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Music plays a crucial role in Tolkien's mythology, and his tales contain many songs as well as mentions of musicians and instruments. This volume follows the path of analyzing the use and significance of music in Tolkien's literary texts and considers the broader context, such as adaptations and other authors and composers.
The twentieth century witnessed a dramatic rise in fantasy writing and few works became as popular or have endured as long as the novels of J.R.R. Tolkien. Surprisingly, little critical attention has been paid to the presence of music in his novels. This collection of essays explores the multitude of musical-literary allusions and themes intertwined throughout Tolkien's body of work. Of particular interest is Tolkien's scholarly work with medieval music and its presentation and performance practice, as well as the musical influences of his Victorian and Edwardian background. Discographies of Tolkien-influenced music of the 20th and 21st centuries are included.
Presents the complete account of the making of the Lord of the Rings trilogy music score, and includes extensive music examples, original manuscript scores, and glimpses into the creative process from the composer.
The spellbinding world of Middle-earth is full of beasts and battles, heroes and heroines, and the struggle between good and evil. In this dictionary of sources, Tolkien scholar and best-selling author David Day's four decades of research inform us about the lands, inhabitants, languages, geography and history of Middle-earth. This compelling encyclopedia on Tolkien's world also includes over 200 illustrations and an appendix. This work is unofficial and is not authorized by the Tolkien Estate or HarperCollins Publishers.
Organized religion is notably absent from J.R.R. Tolkien's Secondary Universe, despite the author's own deep Catholic faith. Essays in Light Beyond All Shadow explore this anomaly across the full sweep of Tolkien's legendarium, plus Peter Jackson's film trilogy. Contributors examine the sources and style of Tolkien's Catholic imagination, from Biblical typology to personal relationships. Although his imagery has both Christian and pagan resonances, Tolkien's "comedy of grace" is neither occult nor Manichaean. Creation reveals the Creator, Light stands for sub-creative power diffusing from the Deity. Water, music, poetry, and the life-giving Feminine are signposts of transcendence. As in its earlier companion volume, The Ring and the Cross, Light Beyond All Shadow illuminates Tolkien beautifully. -- Back cover.
Examines artistic interpretations of Tolkien's fantasy world, including movie stills, theatrical performances, games, and comic books, and features the lost art of Mary Fairburn, whose paintings were favored by Tolkien himself.
J.R.R. Tolkien's literary cosmos may not be the most elaborate of the imaginary worlds in existence, it is certainly the most influential. His creation Arda remains unrivalled in its consistency and complexity and Tolkien remains one of the foremost proponents of literary world-building or, his term, (literary) subcreation.
"Something has gone crack," Tolkien wrote about the first death among his tight-knit fellowship of friends in 1916, and the impact of the war haunted his writing for the rest of his life. In his work, the Great War serves as a source of imagery, motifs, themes and of personal trauma to be worked out in meaningful symbolic form throughout his life.
Is Tolkien's work Christian or pagan? This question has intrigued readers and scholars ever since The Lord of the Rings has been published. Even today this important problem has not been given the full critical attention it deserves, and the present volume is an attempt to provide an answer. The volume contains a comprehensive bibliography on the subject, detailed indices, a foreword by Verlyn Flieger, and an afterword by Tom Shippey. Claudio Antonio Testi graduated in Philosophy at the University of Bologna and received a Ph.D. summa cum laude in Philosophy at the Pontificia UniversitÀ Lateranense. He is the President of the Philosophical Institute of Thomistic Studies, Vice President of AIST (Italian Association of Tolkien Studies), and at the Dominican Philosophical Study of Bologna he holds courses on Tolkien and on Formal Logic. As a scholar he has written 43 papers (published, among others, in Tolkien Studies and Hither Shore), two books, and edited 15 volumes, two of them in collaboration with Roberto Arduini for Walking Tree Publishers. Critical voices on the book "[Testi] has brought his readers the best of both schools. He has shown how they work, and best of all, shown how they can work together." (Verlyn Flieger) "Both admirers and critics, however, have now been helped to a better and truer understanding of Tolkien's work by this admirable exposition, the deepest appreciation yet written of Tolkien's Catholicity, and one he himself would certainly have welcomed and approved." (Tom Shippey)