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"No matter how many Holocaust stories one has read, this one is a must, for its impact is so powerful."--School Library Journal, starred I did not ask myself, "Should I do this?" but "How will I do this?" Through this intimate and compelling memoir, we are witness to the growth of a hero. Much like The Diary of Anne Frank, In My Hands has become a profound testament to individual courage. You must understand that I did not become a resistance fighter, a smuggler of Jews, a defierof the SS and the Nazis, all at once. When the war began, Irene Gut was just seventeen: a student nurse, a Polish patriot, a good Catholic girl. Forced to work in a German officiers' dining hall, she learns how to fight back. One's first steps are always small: I had begun by hiding food under a fence. Irene eavesdropped on the German's plans. She smuggled people out of the work camp. And she hid twelve Jews in the basement of a Nazi major's home. To deliver her friends from evil, this young woman did whatever it took--even the impossible.
Part coming of age, part call to action, this fast-paced #ownvoices novel about a Deaf teenager is a unique and inspiring exploration of what it means to belong. Smart, artistic, and independent, sixteen year old Piper is tired of trying to conform. Her mom wants her to be “normal,” to pass as hearing, to get a good job. But in a time of food scarcity, environmental collapse, and political corruption, Piper has other things on her mind—like survival. Piper has always been told that she needs to compensate for her Deafness in a world made for those who can hear. But when she meets Marley, a new world opens up—one where Deafness is something to celebrate, and where resilience means taking action, building a com-munity, and believing in something better. Published to rave reviews as Future Girl in Australia (Allen & Unwin, Sept. 2020), this empowering, unforgettable story is told through a visual extravaganza of text, paint, collage, and drawings. Set in an ominously prescient near future, The Words in My Hands is very much a novel for our turbulent times.
Now every parent, grandparent, or teacher can explain to a child the difference between appropriate and inappropriate touching in a way that young boys and girls can understand. As a child, there are constantly people trying to pick you up, hug you, or tickle you. Sometimes, though, children fall victims to people who try to touch them inappropriately. But how do you tell someone, most likely an adult, that you don’t want to be touched? Or, if it has already happened, how do you tell an adult you trust about what happened? You’re only a child, and they’re the adults. Why would they believe you? My Body Belongs to Me from My Head to My Toes is an educational tool to help instill confidence in children when it comes to their bodies. The narrative of the story is led by a girl named Clara, who encourages kids to say “no” if they are uncomfortable with physical contact. The narrator gives readers tips about what they can say or do to avoid unwanted physical contact, or how to tell the right people in the event it has already occurred. My Body Belongs to Me from My Head to My Toes is an invaluable resource that gives children a voice in uncomfortable situations.
Vashti believes that she cannot draw, but her art teacher's encouragement leads her to change her mind and she goes on to encourage another student who feels the same as she had.
“From birdhouses to shadow puppets, the variety of projects included are delightful . . . An effective medley of concept, poetry, and artwork.”—School Library Journal For young makers and artists, brief, lively poems illustrated by a New York Times bestselling duo celebrate the pleasures of working with your hands. Building, baking, folding, drawing, shaping . . . making something with your own hands is a special, personal experience. Taking an idea from your imagination and turning it into something real is satisfying and makes the maker proud. With My Hands is an inspiring invitation to tap into creativity and enjoy the hands-on energy that comes from making things. “Poetry sparks an irresistible, primal urge to twist, cut, paint, draw, glue, carve, whittle, daub, tie, hammer, to simply make.”—Kirkus Reviews “A cheery reminder of the pride of creating something and the many forms art can take.”—Publishers Weekly “Whether invoking cooking, sewing, tying knots, or other undertakings, this provides an enjoyable springboard for aspiring makers.”—Booklist