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Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Oleg Grabar, On Catalogues, Exhibitions, and Complete Works ;Jonathan M. Bloom, The Mosque of the Qarafa in Cairo ;Leonor Fernandes, The Foundation of Baybars al-Jashankir: Its Waqf, History, and Architecture ;Howard Crane, Some Archaeological Notes on Turkish Sardis ;Nancy Shatzman Steinhardt, Siyah Qalem and Gong Kai: An Istanbul Album Painter and a Chinese Painter of the Mongolian Period ;Do gan Kuban, The Style of Sinan's Domed Structures ;Yasser Tabbaa, Bronze Shapes in Iranian Ceramics of the Twelfth and Thirteenth Centuries ;Mehrdad Shokoohy and Natalie H. Shokoohy, The Architecture of Baha al-Din Tughrul in the Region of Bayana, Rajasthan ;Glenn D. Lowry, Humayun's Tomb: Form, Function, and Meaning in Early Mughal Architecture ;Peter Alford Andrews, The Generous Heart or the Mass of Clouds: The Court Tents of Shah Jahan ;Priscilla P. Soucek, Persian Artists in Mughal India: Influences and Transformations ;A.J. Lee, Islamic Star Patterns ;
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. Muqarnas 26 contains articles on a variety of topics that span and transcend the geographic and temporal boundaries that have traditionally defined the history of Islamic art and architecture. Contributors include Robert McChesney, Mattia Guidetti, Marcus Schadl, Christian Gruber, Katia Cytryn-Silverman, Doris Abouseif, Olga Bush, Emine Fetvaci, Moya Carey, Bernard O'Kane, Hadi Maktabi, Nadia Erzini and Stephen Vernoit.
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
"Readership: All those interested in the history and theory of art, and histories of Persian literature and culture in the premodern Islamic world."--BOOK JACKET.
This collective study focuses on a unique anonymous medieval document on ornamental geometry featuring geometrical constructions and textual instructions in Persian. Selections from the unpublished work of Alpay Özdural (d. 2003) on this subject have been updated with original contributions by Jan P. Hogendijk, Elaheh Kheirandish, Gülru Necipoğlu, and Wheeler M. Thackston. The chapters interpreting this fascinating document are followed, for the first time, by a facsimile, transcription, and translation, as well as drawings of incised construction lines invisible in the photographed facsimile. This publication intersects with the current interest in Islamic geometrical patterning as an inspiration for tessellation and parametrically derived forms in contemporary architecture and the arts. It aims to make this celebrated source more accessible, given its multifaceted relevance to historians of art, architecture, and science, as well as mathematicians, physicists, artists, and architects. For those who wish to obtain a copy of the full, unedited original book manuscript of Alpay Özdural, where he discusses the mathematical properties of all geometrical constructions in the Anonymous Compendium as well as the step-by-step method for drawing each one, his work is available online at https://doi.org/10.6084/m9.figshare.5255416
Oleg Grabar, 'Michael Meinecke and His Last Book.' Thomas Leisten, 'Mashhad al-Nasr: Monuments of War and Victory in Medieval Islamic Art.' Jere L. Bacharach, 'Marwanid Umayyad Building Activities: Speculations on Patronage.' Nuha N.N. Khoury, 'The Meaning of the Great Mosque of Cordoba in the Tenth Century.' Nasser Rabbat, 'Al-Azhar Mosque: An Architectural Chronicle of Cairo's History.' Howyda N. Al-Harithy, 'The Complex of Sultan Hasan in Cairo: Reading between the Lines.' Michael Cooperson, 'Baghdad in Rhetoric and Narrative.' Aptullah Kuran, 'A Spatial Study of Three Ottoman Capitals: Bursa, Edirne, and Istanbul.' Filiz aĥman and Zeren Tanindi, 'Remarks on Some Manuscripts at the Topkapi Palace Treasury in the Context of Ottoman-Safavid Relations.' Yildirim Yavuz, 'The 1922-26 Restoration Project of the Masjid al-Aqsa by Mimar Kemalettin.' Anthony Welch, 'A Medieval Center of Learning in India: The Haus Khas in Delhi.' Alpay zdural, 'On Interlocking Similar or Corresponding Figures and Ornamental Patterns of Cubic Equations.'