : 145 pages
File Size : 24,85 MB
Release : 2014-12-01
Category : Art
ISBN : 0295999500
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
Author : W. Jackson Rushing
Publisher :
Page : 280 pages
File Size : 43,47 MB
Release : 1995
Category : Art
ISBN :
Avant-garde art between 1910 and 1950 is well known for its use of "primitive" imagery, often borrowed from traditional cultures in Africa and Oceania. Less recognized, however, is the use United States artists made of Native American art, myth, and ritual to craft a specifically American Modernist art. In this groundbreaking study, W. Jackson Rushing comprehensively explores the process by which Native American iconography was appropriated, transformed, and embodied in American avant-garde art of the Modernist period. Writing from the dual perspectives of cultural and art history, Rushing shows how national exhibitions of Native American art influenced such artists, critics, and patrons as Marsden Hartley, John Sloan, Mabel Dodge Luhan, Robert Henri, John Marin, Adolph Gottlieb, Barnett Newman, and especially Jackson Pollock, whose legendary drip paintings he convincingly links with the curative sand paintings of the Navajo. He traces the avant-garde adoption of Native American cultural forms to anxiety over industrialism and urbanism, post-World War I "return to roots" nationalism, the New Deal search for American strengths and values, and the notion of the "dark" Jungian unconscious current in the 1940s. Through its interdisciplinary approach, this book underscores the fact that even abstract art springs from specific cultural and political motivations and sources. Its message is especially timely, for Euro-American society is once again turning to Native American cultures for lessons on how to integrate our lives with the land, with tradition, and with the sacred.