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Music of the Great Depression

Author : William H. Young
Publisher : Bloomsbury Publishing USA
Page : 321 pages
File Size : 22,47 MB
Release : 2005-02-28
Category : Music
ISBN : 0313027358

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Prior to the stock market crash of 1929 American music still possessed a distinct tendency towards elitism, as songwriters and composers sought to avoid the mass appeal that critics scorned. During the Depression, however, radio came to dominate the other musical media of the time, and a new era of truly popular music was born. Under the guidance of the great Duke Ellington and a number of other talented and charismatic performers, swing music unified the public consciousness like no other musical form before or since. At the same time the enduring legacies of Woody Guthrie in folk, Aaron Copeland in classical, and George and Ira Gershwin on Broadway stand as a testament to the great diversity of tastes and interests that subsisted throughout the Great Depression, and play a part still in our lives today. The lives of these and many other great musicians come alive in this insightful study of the works, artists, and circumstances that contributed to making and performing the music that helped America through one of its most difficult times. The American History through Music series examines the many different styles of music that have played a significant part in our nation's history. While volumes in this series show the multifaceted roles of music in our culture, they also use music as a lens through which readers may study American social history. The authors present in-depth analysis of American musical genres, significant musicians, technological innovations, and the many connections between music and the realms of art, politics, and daily life.

Depression Folk

Author : Ronald D. Cohen
Publisher : UNC Press Books
Page : 219 pages
File Size : 23,16 MB
Release : 2016-08-26
Category : Music
ISBN : 1469628821

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While music lovers and music historians alike understand that folk music played an increasingly pivotal role in American labor and politics during the economic and social tumult of the Great Depression, how did this relationship come to be? Ronald D. Cohen sheds new light on the complex cultural history of folk music in America, detailing the musicians, government agencies, and record companies that had a lasting impact during the 1930s and beyond. Covering myriad musical styles and performers, Cohen narrates a singular history that begins in nineteenth-century labor politics and popular music culture, following the rise of unions and Communism to the subsequent Red Scare and increasing power of the Conservative movement in American politics--with American folk and vernacular music centered throughout. Detailing the influence and achievements of such notable musicians as Pete Seeger, Big Bill Broonzy, and Woody Guthrie, Cohen explores the intersections of politics, economics, and race, using the roots of American folk music to explore one of the United States' most troubled times. Becoming entangled with the ascending American left wing, folk music became synonymous with protest and sharing the troubles of real people through song.

Music of the Great Depression

Author : William H. Young
Publisher : Greenwood
Page : 0 pages
File Size : 34,41 MB
Release : 2005-02-28
Category : Music
ISBN : 0313332304

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This volume in the new American History through Music reference series examines the roles of music during the Great Depression.

The Great Depression Put to Music, Song and Dance

Author : June Bear Ritchie
Publisher : Trafford Publishing
Page : 105 pages
File Size : 29,48 MB
Release : 2011-08
Category : Biography & Autobiography
ISBN : 1426971109

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The Great Depression is a part of real history that really did happen. In 1929 was when it was really bad. People were hungry there were no jobs and no money. I was born the 1929 and the depression went all through the twenties and thirties and into the early forties; but times were getting bad. The depression was taking its toll on everything and everyone. A little money went a long way, but there was no money and to top everything off the stock market fell and everyone lost their money in the stock market, the banks closed their doors, no one could bet their money out. My father had a friend that lost all of his money in the bank in 1929. If you didn't live in this time of history you can't imagine what life was like. I watched my father walk 4miles to work in a rock quarry carrying his lunch box then walk home after sledging rock all day. My mother raised a vegetable garden and canned a lot of food so we would have food for the winter. This is just a preview. Now, how did I come up with the name of my book? The Great Depression Put to Music, Song and Dance. My father played violin and mother played piano - Music My sister and I sang - Song I grew up to teach dance - Dance

Dancing in the Dark: A Cultural History of the Great Depression

Author : Morris Dickstein
Publisher : W. W. Norton & Company
Page : 625 pages
File Size : 29,56 MB
Release : 2010-09-06
Category : Business & Economics
ISBN : 0393338762

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A cultural history of the 1930s explores the anxiety, despair, and optimism of the period, exploring how the period culture provided a dynamic lift to the country's morale.

Lessons from the Great Depression

Author : Peter Temin
Publisher : MIT Press
Page : 220 pages
File Size : 38,15 MB
Release : 1991-10-08
Category : Business & Economics
ISBN : 9780262261197

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Lessons from the Great Depression provides an integrated view of the depression, covering the experience in Britain, France, Germany, and the United States. Do events of the 1930s carry a message for the 1990s? Lessons from the Great Depression provides an integrated view of the depression, covering the experience in Britain, France, Germany, and the United States. It describes the causes of the depression, why it was so widespread and prolonged, and what brought about eventual recovery. Peter Temin also finds parallels in recent history, in the relentless deflationary course followed by the U.S. Federal Reserve Board and the British government in the early 1980s, and in the dogged adherence by the Reagan administration to policies generated by a discredited economic theory—supply-side economics.

Born and Bred in the Great Depression

Author : Jonah Winter
Publisher : Schwartz & Wade
Page : 41 pages
File Size : 46,37 MB
Release : 2011-10-11
Category : Juvenile Nonfiction
ISBN : 0375983856

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East Texas, the 1930s—the Great Depression. Award-winning author Jonah Winter's father grew up with seven siblings in a tiny house on the edge of town. In this picture book, Winter shares his family history in a lyrical text that is clear, honest, and utterly accessible to young readers, accompanied by Kimberly Bulcken Root's rich, gorgeous illustrations. Here is a celebration of family and of making do with what you have—a wonderful classroom book that's also perfect for children and parents to share.

Hard Luck Blues

Author : Rich Remsberg
Publisher :
Page : 264 pages
File Size : 28,22 MB
Release : 2010
Category : Biography & Autobiography
ISBN :

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Showcasing American music and music making during the Great Depression, Hard Luck Blues presents more than two hundred photographs created by the New Deal's Farm Security Administration photography program. With an appreciation for the amateur and the local, FSA photographers depicted a range of musicians sharing the regular music of everyday life, from informal songs in migrant work camps, farmers' homes, barn dances, and on street corners to organized performances at church revivals, dance halls, and community festivals. Captured across the nation from the northeast to the southwest, the images document the last generation of musicians who learned to play without the influence of recorded sound, as well as some of the pioneers of Chicago's R & B scene and the first years of amplified instruments. The best visual representation of American roots music performance during the Depression era, Hard Luck Blues features photographs by Jack Delano, Dorothea Lange, Russell Lee, Arthur Rothstein, Ben Shahn, Marion Post Wolcott, and others. Photographer and image researcher Rich Remsberg breathes life into the images by providing contextual details about the persons and events captured, in some cases drawing on interviews with the photographers' subjects. Also included are a foreword by author Nicholas Dawidoff and an afterword by music historian Henry Sapoznik. Published in association with the Library of Congress.

Music in Unconventional Spaces

Author :
Publisher :
Page : 106 pages
File Size : 12,57 MB
Release : 2018
Category :
ISBN :

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The world of the Great Depression was in massive transition as the economy crumbled and people sought an escape from their ordinary and troublesome lives. The expanding and remodeling cultural forms of this time worked to provide this diversion for all people. One of these forms in particular adapted to fulfill the need of the American people: music. While music was a popular form of culture throughout the American past, it went through a large transition beginning in the Gilded Age through the Great Depression in order to survive. With the beginning of the Great Depression, professional and amateur groups began outreach for larger audiences, both as a way of maintaining their musical organization and as a means of reaching people who desired to escape from their everyday lives by losing themselves in the sound of music. Through this, cultural forms that previously belonged to certain classes no longer remained under their sole control. Cultural forms quickly became the property of the masses. One form this change took was the movement of music out of the concert hall and into the public sphere. This thesis will provide the first in-depth examination of the rise of music outside the concert hall in these unconventional spaces, which allowed for larger audiences and the presence of people who may have felt unwelcome in the formidable face of the concert hall. The first part of this thesis will establish context for the rise of music outside the concert hall during the Great Depression, beginning with the changing music scene of the Gilded Age. The first chapter will discuss the rise of public parks and the building of physical spaces made specifically for outdoor concerts. The second chapter features an overview of the concerts held outdoors during the Great Depression, as well as the groups that formed to perform at these concerts. Finally, the last chapter will examine the Federal Music Project, the first federally funded music program in America, which led to the creation of new music groups and further groups performing in unconventional venues.

Radio's America

Author : Bruce Lenthall
Publisher : University of Chicago Press
Page : 275 pages
File Size : 34,46 MB
Release : 2008-11-15
Category : Technology & Engineering
ISBN : 0226471934

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Orson Welles’s greatest breakthrough into the popular consciousness occurred in 1938, three years before Citizen Kane, when his War of the Worlds radio broadcast succeeded so spectacularly that terrified listeners believed they were hearing a genuine report of an alien invasion—a landmark in the history of radio’s powerful relationship with its audience. In Radio’s America, Bruce Lenthall documents the enormous impact radio had on the lives of Depression-era Americans and charts the formative years of our modern mass culture. Many Americans became alienated from their government and economy in the twentieth century, and Lenthall explains that radio’s appeal came from its capability to personalize an increasingly impersonal public arena. His depictions of such figures as proto-Fascist Charles Coughlin and medical quack John Brinkley offer penetrating insight into radio’s use as a persuasive tool, and Lenthall’s book is unique in its exploration of how ordinary Americans made radio a part of their lives. Television inherited radio’s cultural role, and as the voting tallies for American Idol attest, broadcasting continues to occupy a powerfully intimate place in American life. Radio’s America reveals how the connections between power and mass media began.