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(Instructional). This book is a complete compilation of scales, modes, exotic scales, and theory. It covers the most common and exotic scales, theory on how they're constructed and practical applications. No prior music theory is necessary since every section is broken down and explained very clearly.
The Original Art 2017 Exhibit 2017-2018 Asian/Pacific American Librarians Association Literature Award Picture Book Honor STARRED REVIEW! "Wang's story thrills but doesn't threaten: Chau's wonderfully vivid watercolors give the monster doe eyes and a round body that make him seem like a cranky, overgrown teddy bear, and Wang shares cultural information about the Chinese New Year with the lightest of touches."—Publishers Weekly starred review Tong tong! The legendary Nian monster has returned at Chinese New Year. With horns, scales, and wide, wicked jaws, Nian is intent on devouring Shanghai, starting with Xingling! The old tricks to keep him away don't work on Nian anymore, but Xingling is clever. Will her quick thinking be enough to save the city from the Nian Monster?
Ever since my first guitar teacher introduced me to the music of Allan Holdsworth in the late 90s, it has been an ongoing apprenticeship. I became fascinated, not only with his music, but with his approach to music itself, and the way he thinks about chords, scales and improvisation. Allan’s REH video was a blessing for me as I was able to glean enough insight into his playing to understand the way the great man thinks, and more importantly to begin to apply those concepts to my own playing. I struggled with music theory and orthodox approaches, so when Allan’s beautifully simple way of thinking about chords and scales clicked for me, I knew I had found something that finally made sense. I must admit, I couldn’t play you a single Allan Holdsworth lick, and I wouldn’t want to as the thought of dissecting his music in that way was always unappealing to me. What I wanted to do was get inside his head, grasp his way of thinking about music, and find out exactly how he was able to come up with such intricate yet outrageous lines and compositions. And that is precisely what this book is about. Allan’s playing looks incredibly complicated, and then some, to the innocent bystander, but the approach behind it is incredibly simple and easy to grasp. It’s so straightforward in fact that most players who have attempted to describe what he does completely miss the point. Once you do understand his approach, however, you’ll have a new appreciation for how far he’s taken it, and how far it can go. This book is not for the faint-hearted, but you shouldn’t be put off by thinking that you’ll be getting to grips with a lot of tricky concepts, because you won’t; Allan’s way of thinking is almost childlike in its simplicity, and when you glimpse it I can assure you that you'll be intrigued.
Rhyming text describes a mother guiding her young monster through bedtime preparations, such as howling at the moon, snacking on worm juice and beetle bread, and choosing a bedtime story.
A fresh cultural analysis of female monsters from Greek mythology, and an invitation for all women to reclaim these stories as inspiration for a more wild, more “monstrous” version of feminism The folklore that has shaped our dominant culture teems with frightening female creatures. In our language, in our stories (many written by men), we underline the idea that women who step out of bounds—who are angry or greedy or ambitious, who are overtly sexual or not sexy enough—aren’t just outside the norm. They’re unnatural. Monstrous. But maybe, the traits we’ve been told make us dangerous and undesirable are actually our greatest strengths. Through fresh analysis of 11 female monsters, including Medusa, the Harpies, the Furies, and the Sphinx, Jess Zimmerman takes us on an illuminating feminist journey through mythology. She guides women (and others) to reexamine their relationships with traits like hunger, anger, ugliness, and ambition, teaching readers to embrace a new image of the female hero: one that looks a lot like a monster, with the agency and power to match. Often, women try to avoid the feeling of monstrousness, of being grotesquely alien, by tamping down those qualities that we’re told fall outside the bounds of natural femininity. But monsters also get to do what other female characters—damsels, love interests, and even most heroines—do not. Monsters get to be complete, unrestrained, and larger than life. Today, women are becoming increasingly aware of the ways rules and socially constructed expectations have diminished us. After seeing where compliance gets us—harassed, shut out, and ruled by predators—women have never been more ready to become repellent, fearsome, and ravenous.
"Small Monsters" is an engrossing fantasy tale from E. Lily Yu, a Tor.com Original All it’s life, a small monster with emerald scales has been source of never-ending food to larger and more powerful creatures who feast on the small monster’s limbs each time one regrows. This is the story of how the small monster meets an industrious artist and reforms into someone new—someone who can’t be eaten. Content warning for fictional depictions of physical and emotional abuse. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
“A MAGNIFICENTLY HILARIOUS MASTERPIECE OF MONSTER PROPORTIONS. I HOWLED WITH LAUGHTER!”, JENNY PEARSON A monstrously funny new adventure series. Readers of 8+ and fans of Mega Monster and Shrek will adore the first in the brand new fantasy series from Irish debut author, Ian Mark