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A unique work, providing the underlying spiritual principles lacking in most modern books of astrology. It is accompanied by 12 color plates of a 16th-century Persian manuscript.
A unique work, providing the underlying spiritual principles lacking in most modern books of astrology. It is accompanied by 12 color plates of a 16th-century Persian manuscript.
For centuries Ibn ‘Arabi has been considered the “Greatest Master” of Islamic spiritual teaching, but Western readers have only recently had access to his greatest writings. This introduction to Ibn ‘Arabi’s Meccan Illuminations highlights the mysticism and realization of Sufi spiritual life, providing an intellectually penetrating look without requiring specialized knowledge. The development of several key themes and modes of reflection in Ibn ‘Arabi’s spiritual teachings are explored as are the gradually unfolding meanings that distinguish this important classical text of Sufi practice.
Spiritual attainment has frequently been described as a transformation whereby a human's leaden, dull nature is returned to its golden state. This wonderfully insightful volume introduces some of the metaphors useful for establishing attitudes required for the soul's advancement: trust, confidence, hope, and detachment. It is a reminder that when any substance or entity undergoes dissolution, it must eventually be resolved or re-crystalized in a new, possibly higher and more noble form.
Al-Shaykh al-Akbar (The Greatest Master) and Khatm al-Walaya al-Muhammadiyya (The Seal of Muhammadan Sainthood) is one of a few Muslim saints who often used diagrams to convey his rich and detailed kashf (unveiling) to the reader.It is with the intention of bringing these precious renderings from the 'beyond' to readers who are lovers of Sufism, Spirituality, Art and Ibn al-'Arabi that I am motivated to compile these nineteen diagrams, translate any terms therein to English and also include the Shaykh's guide to understanding the illustrations.Aside from this preface, the titles given to each diagram and a single disclaimer in the chapter "Silent Cartography of Reality," all else in this book is Ibn 'Arabi's own words and drawings.In many ways, these diagrams serve as a visual synthesis and summary of the Shaykh's entire thought. From this perspective, this book is a gift to artists who have an interest in Sufism and spirituality. They are those who intuitively know that art, like the Unseen, is to be tasted and contemplated, as opposed to categorized and rationalized.
Author : Samer Akkach Publisher : State University of New York Press Page : 289 pages File Size : 29,25 MB Release : 2012-02-01 Category : Religion ISBN : 0791483444
This fascinating interdisciplinary study reveals connections between architecture, cosmology, and mysticism. Samer Akkach demonstrates how space ordering in premodern Islamic architecture reflects the transcendental and the sublime. The book features many new translations, a number from unpublished sources, and several illustrations. Referencing a wide range of mystical texts, and with a special focus on the works of the great Sufi master Ibn Arabi, Akkach introduces a notion of spatial sensibility that is shaped by religious conceptions of time and space. Religious beliefs about the cosmos, geography, the human body, and constructed forms are all underpinned by a consistent spatial sensibility anchored in medieval geocentrism. Within this geometrically defined and ordered universe, nothing stands in isolation or ambiguity; everything is interrelated and carefully positioned in an intricate hierarchy. Through detailed mapping of this intricate order, the book shows the significance of this mode of seeing the world for those who lived in the premodern Islamic era and how cosmological ideas became manifest in the buildings and spaces of their everyday lives. This is a highly original work that provides important insights on Islamic aesthetics and culture, on the history of architecture, and on the relationship of art and religion, creativity and spirituality.
The Mansions of the Moon are a lunar Zodiac, measuring the movement of the Moon against the fixed stars Used by medieval and Renaissance astrologers, this ancient system has been lost for hundreds of years. In the Mansions of the Moon, author Christopher Warnock, a leading traditional astrologer and astrological magician, explains the origin and use of the Mansions, for electional and natal astrology as well as for the production of Mansion talismans. Included are English translations of the Mansion sections from Picatrix, the most famous astrological grimoire. Also included are 28 beautiful Mansion images by the talented artist and mage Nigel Jackson, which readers can use to create their own Mansion talismans. With a full introduction, theory and practical examples, updated 2019-2033 Mansions ephemeris and numerous useful appendices of traditional Mansion sources, the Mansions of the Moon is a must have source for traditional astrology and astrological magic.
Sufi Aesthetics argues that the interpretive keys to erotic Sufi poems and their medieval commentaries lie in understanding a unique perceptual experience. Using careful analysis of primary texts, Cyrus Ali Zargar explores the theoretical and poetic pronouncements of two major Muslim mystics, Muhyi al-Din ibn al-'Arabi (d. 1240) and Fakhr al-Din 'Iraqi (d. 1289), under the premise that behind any literary tradition exist organic aesthetic values. The complex assertions of these Sufis appear not as abstract theory, but as a way of seeing all things, including the sensory world. The Sufi masters, Zargar asserts, shared an aesthetic vision quite different from those who have often studied them. Sufism's foremost theoretician, Ibn 'Arabi, is presented from a neglected perspective as a poet, aesthete, and lover of the human form. Ibn 'Arabi in fact proclaimed a view of human beauty markedly similar to that of many mystics from a Persian contemplative school of thought, the "School of Passionate Love," which would later find its epitome in 'Iraqi, one of Persian literature's most celebrated poet-saints. Through this aesthetic approach, this comparative study overturns assumptions made not only about Sufism and classical Arabic and Persian poetry, but also other uses of erotic imagery in Muslim approaches to sexuality, the human body, and the paradise of the afterlife described in the Qur'an.