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Monumental Propaganda

Author : Vladimir Voinovich
Publisher : Knopf
Page : 382 pages
File Size : 25,92 MB
Release : 2007-12-18
Category : Fiction
ISBN : 0307426939

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From Vladimir Voinovich, one of the great satirists of contemporary Russian literature, comes a new comic novel about the absurdity of politics and the place of the individual in the sweep of human events. Monumental Propaganda, Voinovich’s first novel in twelve years, centers on Aglaya Stepanovna Revkina, a true believer in Stalin, who finds herself bewildered and beleaguered in the relative openness of the Khrushchev era. She believes her greatest achievement was to have browbeaten her community into building an iron statue of the supreme leader, which she moves into her apartment after his death. And despite the ebb and flow of political ideology in her provincial town, she stubbornly, and at all costs, centers her life on her private icon. Voinovich’s humanely comic vision has never been sharper than it is in this hilarious but deeply moving tale–equally all-seeing about Stalinism, the era of Khrushchev, and glasnost in the final years of Soviet rule. The New York Times Book Review called his classic work, The Life & Extraordinary Adventures of Private Ivan Chonkin, “a masterpiece of a new form–socialist surrealism . . . the Soviet Catch-22 written by a latter-day Gogol." In Monumental Propaganda we have the welcome return of a truly singular voice in world literature.

Monumental Propaganda

Author : Vitaly Komar
Publisher : Independent Curators International
Page : 104 pages
File Size : 32,82 MB
Release : 1994
Category : Art
ISBN :

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Artwork by Komar & Melamid. Contributions by Dore Ashton, Remo Guidieri, Andrei Bitov.

Art of the Soviets

Author : Matthew Cullerne Bown
Publisher : Manchester University Press
Page : 250 pages
File Size : 13,67 MB
Release : 1993
Category : Art
ISBN : 9780719037351

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This work considers aspects of the art and architecture of the Soviet Union during the turbulent period of 1917 to 1922, covering a broad range of art, some modernist, some anti-modernist, but all to some degree guided by (and sometimes coerced by) the apparatus of the over-arching state.

Historical Dictionary of American Propaganda

Author : Martin J. Manning
Publisher : Bloomsbury Publishing USA
Page : 446 pages
File Size : 44,13 MB
Release : 2004-11-30
Category : History
ISBN : 0313058636

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From the French and Indian War in 1754, with Benjamin Franklin's Join or Die cartoon, to the present war in Iraq, propaganda has played a significant role in American history. The Historical Dictionary of American Propaganda provides more than 350 entries, focusing primarily on propaganda created by the U.S. government throughout its existence. Two specialists, one a long-time research librarian at the U.S. Information Agency (the USIA) and the State Department's Bureau of Diplomacy, and the other a former USIA Soviet Disinformation Officer, Martin J. Manning and Herbert Romerstein bring a profound knowledge of official U.S. propaganda to this reference work. The dictionary is further enriched by a substantial bibliography, including films and videos, and an outstanding annotated list of more than 105 special collections worldwide that contain material important to the study of U.S. propaganda. Students, researchers, librarians, faculty, and interested general readers will find the Historical Dictionary of American Propaganda an authoritative ready-reference work for quick information on a wide range of events, publications, media, people, government agencies, government plans, organizations, and symbols that provided mechanisms to promote America's interests, both abroad and domestically, in peace and in war. Almost all entries conclude with suggestions for further research, and the topically arranged bibliography provides a further comprehensive listing of important resources, including films and videos.

The personality cult of Stalin in Soviet posters, 1929–1953

Author : Anita Pisch
Publisher : ANU Press
Page : 538 pages
File Size : 16,56 MB
Release : 2016-12-16
Category : Design
ISBN : 176046063X

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From 1929 until 1953, Iosif Stalin’s image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin’s image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The ‘Stalin’ who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour. The personality cult of Stalin in Soviet posters, 1929–1953 is a unique and valuable contribution to the discourse in Stalinist studies across a number of disciplines.

Propaganda and Mass Persuasion

Author : Nicholas J. Cull
Publisher : Bloomsbury Publishing USA
Page : 504 pages
File Size : 29,49 MB
Release : 2003-07-15
Category : Social Science
ISBN : 157607434X

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A truly international, authoritative A–Z guide to five centuries of propaganda, in both wartime and peacetime, which covers key moments, techniques, concepts, and some of the most influential propagandists in history. This fascinating survey provides a comprehensive introduction to propaganda, its changing nature, its practitioners, and its impact on the past five centuries of world history. Written by leading experts, it covers the masters of the art from Joseph Goebbels to Mohandas Gandhi and examines enormously influential works of persuasion such as Uncle Tom's Cabin, techniques such as films and posters, and key concepts like black propaganda and brainwashing. Case studies reveal the role of mass persuasion during the Reformation, and wars throughout history. Regional studies cover propaganda superpowers, such as Russia, China, and the United States, as well as little-known propaganda campaigns in Southeast Asia, Ireland, and Scandinavia. The book traces the evolution of propaganda from the era of printed handbills to computer fakery, and profiles such brilliant practitioners of the art as Third Reich film director Leni Riefenstahl and 19th-century cartoonist Thomas Nast, whose works helped to bring the notorious Boss Tweed to justice.

Monumental Propaganda

Author : Independent Curators Incorporated
Publisher :
Page : pages
File Size : 48,98 MB
Release : 1994
Category :
ISBN :

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Written on a Memory

Author : Clinton J. Buhler
Publisher :
Page : 198 pages
File Size : 13,17 MB
Release : 2008
Category : Monuments
ISBN :

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Abstract: This thesis explores Stalin's monumental propaganda program (1924-1953) in order to better comprehend his rule in Soviet Russia. Under consideration are the motivations and strategies employed in erecting commemorative structures, with a theoretical analysis of the concept of a "monument as palimpsest." The study explores Stalin's particular interpretation of Russian history by examining the relocation and purposeful iconographic reassignment of existing monuments. The effect of memory as related to the destruction of monuments under Stalin and contemporary issues surrounding his artistic legacy are considered in relation to post-Soviet society and the construction of a Russian identity.