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My mother's family, my godfather, and my confirmation sponsor, were all from a small Hungarian town called Gyongyos in Heves(mountainous) County an hour north of Budapest at the feet of the Matra Mountains on the northern end of the Great Hungarian Plain. In 1944, there were 22,000 people living in Gyongyos, including about 2500 Jews, most of whom, like my mother's family, perished. A handful, including my mother, survived. This is their story.
When a young boy and his mother travel overseas to her childhood home in Korea, the town is not as he imagined. Will he be able to see it the way Mommy does? This gentle, contemplative picture book about family origins invites us to ponder the meaning of home. A young boy loves listening to his mother describe the place where she grew up, a world of tall mountains and friends splashing together in the river. Mommy’s stories have let the boy visit her homeland in his thoughts and dreams, and now he’s old enough to travel with her to see it for himself. But when mother and son arrive, the town is not as he imagined. Skyscrapers block the mountains, and crowds hurry past. The boy feels like an outsider—until they visit the river where his mother used to play, and he sees that the spirit and happiness of those days remain. Sensitively pitched to a child’s-eye view, this vivid story honors the immigrant experience and the timeless bond between parent and child, past and present.
Who was your mother before she was a mother? Essays and photos from Brit Bennett, Jennifer Egan, Danzy Senna, Laura Lippman, Jia Tolentino, and many more. In this remarkable collection, New York Times–bestselling novelist Edan Lepucki gathers more than sixty original essays and favorite photographs to explore this question. The daughters in Mothers Before are writers and poets, artists and teachers, and the images and stories they share reveal the lives of women in ways that are vulnerable and true, sometimes funny, sometimes sad, and always moving. Contributors include: Brit Bennett * Jennine Capó Crucet * Jennifer Egan * Angela Garbes * Annabeth Gish * Alison Roman * Lisa See * Danzy Senna * Dana Spiotta * Lan Samantha Chang * Laura Lippman * Jia Tolentino * Tiffany Nguyen * Charmaine Craig * Maya Ramakrishnan * Eirene Donohue * and many others
The New York Times–bestselling graphic memoir about Alison Bechdel, author of Fun Home, becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood…and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers. A New York Times, USA Today, Time, Slate, and Barnes & Noble Best Book of the Year “As complicated, brainy, inventive and satisfying as the finest prose memoirs.”—New York Times Book Review “A work of the most humane kind of genius, bravely going right to the heart of things: why we are who we are. It's also incredibly funny. And visually stunning. And page-turningly addictive. And heartbreaking.”—Jonathan Safran Foer “Many of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this; sort of like a comic book by Virginia Woolf. You won't believe it until you read it—and you must!”—Gloria Steinem
Vaudeville actress Leah Randall took on her most daring role ever when she impersonated missing heiress Jessie Carr in order to claim Jessie's inheritance in The Impersonator. Now that the dust has settled around that tumultuous time in her life, Leah has adopted Jessie's name as her own and moved to Hollywood, where she's taken a modest but steady job in the silent film industry. Jessie's thrilled when Bruno Heilmann, a movie studio bigwig, invites her to a party. She's even more delighted to run into a face from her past at that party. But the following day, Jessie learns that sometime in the wee hours of the morning both her old friend and Bruno Heilmann were brutally murdered. She's devastated, but with her skill as an actress, access to the wardrobes and resources of a film studio, and a face not yet famous enough to be recognized, Jessie is uniquely positioned to dig into the circumstances surrounding these deaths. But will doing so put her own life directly in the path of a murderer? With Silent Murders, MB/MWA First Crime Novel Competition winner Mary Miley has crafted another terrifically fun mystery, this time set in the dizzying, dazzling heart of jazz-age Hollywood.
This is an autobiography turned into fiction, as the theme of the story is not interesting enough to entrance the audiences awareness and not interesting to become a big-budget motion depiction. It does not attract all the social lessons of all the races and nations and does not convey a message of slaughter to be lived by, success to be dishonored, and achievements to get pleasure from.
Since when is prodigal son Matt Sawyer a small-town farmer surrounded by kin? Since the terms of his late father's will demand he stay in Harland, North Carolina. Terms that attorney and hometown gal Caty McKenzie has to ensure are carried out. Matt left Harland years ago and never looked back. But running the farm and spending time with Caty brings out a caring, faithful side of Matt that he didn't know existed. And Matt's soon to discover the real challenge: convincing love-shy Caty to stay right there with him.
A Message from Mike Rowe, the Dirty Jobs Guy: Just to be clear, About My Mother is a book about my grandmother, written by my mother. That’s not to say it’s not about my mother—it is. In fact, About My Mother is as much about my mother as it is about my grandmother. In that sense, it’s really a book about “mothers.” …It is not, however, a book written by me. True, I did write the foreword. But it doesn’t mean I’ve written a book about my mother. I haven’t. Nor does it mean my mother’s book is about her son. It isn’t. It’s about my grandmother. And my mother. Just to be clear.—Mike A love letter to mothers everywhere, About My Mother will make you laugh and cry—and see yourself in its reflection. Peggy Rowe’s story of growing up as the daughter of Thelma Knobel is filled with warmth and humor. But Thelma could be your mother—there’s a Thelma in everyone’s life. Shes the person taking charge—the one who knows instinctively how things should be. Today Thelma would be described as an alpha personality, but while growing up, her daughter Peggy saw her as a dictator—albeit a benevolent, loving one. They clashed from the beginning—Peggy, the horse-crazy tomboy, and Thelma, the genteel-yet-still-controlling mother, committed to raising two refined, ladylike daughters. Good luck. When major league baseball came to town in the early 1950s and turned sophisticated Thelma into a crazed Baltimore Orioles groupie, nobody was more surprised and embarrassed than Peggy. Life became a series of compromises—Thelma tolerating a daughter who pitched manure and galloped the countryside, while Peggy learned to tolerate the whacky Orioles fan who threw her underwear at the television, shouted insults at umpires, and lived by the orange-and-black schedule taped to the refrigerator door. Sometimes, we’re more alike than we know. And in case you’re wondering, Peggy knows a thing or two about dirty jobs herself…
Since 1964, Colombia has been embroiled in internal armed conflict among guerrilla groups, paramilitary militias, and the country’s own military. Civilians in Colombia face a range of abuses from all sides, including killings, disappearances and rape—and more than four million have been forced to flee their homes. The oral histories in Throwing Stones at the Moon describe the most widespread of Colombia’s human rights crises: forced displacement. Speakers recount life before displacement, the reasons for their flight, and their struggle to rebuild their lives. NARRATORS INCLUDE: MARIA VICTORIA, whose fight against corruption as a hospital union leader led to a brutal attempt on her life. In 2009, assassins tracked her to her home and stabbed her seven times in the face and chest. Since the attack, Julia has undergone eight facial reconstructive surgeries, and continues to live in hiding. DANNY, who at eighteen joined a right-wing paramilitary’s training camp. Initially lured by the promise of quick money, Danny soon realized his mistake and escaped to Ecuador. He describes his harrowing escape and his struggle to survive as a refugee with two young children to support.