Nabokovs Favorite Word Is Mauve Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Nabokovs Favorite Word Is Mauve book. This book definitely worth reading, it is an incredibly well-written.
"Blatt brings big data to the literary canon, exploring the wealth of fun findings that remain hidden in the works of the world's greatest writers. He assembles a database of thousands of books and hundreds of millions of words, and starts asking the questions that have intrigued curious word nerds and book lovers for generations: What are our favorite authors' favorite words? Do men and women write differently? Are bestsellers getting dumber over time? Which bestselling writer uses the most clichaes? What makes a great opening sentence? How can we judge a book by its cover? And which writerly advice is worth following or ignoring?"--Amazon.com.
When magically gifted Arisha runs away from an army camp with her elephant Hami in order to save him from death in battle, she thinks she's in deep trouble. However, she soon discovers that things can always get worse.Escaping across a war-torn country, they are captured by the enemy's leader. Rhys, known as the Eagle and with a reputation as a cold blooded killer, wants to use the elephant to take revenge on Arisha's people and needs her to control Hami.Arisha is ready to fight him every step of the way, but to her annoyance, instead of throwing her in a rat-infested prison, he behaves with honour. Grudgingly she comes to respect him and they find themselves drawn to each other despite their differences.But can Arisha bridge the gap between opposing countries and personalities before the decisive battle is joined?A tale of elemental magic, almond eyes, daring escapes and feathers.
Once, she could pluck fire out of the very air. Now she is the most insignificant member of an imperial court seething with intrigue.Shay, firedancer and bride to the sun, faces punishment for the crimes of her dead father: she has her magic bound and at the emperor's whim finds herself handed over as concubine to a barbarian lord. However, Lord Medyr of the Hawk doesn't particularly fancy such a dubious gift - proving a surprise both to Shay and to the man who wants to use them as pawns in his ruthless bid for power.The reserved, self-controlled firedancer is bewildered by the task of having to deal with that strange creature, a male. Yet with enemies threatening on all sides, Shay and the hot-headed warrior from the north must build a fragile bridge of trust. But will they realise in time that the growing attraction between them is also their deadliest danger?A tale of elemental magic, perilous intrigues, a tortoise and pond slime.
A pair of friends from Harvard embark on a road trip to see 30 baseball games in 30 different stadiums over 30 days and describe their misadventures in this book about sports fans, loyalty, hot dogs and friendship.
What should Lolita look like? The question has dogged book-cover designers since 1955, when Lolita was first published in a plain green wrapper. The heroine of Vladimir Nabokov's classic novel has often been shown as a teenage seductress in heart-shaped glasses--a deceptive image that misreads the book but has seeped deep into our cultural life, from fashion to film. Lolita - The Story of a Cover Girl: Vladimir Nabokov's Novel in Art and Design reconsiders the cover of Lolita. Eighty renowned graphic designers and illustrators (including Paula Scher, Jessica Hische, Jessica Helfand, and Peter Mendelsund) offer their own takes on the book's jacket, while graphic-design critics and Nabokov scholars survey more than half a century of Lolita covers. You'll also find thoughtful essays from such design luminaries as Mary Gaitskill, Debbie Millman, Michael Bierut, Peter Mendelsund, Jessica Helfand, Alice Twemlow, Johanna Drucker, Leland de la Durantaye, Ellen Pifer, and Stephen Blackwell. Through the lenses of design and literature, Lolita - The Story of a Cover Girl tells the strange design history of one of the most important novels of the 20th century--and offers a new way for thinking visually about difficult books. You'll never look at Lolita the same way again.
The American poet John Shade is dead. His last poem, 'Pale Fire', is put into a book, together with a preface, a lengthy commentary and notes by Shade's editor, Charles Kinbote. Known on campus as the 'Great Beaver', Kinbote is haughty, inquisitive, intolerant, but is he also mad, bad - and even dangerous? As his wildly eccentric annotations slide into the personal and the fantastical, Kinbote reveals perhaps more than he should be. Nabokov's darkly witty, richly inventive masterpiece is a suspenseful whodunit, a story of one-upmanship and dubious penmanship, and a glorious literary conundrum.
In this New York Times bestseller and longlist nominee for the National Book Award, “our greatest living chronicler of the natural world” (The New York Times), David Quammen explains how recent discoveries in molecular biology affect our understanding of evolution and life’s history. In the mid-1970s, scientists began using DNA sequences to reexamine the history of all life. Perhaps the most startling discovery to come out of this new field—the study of life’s diversity and relatedness at the molecular level—is horizontal gene transfer (HGT), or the movement of genes across species lines. It turns out that HGT has been widespread and important; we now know that roughly eight percent of the human genome arrived sideways by viral infection—a type of HGT. In The Tangled Tree, “the grandest tale in biology….David Quammen presents the science—and the scientists involved—with patience, candor, and flair” (Nature). We learn about the major players, such as Carl Woese, the most important little-known biologist of the twentieth century; Lynn Margulis, the notorious maverick whose wild ideas about “mosaic” creatures proved to be true; and Tsutomu Wantanabe, who discovered that the scourge of antibiotic-resistant bacteria is a direct result of horizontal gene transfer, bringing the deep study of genome histories to bear on a global crisis in public health. “David Quammen proves to be an immensely well-informed guide to a complex story” (The Wall Street Journal). In The Tangled Tree, he explains how molecular studies of evolution have brought startling recognitions about the tangled tree of life—including where we humans fit upon it. Thanks to new technologies, we now have the ability to alter even our genetic composition—through sideways insertions, as nature has long been doing. “The Tangled Tree is a source of wonder….Quammen has written a deep and daring intellectual adventure” (The Boston Globe).
Introduction: how color became modern -- The place of perception: local color's colors -- Charlotte Perkins Gilman and the progressive arts of pure color -- The production and consumption of a child's view of color -- Lurid realism: Stephen Crane, Gertrude Stein, and the synthesis of modernism -- On feeling colorful and colored in the Harlem Renaissance -- Epilogue: Albers after the color sense.
DIVAlthough no one had ever followed North American monarch butterflies on their annual southward journey to Mexico and California, in the 1990s there were well-accepted assumptions about the nature and form of the migration. But to Robert Michael Pyle, a naturalist with long experience in monarch conservation, the received wisdom about the butterflies’ long journey just didn’t make sense. In the autumn of 1996 he set out to uncover the facts, to pursue the tide of “cinnamon sailors” on their long, mysterious flight. Chasing Monarchs chronicles Pyle’s 9,000-mile journey to discover firsthand the secrets of the monarchs’ annual migration. Part road trip, part outdoor adventure, and part natural history study, Pyle’s book overturns old theories and provides insights both large and small regarding monarch butterflies, their biology, and their spectacular migratory travels. Since the book’s first publication, its controversial conclusions have been fully confirmed, and monarchs are better understood than ever before. The Afterword for this volume includes not only updated information on the myriad threats to monarch butterflies, but also various efforts under way to ensure the future of the world’s most amazing butterfly migration./div
AN INSTANT NEW YORK TIMES BESTSELLER A New York Times Notable Book of the Year WINNER of the NBCC John Leonard Prize, the Kirkus Prize, the Center for Fiction First Novel Prize, the Dylan Thomas Prize, and the VCU Cabell First Novelist Award One of Barack Obama's Favorite Books of 2020 A BEST BOOK OF THE YEAR: NPR, The New York Times Book Review, O Magazine, Vanity Fair, Los Angeles Times, Glamour, Shondaland, Boston Globe, and many more! "So delicious that it feels illicit . . . Raven Leilani’s first novel reads like summer: sentences like ice that crackle or melt into a languorous drip; plot suddenly, wildly flying forward like a bike down a hill." —Jazmine Hughes, The New York Times Book Review No one wants what no one wants. And how do we even know what we want? How do we know we’re ready to take it? Edie is stumbling her way through her twenties—sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage—with rules. As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home—though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows. Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life—her hunger, her anger—in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way. “An irreverent intergenerational tale of race and class that’s blisteringly smart and fan-yourself sexy.” —Michelle Hart, O: The Oprah Magazine