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"While caring for her mother, Sarah has a series of vivid flashbacks that reveal the troubled history of the Ellis family, including episodes of abuse. In these revived memories, Sarah relives her childhood trauma and moves toward a deeper understanding of her mother as well as the parental tensions that clouded her youth."--BOOK JACKET.
NATIONAL BESTSELLER "A phenomenal, human story. . . . I could not put this book down." —CLARA HUGHES An instant national bestseller, this raw and affecting memoir is the story of a mother and daughter who beat the odds together. Decades before Perdita Felicien became a World Champion hurdler running the biggest race of her life at the 2004 Olympics, she carried more than a nation's hopes—she carried her mother Catherine's dreams. In 1974, Catherine is determined and tenacious, but she's also pregnant with her second child and just scraping by in St. Lucia. When she meets a wealthy white Canadian family vacationing on the island, she knows it's her chance. They ask her to come to Canada to be their nanny—and she accepts. This was the beginning of Catherine's new life: a life of opportunity, but also suffering. Within a few years, she would find herself pregnant a third time—this time in her new country with no family to support her, and this time, with Perdita. Together, in the years to come, mother and daughter would experience racism, domestic abuse, and even homelessness, but Catherine's will would always pull them through. As Perdita grew and began to discover her preternatural athletic gifts, she was edged onward by her mother's love, grit, and faith. Facing literal and figurative hurdles, she learned to leap and pick herself back up when she stumbled. This book is a daughter's memoir—a book about the power of a parent's love to transform their child's life.
The first book of its kind, Our Caribbean is an anthology of lesbian and gay writing from across the Antilles. The author and activist Thomas Glave has gathered outstanding fiction, nonfiction, memoir, and poetry by little-known writers together with selections by internationally celebrated figures such as José Alcántara Almánzar, Reinaldo Arenas, Dionne Brand, Michelle Cliff, Audre Lorde, Achy Obejas, and Assotto Saint. The result is an unprecedented literary conversation on gay, lesbian, bisexual, and transgendered experiences throughout the Caribbean and its far-flung diaspora. Many selections were originally published in Spanish, Dutch, or creole languages; some are translated into English here for the first time. The thirty-seven authors hail from the Bahamas, Barbados, Cuba, the Dominican Republic, Grenada, Guyana, Haiti, Jamaica, Panama, Puerto Rico, St. Vincent, St. Kitts, Suriname, and Trinidad. Many have lived outside the Caribbean, and their writing depicts histories of voluntary migration as well as exile from repressive governments, communities, and families. Many pieces have a political urgency that reflects their authors' work as activists, teachers, community organizers, and performers. Desire commingles with ostracism and alienation throughout: in the evocative portrayals of same-sex love and longing, and in the selections addressing religion, family, race, and class. From the poem "Saturday Night in San Juan with the Right Sailors" to the poignant narrative "We Came All the Way from Cuba So You Could Dress Like This?" to an eloquent call for the embrace of difference that appeared in the Nassau Daily Tribune on the eve of an anti-gay protest, Our Caribbean is a brave and necessary book. Contributors: José Alcántara Almánzar, Aldo Alvarez, Reinaldo Arenas, Rane Arroyo, Jesús J. Barquet, Marilyn Bobes, Dionne Brand, Timothy S. Chin, Michelle Cliff, Wesley E. A. Crichlow, Mabel Rodríguez Cuesta, Ochy Curiel, Faizal Deen, Pedro de Jesús, R. Erica Doyle, Thomas Glave, Rosamond S. King, Helen Klonaris, Lawrence La Fountain-Stokes, Audre Lorde, Shani Mootoo, Anton Nimblett, Achy Obejas, Leonardo Padura Fuentes, Virgilio Piñera, Patricia Powell, Kevin Everod Quashie, Juanita Ramos, Colin Robinson, Assotto Saint, Andrew Salkey, Lawrence Scott, Makeda Silvera, H. Nigel Thomas, Rinaldo Walcott, Gloria Wekker, Lawson Williams
Researching through volumes in several libraries and archives in the United States, author Kay Mouradian visited the village in Turkey where her mother and her mothers family, along with twenty-five thousand other Armenians, were forced to leave their homes. Traveling over the same deportation route to the deserts of Syria where more than a million Armenians perished, the author became acutely aware of the suffering of her mothers generation and the lingering sense of injustice they carried. Like the 6 million Jewish people lost in the Holocaust, Armenians lost an incredibly vibrant, successful, and valuable gene pool of more than a million as a result of the Armenian genocide. This story of fourteen-year-old Flora Munushian, the authors mother, brings an epic chapter in Armenian history to life and takes it to heart. Floras incredible story honors her people with dignity and personifies the human spirit of hope, love, and justice. Floras voice is that of all the victims and survivors of the Armenian Genocide, a story that must not be forgotten. I am my mothers voice, says Dr. Mouradian, and this is her story.
My Mother's Apprentice is the sequel to Stuck in the Onesies and the story of Karen and Ginger, the second generation. Ginger is the artsy one and aspires to be a singer/songwriter. Karen is married and dreams of writing the great American novel. The 1970s culture draws Ginger to Jamaica to pursue her career at the advent of the reggae movement. Karen is married and working to complete her novel while raising a family.Their friendship survives a 38 year period, despite the pull of addiction, abortion, and ghosts, real and imagined. The lessons learned from their mothers help them to hold onto the bonds they've shared. They find that learning from the past is good, but living in it is not, discovering redemption in the midst of tragedy.The story continues in the third novel of the trilogy, Ginger Star.
The island is a powerful metaphor in everyday speech which extends almost naturally into several academic disciplines, including musicology. Islands are imagined as isolated and unique places where strange, exotic, different and unexpected treasures can be found by daring adventurers. The magic inherent within this positioning of islands as places of discovery is an aspect which permeates the theoretical, methodological and analytical boundaries of this edited book. Showcasing the breadth of current musicological research in Australia and New Zealand, this edited collection offers a range of subtle and innovative reflections on this concept both in established and well-charted territories of music research.
When sixteen-year-old Thankful Curtis must leave Bright Island, Maine, for the first time in 1937, she has trouble adjusting to life on the mainland, new people, and "proper schooling," and yearns for her days of farming with her father and sailing.
My Mother's Kitchen is an enchanting place filled with promise, change and good food. If the weathered walls of this magical room could talk they would tell the story of Meena and her childhood life. Each chapter is a slice in her young life and depicts her spunk and youthful spirit. A visit to the local Fruit and Flower Show becomes an adventure as told by Meena. Her distress at finding out about her aunt's dark secret or her joy of making a new friend are all told in her naïve, yet pure voice. Her mother is a central character in her life and it is no wonder that the kitchen is a special place of healing and rejuvenation, not only for Meena but for other characters like Kashi and Ayah. Look for the continuing store in Seeing Ceremony, now available!
From the winner of the New Academy Prize in Literature (the alternative to the Nobel Prize) and critically acclaimed author of the classic historical novel Segu, Maryse Condé has pieced together the life of her maternal grandmother to create a moving and profound novel. Maryse Condé’s personal journey of discovery and revelation becomes ours as we learn of Victoire, her white-skinned mestiza grandmother who worked as a cook for the Walbergs, a family of white Creoles, in the French Antilles. Using her formidable skills as a storyteller, Condé describes her grandmother as having “Australian whiteness for the color of her skin...She jarred with my world of women in Italian straw bonnets and men necktied in three-piece linen suits, all of them a very black shade of black. She appeared to me doubly strange.” Victoire was spurred by Condé’s desire to learn of her family history, resolving to begin her quest by researching the life of her grandmother. While uncovering the circumstances of Victoire’s unique life story, Condé also comes to grips with a haunting question: How could her own mother, a black militant, have been raised in the Walberg’s home, a household of whites? Creating a work that takes you into a time and place populated with unforgettable characters that inspire and amaze, Condé’s blending of memoir and imagination, detective work and storytelling artistry, is a literary gem that you won’t soon forget.
This is a story of how a small group of people made a transformation from Jew to Jewish American to American Jews. It is not unlike the transformation and Americanization of other peoples. How it differs is from the very fact that a religion, a set of beliefs transformed into a nationality. It is about a period of time in one woman's life, my mother who was a blend of Europe and America. She was a mixture of ethnicity, culture, religion and Americanized traditions; a potpourri of ideas and actions unlike most and yet common to us all. This is also my story as well as hers. It is about our lives and times of changes. It is about the games we played, the education we received, the changes in religious practices, the friends we had, and the environments in which we lived. My mother possessed virtues that were stark realities of everyday life. It was that there was always room at her table and there never was a shortage of food. She was a powerful loving matriarch who touched the lives of a great many people with a "touch" of this (knowledge), and a "touch" of that, (love).