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This Study Offers A Fresh Perspective On Mysticism In Literature, Relating And Balan¬Cing The Western And Eastern Approaches. It Specifically Looks At The Mystical Poetry Of Coventry Patmore The Francis Thompson Through New Doors Of Perception Available To The Intelligent, Sensitive Indian Scholar, From A Point Of View Important In The Study Of Both Poets. There Are Perceptive Discriminations Made Between Immanent And Transcendental Experience, Between Purgative And Illuminative Stages Of The Mystic Way, And All These Subtle Distinc¬Tions Are Illustrated From Individual Works Of The Two Poets.A Special Strength Of The Work Is Its Use Of The Stylistic Approach To Bring To Light Aspects Of The Delicate Relationship Between Mystical Experience And Its Articulation Through Literary Language. The Book Has A Strong Textual Base And Will Be Of Interest To The General Reader As Well As To The Specialist Eager To Explore Comparative Literary Contexts. ...Mr. Dhar Has Studied The Subject With Loving Care, And He Has Imposed His Own Insight Quietly But Firmly In A Way Which Can Justifiably Be Commended As Original Work. Professor J.R. Watson, University Of Durham, England ...The Analysis Of Patmore S Poetry In The Specific Context Of The Combination Of The Erotic With The Divine Is Important (Chap¬Ter Iii). This Is An Area In Which The Indian Bhakti Poets Have Composed Their Finest Poems...The Discussion Of The Transcen¬Dental And The Immanent Aspects Of Mysticism And Their Impact On Patmore And Thompson Is A Very Refreshing Part Of This Valuable Study And Deserves Appreciation. Professor V.A. Shahane, Osmania University, Hyderabad ...It Is One Of The Attractions Of The Present Book That Dr. Dhar, Writing From Within The Traditions Of India Adds A Further Ring, Learned In His Understanding Of Christianity, Especially In His Sense Of The Central Importance Of The Incarna¬Tion, He Adds The Insights Of Another Spirituality, Not Dissonant But Distinct And So Additionally Illuminating. It Is A Book Much To Be Enjoyed And Savoured. Ronald Tamplin, University Of Exeter
Book Excerpt: Among English writers and poets the only two who fulfil this strict definition of a mystic are Wordsworth and Blake. But we are not here concerned primarily with a study of those great souls who are mystics in the full and supreme sense of the word. For an examination of their lives and vision Evelyn Underhill's valuable book should be consulted. Our object is to examine very briefly the chief English writers--men of letters and poets--whose inmost principle is rooted in mysticism, or whose work is on the whole so permeated by mystical thought that their attitude of mind is not fully to be understood apart from it. Naturally it is with the poets we find the most complete and continuous expression of mystical thought and inspiration. Naturally, because it has ever been the habit of the English race to clothe their profoundest thought and their highest aspiration in poetic form. We do not possess a Plato, a Kant, or a Descartes, but we have Shakespeare and Wordsworth and Browning. And further, Read More
"[...]words, it leads to the belief that "the Ideal is the only Real." Further, if unity lies at the root of things, man must have some share of the nature of God, for he is a spark of the Divine. Consequently, man is capable of knowing God through this godlike part of his own nature, that is, through his soul or spirit. For the mystic believes that as the intellect is given us to apprehend material things, so the spirit is given us to apprehend spiritual things, and that to disregard the spirit in spiritual matters, and to trust to reason is as foolish as if a carpenter, about to begin a piece of work, were deliberately to reject his keenest and sharpest tool. The methods of mental and spiritual knowledge are entirely different. For we know a thing mentally by looking at it from outside, by comparing it[...]".
Originally published as an English translation in 1981, The Middle English Mystics is a crucial contribution to the study of the literature of English mysticism. This book surveys and analyses the language of metaphor in the writings of such mystics as Richard Rolle, Walter Hilton, Julian of Norwich, and in such anonymous works as The Cloud of Unknowing and the Ancrene Wisse. The main emphasis of this comparative and stylistic study is not theological but rather the means by which theological concepts are communicated through language. The book sets the English mystics in perspective by establishing their place in the European mystical movement of the Middle Ages. It shows how intricate the relationship between English, and continental mysticism really is. The book suggests that there is clear links between English and German female mysticism, yet the mysticism is in the main due not so much to specific influences as to the common background of Christian theology and mysticism.
Excerpt from Mysticism in English Literature The variety of applications of the term "mysticism" has forced me to restrict myself here to a discussion of that philosophical type of mysticism which concerns itself with questions of ultimate reality. My aim, too, has been to consider this subject in connection with great English writers. I have had, therefore, to exclude, with regret, the literature of America, so rich in mystical thought. I wish to thank Mr John Murray for kind permission to make use of an article of mine which appeared in the Quarterly Review, and also Dr Ward and Mr Waller for similar permission with regard to certain passages in a chapter of the Cambridge History of English Literature, vol. ix. I am also indebted to Mr Bertram Dobell, Messrs Longmans, Green, Mrs Coventry Patmore and Mr Francis Meynell for most kindly allowing me to quote from the works respectively of Thomas Traherne, Richard Jefferies, Coventry Patmore, and Francis Thompson. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The variety of applications of the term "mysticism"' has forced me to restrict myself here to a discussion of that philosophical type of mysticism which concerns itself with questions of ultimate reality. My aim, too, has been to consider this subject in connection with great English writers. I have had, therefore, to exclude, with regret, the literature of America, so rich in mystical thought.